Best International Film: Bhutan & Panama

by Cláudio Alves

The Academy has announced its shortlists, and there aren't many notable surprises to point out. However, two exciting inclusions in the Best international Film front were Bhutan's Lunana: A Yak in the Classroom and Panama's Plaza Catedral. By coincidence, both pictures have powerful behind-the-scenes stories that might have helped boost their profile. Bhutan's case is a story of underdog perseverance, while Panama has a heartbreaking tragedy attached to its film.

Did the Academy make the right choice? Let’s find out…

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Best International Film: Argentina, Hungary, Thailand

by Cláudio Alves

No matter how many masterpieces the genre regularly produces, the Academy cares very little for horror. Every year, a bunch of cinematic nightmares get critical raves and sometimes box office success but fail to capture AMPAS' attention. Not even the Makeup and Hairstyling category, a logical place to reward a cinema full of dilacerated flesh, is very keen on horror. The same happens with the Best International Film race, though that doesn't stop some brave countries from submitting scary movies. This year, some of the more horrific offerings include submissions from Argentina, Hungary, and Thailand…

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Best International Film: Luxembourg, Paraguay, Switzerland

by Cláudio Alves

Instead of thinking about continental closeness, feminine authorship, or similar Oscar records, today's Best international Film submissions are bonded by a thematic link. The pictures selected to represent Luxembourg, Paraguay, and Switzerland all explore matters of displacement, whether through immigration or forced uprooting. They run the gamut, from fiction to documentary, from stories of economic precarity and political oppression to tales of colonial trauma. Though they're championing their countries in the Oscar race, these films consider the nations through complicated lenses and layers of otherness…

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Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

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Best International Film: Chile, Netherlands, Spain

by Cláudio Alves

I'm pleased to bring you the annual grouped reviews of the less high profile submissions for Best International Film Oscar. Many major contenders have already been reviewed (check the end of this article for links), but others remain unexamined. With 93 titles to consider, that's bound to happen. So as we wait for December 21st, when the Academy announces its 15-wide shortlist for this particular race, let's take a look at some of those submissions, starting with three previous champions from the category's history.

Chile won once before, while the Netherlands has three Oscars, and Spain counts four previous victories. This year, they submitted a portrait of colonialism, a drama about war's hell, and a dark comedy starring an Oscar-winning international star… 

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