Saturday, June 23, 2018 at 4:20PM By Spencer Coile
Killing Eve is about MI5 agent, Eve Polastri (Oh) becoming fixated on catching international assassin, Villanelle (Comer). Killing Eve explores the subjects commonly associated with spy thrillers -- mystery, intrigue, sex, death – but interestingly, it's all through the lens of two female leads. It's also surprisingly bold, enthralling, and hilarious...
Tuesday, June 12, 2018 at 12:19PM This is a update/reworking of two previous posts about Triple Crowns!
Glenda Jackson is the oldest performer (82) to complete the Triple Crown
Since I'm on record as being annoyed that all anyone cares about is the EGOT it's time to celebrate our preferred obsession: The Triple Crown of Acting. That's when a performer manages the Emmy, Oscar, and Tony. To date only 24 actors* have accomplished this, with Glenda Jackson being the most recent recipient as of this past Sunday night at the Tony Awards. Triple Crowns have become much more commonplace in the 21st century since actors move much more fluidly through the three mediums than they did in before the turn of the century. TV has totally lost its stigma for movie stars and Broadway is more welcome to very short runs freeing major stars up to continue with their movie and TV careers without as much scheduling trauma. A TRUCKLOAD OF TRIVIA AFTER THE JUMP...
Sunday, June 3, 2018 at 7:44PM by Lynn Lee
[Warning: Spoilers for the series finale of The Americans]
It ended not with a bang or with a whimper, but with the characteristic slow burn and emotional gravitas that’s been its hallmark all along. The series finale of The Americans may not have been what everyone expected or wanted, but it was a fitting conclusion to one of the best shows of the decade.
There’s been plenty of speculation over the years about the end game for FX’s critically acclaimed but ratings-challenged drama about Reagan-era Soviet spies posing as the perfectly all-American family next door. History foreordained that the Jenningses’ cause was doomed, and as their personal kill count and internal conflict mounted, a reckoning seemed inevitable...
Emmy, Keri Russell, Matthew Rhys, Noah Emmerich, TV, The Americans, thriller Tuesday, May 29, 2018 at 7:00PM By Spencer Coile
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I intended for this to be a formal review of Jennifer Fox’s autobiographical HBO film, The Tale. I was going to dive into the Sundance darling and discuss it, celebrate it, and critique it the way we do most movies. I was going to conclude with the film’s Emmy chances, where it will no doubt be a worthy contender for Best Made for TV Movie and Laura Dern in Leading Actress. And it’s no wonder – it was critically lauded as a timely reflection of the #MeToo movement.
But a "review" would be doing Fox’s story a disservice. This is, first and foremost, a personal story about Fox's reconciliation with the past as a means of understanding her present and future. The Tale was acclaimed coming out of Sundance, and was quickly scooped up by HBO. Gone were Dern’s Oscar chances, but this decision ensured that the film would reach an audience, which according to Fox, was the point all along.
Dern plays Jennifer Fox at 48-years-old – a documentarian, a professor, engaged. On the surface, she seems to be living a completely fulfilling life. But when her mother (Ellen Burstyn) finds a story that Jennifer wrote at 13, her world begins to crumble...
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Thursday, May 24, 2018 at 8:00PM As we approach Emmy season, Jorge will take a look at the scripts of the pilot episodes for television’s hottest contenders...
Voiceover narrations are usually a way for characters to express things to the audience that they would not be able to learn otherwise, mainly inner thoughts with a heavy helping of story exposition. It’s an easy way for us to understand the emotional place of the characters and fill in the blanks of what we’re seeing.
But what if voiceover were to be used for a time when characters need to express things that not only cannot be said otherwise in the story, but are actually forbidden to be spoken at all? The Handmaid’s Tale portrays a world in which society has become so repressed that the only way for the protagonist to freely speak her mind is, well, in her own mind…
Adaptations, Emmy, The Handmaid's Tale 