Honorary Oscars: Agnès Varda's Cléo from 5 to 7

We're revisiting work from this year's Honorary Oscar winners. Here's Salim on Agnès Varda...

What's good?

When most people look back on the French New Wave, it’s unconsciously seen as a boys’ club, especially of the Cahiers du Cinéma clan with Godard and Truffaut. That’s unfortunate when a chapter in film history feels marginalizing and the masculinity in the French New Wave movement can end up nondescript.Much thanks for Agnès Varda then, representing both the literary Left Bank wing of the French New Wave and the feminine voice she brought to the fray.

While her directorial debut La Pointe Courte predates and even informs much of the French New Wave proper, Cléo from 5 to 7 is essentially the work that broke that glass ceiling and introduced a new sort of perspective into the one of the most radical movements in film history.

And the brilliant thing is how unassuming Cléo from 5 to 7 is about these things. Not TOO relaxed, mind you...

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Podcast: Wonder Wheel, Wonderstruck, BPM, and Last Flag Flying

Nathaniel welcomes NYFF buddies and regular TFE voices Jose Solis and Murtada Elfadl to talk highlights from the fest, some of which are in theaters now! 

Index (43 minutes)
00:01 Intro, NYFF, and The Mountain Between Us tangent
02:50 Steve Carell and Bryan Cranston in Last Flag Flying
07:00 Mixed feelings on Wonderstruck
14:30 Woody Allen's Wonder Wheel starring Kate Winslet and Justin Timberlake
22:10 The Rider, Western, Lady Bird - a year of great female directors
30:00 France's BPM (Beats Per Minute)
34:21 Thelma, Faces Places
41:00 Wrapping up

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

NYFF Highlights

NYFF: "The Rider"

by John Guerin

One of the more exciting breakouts from this year's festival circuit is Chloe Zhao’s elegiac equine drama The Rider. This wistful blend of documentary and poetic realism follows Brady Jandreau — a 20-year-old horse trainer who suffers a near-fatal head injury that stunts any chance of his continuing an impressive rodeo career. Suffused with a melancholic color palette and somber score, The Rider makes palpable the dashed dreams of our young protagonist, charting the reverberations of his accident and their implications with impressive and authentic skill... 

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NYFF: Arthur Miller: Writer

By Manuel Betancourt

There may not be a more towering figure of the American stage than Arthur Miller. From A View from the Bridge and Death of a Salesman to The Crucible and The Price, his plays remain some of the most performed / discussed / dissected dramas of the twentieth century. Capturing men (for they were so often men) caught adrift in an ever-changing world, Miller’s protagonists laid bare the most insidious aspects of American society. 12 years after his death, Arthur Miller: Writer (a riff on what he once said he hoped his obituary would read like), comes to offer a humanizing portrait of the New York City-born dramatist. That it comes courtesy of his daughter, Rebecca (yes, Mrs Day-Lewis, The Meyerowitz Stories’ bit part player, and Maggie’s Plan helmer) means that there’s a level of access and intimacy that we may not otherwise have gotten... 

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Four Better Ways to Spend Avatar's Billion Dollar Budget

By Ilich Mejia

Avatar 2 just began production after it was announced that the saga's four upcoming sequels (filming back-to-back) will have an alleged combined budget of $1 billion. For those of you too pretty to be bothered by mental math, that's an estimated $250 million per sequel. Very good news for the realtor finalizing the purchase of Sigourney Weaver's next vacation home; less good for our over-stuffed "sequels no one needs" file.

To be fair, $250 million doesn't come close to matching the fourth installment no one wanted of the Pirates of the Caribbean series' ($370 million budget), but it is still two handfuls of zeroes (if—for whatever reason—you are missing a pinky) for movies that will come out in the next eight years. 

In an effort that could willingly be misinterpreted as a cry against the threat of capitalism, we have come up with four more pressing ways to spend someone else's money. Come disagree!

01. $250 MILLION for the Crazy Rich Asians press tour + sequels

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