Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Game of Thrones (58)

Friday
May132011

This & That: Ryder, Swank, Clooney, Allen

Buzzfeed has "20 celebrities who used to be hot" which is mildly amusing but at least a couple of the choices are people who still definitely have it goin' on -- hi, Helen Mirren! -- so deduct points for ageism.
MovieCityNews asked you to rank all of Woody Allen's films
New York Times Glowing Sutton Foster profile. Love her. Is Tony #2 coming in June? Anything Goes.

Vulture this brief piece on Winona Ryder's co-starring role with James Franco in The Stare is almost amusingly vague with a capital V. It tells you nothing. Neither will Noni!
Art of the Title Sequence YAY. I've been hoping for this. They've interviewed Angus Wall (who TFE interviewed round Oscar time) on the opening credits to HBO's Game of Thrones.


Ultimate Addict wonders which George Clooney effort will hit with Oscar: The Ides of March or The Descendants. If you're curious my next Oscar chart update will be directly after Cannes. No time for it this week. Busy busy.
Anne Thompson briefly checks in with Hilary Swank on her new role as a producer (Something Borrowed). Sayeth La Swank:

I don't read reviews.

Girl, maybe you should. You know, if you're going to be on the filmmaking side of the equation. Just a thought (It's a pet peeve of mine when stars act like they're above reviews. You can a learn a lot from film criticism, provided that the critic is a good one.)

Thursday
May052011

Game of Thrones, Three Hours In 

I've resisted commenting on the new HBO series Game of Thrones, made possible by way of The Lord of the Rings. (That's a gift that will hopefully keep on giving to the fantasy genre. No one wants to go back to the 80s when B movie status was forced upon an entire genre.) I wanted to see how the series did or did not evolve from the kick-off show a couple of weeks back. So after three hours in the Seven Kingdoms, it feels like time to discuss.

After glancing at a few reviews and comment pieces, most of which seem elated at the ratings or the instant second season renewal, it seems the general consensus is FuckYeahGameofThrones. I am personally not elated though I did want to be. I imagined that the right cast or storytelling decisions in the series would smooth over or even hurdle some of the problems with the book series. I loved the first book but grew less enamored with each until I finally gave up on the series halfway through the third. By that time we had been introduced to dozens of major characters (plus several dozen minor ones) and the story threads, splintered at the thrilling final chapters of the first book, had only been rebraided in the abstract. The characterizations were, generally speaking, quite interesting. What killed it was the lack of interaction between the characters. The map is so big and the plots so resistant to truly intertwining that it felt like you were reading 100 different novels at once and even the ones about blood relatives would almost never overlap. Great characters are great characters but even they need chemistry with other great characters to truly leap off the page or screen.

George R R Martin can turn a phrase with the best of them, build a thrilling moment, and make complex decisions about characterizations (the best longform aspects of the book may be that, aside from maybe three or four characters, most of them minor, nobody seems entirely like heroes or villains). But I found the author's voice too cruel -- the ratio of gruesome plot turns to endearing or lighter or funny or romantic bits is roughly 99 to 1 -- and the stories far too repetitve once it was clear that entire books would go by and we'd still be harping on the same points (in that way it was already a television soap opera!) and still yearning for some face-to-face time between ANY of the characters we'd seen interact in the first novel.

But here's how the pros and cons and character detail breaks down thus far.

Click to read more ...

Tuesday
Jan112011

Pippi Long Linkings

Some links and/or movie news for your perusal

  • Playbill Greenday's "American Idiot," once an album then a Broadway stage musical could eventually be coming to the screen.
  • Deadline Hollywood Daniel Craig will be back as James Bond (whew) in November 2012. No title yet though we're betting it'll easy trump "Quantum of Solace". Sam Mendes is directing. 
  • Cinema Blend Katey shares the news that Debra Granik (Winter's Bone) wants to bring Pippi Longstocking back to the screen. How peculiar/fun!
  • The House Next Door takes an interesting Baltimore-specific look at both Hairspray (1988) and Hairspray (2007).
  • Gold Derby rounds up the Golden Globe predictions from the experts, including moi. Can you believe it's this weekend?
  • My New Plaid Pants obsesses over new HBO Game of Thrones pics. I keep hearing that George R R Martin loses the thread of his story a little bit on the 3rd book (and that there's no book 4) but I tell you. I'm already on book 3 but I think he lost the thread on book 2. It took forever and when it was all over it's kind of like "so, what happened?" everyone is still at war with each other and no closer to resolution on any of their stories. The end. You know, long arcs are fine. But you have to stagger them a bit so that SOMETHING happens. I mean a lot of things happened but few that advanced the big arc. It was a bit like how I felt at the end of Harry Potter and the Deathly Hallows Part One only less angry because Martin's writing is so beautifully assured. My how he can paragraph.
  • i09 on the American cast of new Being Human series (based on the British series of the same name). Normally I oppose remakes but there's no reason why this couldn't be better since (spoiler alert: NOTHING HAPPENS in Being Human either). It's turning into a theme today. Seriously, where were the stakes in Being Human? It was just a whole lot of supernatural moping.

 

Finally, as you may have heard, Michelle Pfeiffer is getting back to work in 2011. The goddess is currently filming the Valentine's Day sequel New Year's Eve which opens this December and now she's confirmed for Alex Kurtzman's Welcome to People (2012) where she'll play the mother of Chris Pine, a man who must deliver his deceased dad's fortune to a long lost sister (or some such. I'm no good with plots.) Now, I know we're all getting older every day and I know that my favorite movie star is 52 BUT her own children Claudia Rose and John Henry are 17 and Michelle is not old enough to play a 30 year old's mother. Well, yes, she technically is but I don't have to like it. Please to remember that her last onscreen lover Rupert Friend is only a year older than Chris Pine.

Given the cinematic year the world's 50-to-60something actresses just had (I'm talking about Tilda Swinton, Isabelle Huppert, Julianne Moore, Annette Bening, Kim Hye-Ja, Barbara Hershey, Helen Mirren, Jacki Weaver, Melissa Leo and Lesley Manville who all starred or co-starred in complex roles in successful films) I think Pfeiffer is totally slacking. Pick it up lady. Challenge yo'self.

Page 1 ... 8 9 10 11 12