15 Days Until Oscar: The habit, get into it.

15 is today's magic number. As far as I can tell -- though I am not Pope-infallible-- 15 women have been Oscar nominated over the years for playing nuns or nun apprentices... what are they called, novitiates? novices? problems-like-Maria?

Let's pray for them together after the jump. Which of these nominations do you most approve of and why is it so hard to win for playing a Sister or Mother Superior? 

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On this day: Lady Jane, Devil Dolls, Bergman Wedding, Phase Three

Helena Bonham Carter & Cary Elwes star in Lady Jane (1986)On this day in history as it relates to the movies

1553 Lady Jane Grey takes the throne in England. Her reign is just nine days long and Helena Bonham Carter plays her in her feature film debut (filmed just before A Room With a View though it was released second)
1856 Nikola Tesla, famed inventor and futurist is born in the Austrian empire. He's later played by David Bowie in Christopher Nolan's The Prestige (2006) but isn't it strange that he has never received his own major biopic given his fame and eccentricity and pop culture relevances (bands named after him, characters based on him, etcetera)?
1871 Marcel Proust, French novelist is born.

 1925 The "Monkey Trial" in which a man is accused of teaching evolution in science class, begins in Tennessee. It's later adapted into a famous play and the Stanley Kramer film Inherit the Wind (1960) nominated for four Oscars
1936 The Devil-Doll, a horror flick directed by Dracula's Tod Browning opens in US movie theaters starring Lionel Barrymore, who masquerades as an old womenfor nefarious purposes (!), and Maureen O'Sullivan.

1937 Ingrid Bergman gets married for the first time at the age of 21 in Sweden to Petter Aron Lindström. They are married until 1950 when she divorces him to marry Italian director Roberto Rossellini (Stromboli, Journey to Italy) temporarily making Bergman persona non grata in Hollywood for her scandalous adultery
1946 Sue Lyon, Kubrick's Lolita (1962) is born. She won the now defunct award "Most Promising Performer" from the Golden Globes that year but her career was rather shortlived
1958 Fiona Shaw, British great of stage and screen, is born
1959 Ellen Kuras, great cinematographer (Eternal Sunshine of the Spotless Mind, Summer of Sam) is born
1966 AO Scott, Film Critic for the New York Times is born. He recently released the book "Better Living Through Criticism". Happy 50th, A.O.
1977 Chiwetel Ejiofor, Oscar nominated star of 12 Years a Slave, is born 
1983 Iranian actress Golshifteh Farahani (star of About Elly and The Patience Stone) is born. Charlie McDowell is born to actors Malcolm McDowell and Mary Steenburgen on this day as well.  He has recently become a director with the Twilight Zone like romantic dramedy The One I Love and next year's scifi romance The Discovery starring his girlfriend Rooney Mara as well as Riley Keough and Jason Segel 

1992 Roland Emmerich's Universal Soldier battles it out with the live action animated hybrid Cool World and the romantic dramedy Prelude to a Kiss on their opening day in US movie theaters (none of them are unable to unseat A League of Their Own, which stays at #1 in its second week.)
2020 Marvel Studios has already blocked out the date - supposedly for the penultimate film in their "Phase 3" plan though we don't yet know what that is.

Who should join Angelina Jolie in the Murder Cast?

Murtada here. Agatha Christie’s Murder on the Orient Express is being remade by Kenneth Branagh. He will direct and play the lead part of Belgian detective Hercule Poirot who’s investigating a murder that happens on the famous train as it is making its way across Europe. The novel has been adapted several times, most famously into an Oscar winning film in 1974 by Sidney Lumet and an all star cast, led by Albert Finney as Poirot. Angelina Jolie was announced as Mrs Hubbard, an American loquacious socialite, played in 1974 version by Lauren Bacall. It’s good casting as the part calls a star with lots of presence.

Even though I haven’t read the Christie novel, I have seen the movie version and a 2010 British TV version with Jessica Chastain right before she hit it big. The story lends itself to an all star cast as basically every character gets an intro, one big scene and gets to participate in the finale. And everyone has a secret of course so the parts are juicy and fun and not too taxing on the actors. Hopefully lots of entertaining actors will sign up.

Who would you cast? Our suggestions for some of the characters after the jump...

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NYFF: Ingrid Bergman - In Her Own Words

Manuel, adding a belated capper to our Ingrid Bergman centennial coverage. While I’m well-versed on Streep, Davis, Hepburn, and other towering female stars, Bergman has always eluded me. It is my one big actressexual blindspot. Is it because she’s effortlessly aloof, somehow always beyond my grasp?

When I wrote about Cactus Flower and that amazing dance sequence, I realized the only other film of hers I’d watched is (obviously) Casablanca. So, when I saw the New York Film Festival would be screening Ingrid Bergman - In Her Own Words, well, I couldn’t deny myself the pleasure of taking Bergman 101, a general survey of the actress crafted out of Bergman’s own letters and diaries (hence the title) and made up mostly of her own home videos. You get to see a young Isabella Rossellini, a bumbling Hitchcock, and Rossellini playing papa to his young kids, and even Ingrid’s very first “no makeup” screen test; I’m sure they had to add the qualifier because those deep red lips popped even in black and white.

I’m unsure how the film plays for those who know everything about the mythic beginnings of that enigmatic Swedish star, all the gossip surrounding her banishment from Hollywood (and her triumphant return), and who can trace the history of cinema by tracking the star’s own move from small national markets to Hollywood to Europe and back again, all the while gracing the stage in Italy, France, the West End and Broadway. But for those of us uninitiated -- or at the very least, not well-versed -- in Bergman, this was a treat, particularly paired with so many home movies that showcase not only her great eye. As her daughter Ingrid says, while most families have as many home tapes as them, Bergman’s were never boring, and you can see in her obsession with recording her visits with her kids an attempt to capture moments that were always much too short and fleeting. 

Much like Bernstein’s look at his mother Nora Ephron (boy what is it with mothers at this festival!), Stig Björkman’s film is not really interested in hagiography; frank conversations with her children paint a picture of an ambitious woman who did everything and anything she needed (and wanted!) to do what she wanted to do above all: be in front of the camera, in many cases at the expense of her children and her marriages. Pia Lindström, her daughter from her first marriage, is asked at one point whether there’ll one day be a Mommie Dearest book about Bergman. Oh no, she says, I can’t imagine that ever happening. She was always so loving. If anything, we all just wanted more of her.

Ingrid Bergman - In Her Own Words plays Monday October 5th and Tuesday October 6th.

Autumn Sonata: Ingrid's Swan Song

Happy Ingrid Bergman Centennial! The great movie star was born 100 years ago on this very day in Stockholm, Sweden. Jose closes out our 10 film retrospective with a look at her final feature film - Editor

Jose here. True story: there was a time when I thought Ingrid Bergman and Ingmar Bergman were the same person. Not because I had seen Persona and dreamt of metaphysical unions between both great Swedes, but merely because I was a child.

I first laid eyes on Ingrid on the box of my grandma’s tape of Casablanca, when I was 6, and there was something about those eyes filled with longing and sorrow that one day drew me to insert the tape into the player. Bewitched by the earthy qualities and the warmth she exuded, I devoured as many of her films as I could get my hands on, until one day I heard someone talk of Ingmar. Convinced that it was merely a mispronounced version of Ingrid’s name I remained oblivious until the day I saw The Seventh Seal at age 12. The more I learned of Ingmar’s work in the following years, the less I thought there would be room for Ingrid in his world of damaged, oft cold human beings.

Then I watched Autumn Sonata and not only did she make sense in Ingmar’s universe, it seemed to be the place she was born to be in. Playing world famous pianist Charlotte Andergast, the director allowed her beautiful features to reflect a severity she had merely suggested in earlier roles during her career, as if she chose not to be breathtaking. The film has Liv Ullmann play Charlotte’s daughter Eva, who resents her mother for not having been around much when she was a child. To say that their exchanges are unkind would be an understatement, when every word seems like a dagger aimed for the ultimate kill.

Cinema's Legendary Bergmans. No relation.

Ingmar’s kind of existentialism often drew from his own life, but in Autumn Sonata he seems to have made a film all about Ingrid. For starters, the very notion of a mother abandoning her children was something that allegedly tormented Ingrid who left her own child in America to pursue a relationship with director Roberto Rossellini in the 1950s, in traditional Bergman fashion though, Charlotte isn’t entirely filled with regret though, and she seems pleased with having Eva’s contempt, rather than having spent her life pretending she wanted to be with her children. It’s a bold performance that breaks from the nurturing qualities Ingrid had shown all throughout her career.

Charlotte turned out to be the Oscar winner’s big screen swan song, she would then go into semi-retirement only to act in a Golda Meir biopic that would win her an Emmy and a Golden Globe, but her work in Autumn Sonata makes for a beautiful bookend when juxtaposed with her first big role in Intermezzo. In fact, we could propose a theory that Charlotte is another version of Intermezzo’s Anita Hoffman, in fact she could even be the same woman, a professional musician who realizes her art is more important than anything else in the world, after being subjected to endless heartbreak at the hand of the man she loves. It’s a thing of beauty to realize that she had been showing us shades of Charlotte more than 40 years before. Could it be that Ingmar had seen Intermezzo as a young man and dreamed this part for his leading lady before he began his own career? Even though Ingrid and Ingmar weren't the same person after all, they were meant to do transcendental art together all along.

previously: Intermezzo (1939), Dr Jekyll & Mr Hyde (1941), For Whom the Bell Tolls (1942), Notorious, (1946), Joan of Arc (1948), Journey to Italy (1954), Indiscreet (1958), The Inn of Sixth Happiness (1958), Cactus Flower (1969) and 10 Best Ingrid Bergman Kisses (1935 through 1970)