Peter Bogdanovich Gives Good Quote

on the set of What's Up Doc (1972)Peter Bogdanovich, one of the leading directors of the early Seventies, has finally made another movie at 76 years of age. She's Funny That Way, which stars Jennifer Aniston and opens today, is his first since The Cat's Meow (2001) with Kirsten Dunst. His career has been very quiet since his last true hit (Mask, 1985) but he hasn't been.

Bogdanovich's lack of inhibition when talking to the press has surely caused him problems in his career, but it's a source of joy for movie fanatics.It's all too rare to get unmassaged opinions from powerful artists who aren't worried about ruffling the feathers of other artists.

He just gave good quote to the Hollywood Reporter on Barbra Streisand in What's Up Doc? (1972) who originally wanted to do a drama with him instead of a comedy, Cher in Mask (1985) --  he doesn't exactly flatter her but to say he believes she should have won the Oscar that year, and making Paper Moon (1973) with the O'Neal's. That's our favorite of his pictures as you probably noted during the 1973 Smackdown last year.

But his quote on The Last Picture Show (1971) is the best:

[The scene in which] Cloris Leachman [who won the best supporting actress Oscar for her role] throws that coffee pot and yells at Timothy Bottoms — Cloris did it brilliantly. She wanted to rehearse it and I kept saying, “I don’t want to rehearse it; I want to see it for the first time when we actually roll.” I had learned that idea — to not let the actors show you an emotional scene before they shot it — from John Ford through Henry Fonda. It was Hank Fonda who told me that for the big climactic scene with the mother in The Grapes of Wrath, [Ford] wouldn’t let the actors play it for him — he wanted it to be fresh when they did it and of course he used the first take.

So I said, “Action!” and she was extraordinary. [But] she said, “I can do it better.” I said, “No, you can’t; you just won the Oscar.” And to this day — Jeff Bridges told me that he [recently] ran into Cloris and that she said, “Oh, I’m so angry at Peter. That was the first take. I could have done it better.” And Jeff said: “Oh, Cloris. You won the Oscar!”

Top Ten Reasons I Should've Bought that "Baker Boys" Photograph When I Had The Chance

Today the new season of TFE begins! We're celebrating with an all top ten list day. Every few hours, a new and highly random top ten list to kick off the Fall Movie Season (our favorite time of year!). Let's start with something that's been haunting me because I forgot to post about the 25th anniversary of The Fabulous Baker Boys yesterday, one of my all time favorite films. A long time ago in a New York City that still felt like a galaxy far far away (I was a recent transplant... 1999/2000?) I attended a Jeff Bridges photography show. He's really a very good photographer and takes photos on the sets of his movies. I stared and stared at this enormous black & white photograph of Michelle Pfeiffer that Bridges had taken. 

This photo is so magnificent in person

My bank account was humiliation in numeric form though I don't remember how much the giant beauty cost.

TOP TEN REASONS I SHOULD'VE BOUGHT THAT FABULOUS BAKER BOYS ON SET PHOTOGRAPH OF MICHELLE PFEIFFER ANYWAY...

10. However $$$, it would have long since paid for itself in number of looks / pleasure derived.

09. Though there were several things that contributed to my cinephilia and actressexuality, many of which have been oft-referenced at The Film Experience (among them: Streep & Turner & Woody in theaters, a neighborhood revival house, Hitchcock on VHS and old Natalie Wood films on the TV, etcetera) Michelle Pfeiffer on the piano top was the final nail in my 'normal person' coffin. I would never again not be obsessive about these things

08. If I (inexplicably) couldn't have a reunion of Bridges & Pfeiffer onscreen, it least it would have been on the wall sandwiching me with Baker Boys mania when the pair were reunited on my television in 2010.

07. The picture would have looked even bigger in my impossibly small training-wheels Manhattan apartment

06. Jail time served from robberies to afford it, would have only brought me closer to the best of her Bad Girls: Elvira Hancock, Lamia, Velma and Catwoman, but especially icy predator convict Ingrid Magnusson (White Oleander, which should have won Pfeiffer her second or third Oscar but who's counting?) 

05. Though the frames edges were sharp and glass is hard, perhaps it would have emotionally cushioned the blow of the recent discovery that Michelle Pfeiffer recently turned down ANOTHER Oscariffic role -- Lisa Genova, the author of Still Alice discusses its journey to film and the handful of A list actresses that turned it down, starting around 5:45 mark. 

Dr. Lisa Genova Part 7 Being Present is the Best Thing You Can Do for Someone with Alzheimer's and Yourself from Bill Slater on Vimeo.

(Turning down Thelma & Louise and Silence of the Lambs and now Still Alice which might well give another long Oscar-denied actress the gold? Painful... although it probably wouldn't have gotten anywhere near Oscar with Brett Rattner attached so maybe it was smart for all those A and B+ listers to say no)

04. For a reminder of that movies insanely great cinematography. How Michael Ballhaus lost the Oscar I shall never understand.

03. Because black and white goes with everything.

02. Because this Bridges photo above was not available for purchase. I love it so much because it challenges all of my feelings and perceptions of La Pfeiffer and renders her thoroughly human... in a perfect Not Susie Diamond way.

01 For further vindication: Ain't nobody would ever spent thousands of dollars to get a framed photo of Jessica Tandy on the set of Driving Miss Daisy. Truth bomb.

Review: The Giver

Hey, folks. Michael Cusumano here fresh from having Jeff Bridges impart the wonders of humanity directly into my brain.

It’s an amusing irony that Phillip Noyce’s film of Lois Lowry’s beloved middle-school staple The Giver feels like an afterthought following the recent glut of Young Adult adaptations. It was Lowry’s vision of dystopia which helped launch the army of teenage Chosen Ones currently clogging multiplexes nationwide. Now, not only is The Giver late to the party, but the richly imagined worlds of Lowry’s literary descendants have left her story feeling undercooked. I can’t imagine teenage audiences who have spent the past few years steeped in the sprawling, detailed insanity of Suzanne Collins’ Hunger Games books will be rapt with attention watching Jeff Bridges shambling around his library, triggering the occasional lame stock footage montage meant to portray humanity in all its myriad wonders.

Noyce’s film version might have had a fighting shot if it had tapped into the elemental power of the story’s spare allegory, but alas, even with a plotline of this simplicity, The Giver can’t make the pieces fit. The logic begins to fall apart right from the opening narration. We are told that this is a society where all the highs and lows of humanity have been wiped away and people live in a serene state of medicated blankness. Everyone strolls around grinning like they lost a fight with a body snatcher. We meet our hero Jonas (Brenton Thwaites, a monument to blandness) on the day of the great Ceremony where he and his two equally personality-free friends are to receive their lifetime job assignments. Yet no sooner does the narration tell us that this world is free from competition and envy than we hear the trio chatting about how they hope they get a great job, crossing their fingers that they don’t get put on the janitorial staff. Correct me if I’m wrong, but wouldn’t this indicate that they are A) competitive and B) envious.

Get used to this confusion...

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Her Royal Majesty, The Queen of Link

This collection was meant to publish some 24 hours ago. Enjoy these links you might well have seen already!

Decider tracks Channing Tatum's expanding neck 
MNPP Jason calls a Happy Hobbit Ending for Lee Pace within six months. I think this is optimistic. 
Pajiba thoughtfully creates an anti-superhero-movie-diversity Bingo board. Love it!
AV Club Jeff Goldblum participated in a Jurassic Park themed wedding photo. It's great
The Dissolve Epix is airing a color version of Alexander Payne's Nebraska. What the hell?

Arts Beat Helen Mirren to play the Queen again on Broadway. Will the third time be the charm for a first Tony? If she wins she will have won the Oscar, Emmy and Tony all for playing Queen Elizabeths I & II. Quite a specific niche, eh?
The Wire a very bad day for the creator of True Detective Nic Pizzolatto who doesn't handle criticism very well and is now accused of plagiarism as the Emmys approach
The Film Stage shares Akira Kurosawa's 100 favorite films list (originally published in a book from 1999 apparently). Like me his favorite Scorsese is King of Comedy!
The Wrap DC has adjusted its Batman v. Superman: Dawn of Justice schedule to avoid Captain America 3. That sentence would have unthinkable years ago but Marvel has really made it work.
MNPP "Gratuitous Teddy Sears" I 100% approve and I would like to point out that I raved about him all the way back during his very tiny role on Dollhouse and so glad he got such a plum gig on Masters of Sex 

Ooh look, Jeff Bridges and Beau Bridges (Emmy nominated for Masters of Sex) talking about their acting process at an event in LA. (There's also a clip of them talking about The Fabulous Baker Boys but it's not about Michelle Pfeiffer at all - sacrilege - so I lost interest)

There's no point in even linking to a story about this but how terrible is it that they've opted to call the next Terminator film, a needless reboot when time-travel narratives can reboot themselves while also not stupidly pretending that other films didn't exist, Terminator Genisys. That's the actual title, people, purposeful mispelling and all. 

Finally, i09 shares ten lessons we can learn from the surprising success of Guardians of the Galaxy. Even though I think the movie has really pulled off a conjob on critics (it's winning rapturous ignore-the-obvious-flaws praise I think because it gets a couple of important things very right), most of these are bullet points are true. But I have to shake my head and roll my eyes hard at this bit about its cross-gender appeal at the box office:

How can a movie appeal to both of these groups? Because they both want the same thing, more or less — fun adventures in which both the male and female characters are fully realized.

Oy. If Gamora is our new standard for "fully realized female characters" in blockbuster cinema our standards have hit rock bottom and the future is going to be BLEAK. The ongoing gender problems in mainstream cinema have really taken a toll on people's expectations. 

Yes, No, Maybe So: "The Giver"

Normally we don't cover "teasers" in the Yes No Maybe So trailer series but we'll make an exception with The Giver because it is trapped somewhere between a short teaser and a full length trailer. And because we might not want to talk about it again, if this 'traiser' is evidence. Despite two of the world's greatest actors (Jeff Bridges & Meryl Streep) helping it along our appetite is not whetted.

The movie, based on a fantastical YA bestseller (aren't they all?), is about a boy living in an utopian future that is actually a dystopia. SURPRISE! La Streep plays the Elder, who likes to be the figurehead of the repressive harmonious society and Jeff Bridges, her mirror on the other side, who helps our young hero to see the truth.

The trailer and our YNMS breakdown after the jump

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