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Entries in Old Hollywood (176)

Wednesday
Aug132014

Lauren Bacall (1924-2014)

Lauren Bacall receiving her Honorary OscarShe arrived on the scene fully formed, the most womanly, not girlish, teenager you ever did see. In truth Lauren Bacall was newly 20 when To Have and Have Not premiered but it's tough to imagine that she made it at 19. The enormous age gap with co-star Humphrey Bogart (a full quarter century) who she'd marry offscreen almost instantly was mitigated by her steely maturity. There'd be faint echoes of Lauren later, arguably, in the great Kathleen Turner's throaty sensuality and Scarlett Johansson's uncommonly early self-possession, but like all true stars Lauren Bacall was an original and remained her own inimitable thing.

2014 has been unusually cruel in the taking of key giants from Hollywood's golden age but we'll always have their films to remember them by. And in Bacall's case the filmography stretches and stretches and stretches across the eras of cinema. Bacall died yesterday at 89 in Manhattan, bringing her unusually enduring career to an end. She might not have been the most gifted or versatile actress from her peer group, but she had real onscreen fire. Perhaps it was her agelessness - she always seemed 40ish to me, whether she was a teenager or an old woman -- that helped her age so naturally onscreen. She worked consistently right until the end, finding key roles in every decade. That's something to celebrate in and of itself, in an industry so obsessed with youth.

After the jump, 10 essentials covering every decade of her career:

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Wednesday
Aug062014

A Year with Kate: Desk Set (1957)

Episode 32 of 52:  In which Katharine Hepburn plays a woman named Bunny who starts a battle of wits with Spencer Tracy's computer. That's actually the plot.

Desk Set is a strange movie that feels both dated and ahead of its time. Its office setting, midcentury style, and technophobic slant are all signs of 1950s comedy. But in tone it stands apart. The 1930s screwball comedies and the 1940s battles of the sexes had given way to two subgenres in the 1950s: sex comedies (typically starring Marilyn Monroe), or romantic comedies (typically starring Doris Day or alternately Audrey Hepburn, depending on the ratio of laughs to romance).However, Desk Set fits into neither category comfortably. Nor is this second-to-last Tracy/Hepburn collaboration a throwback to their 40s battles.

So, where does Desk Set fit? Considering the flirty bickering over lunch, the playful bantering over dinner, the details about food, the major character revelations during holidays, and the amicable way the leads transition from friendship to romance, Desk Set resembles nothing so much as an Ephron romcom.

And that’s exactly what Desk Set is.

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Wednesday
Jul232014

A Year with Kate: The Iron Petticoat (1956)

Episode 30 of 52:  In which you’d think Katharine Hepburn would have learned to stay away from accents by now.

The 50s were a time of great growth for Kate. The studio system collapsed and stars became more autonomous (Kate had left MGM after Pat & Mike) and Kate used the opportunity to break out of the glamorous-but-dull mold she'd been thrust into. She pursued scripts, directors, and collaborations that electrified her onscreen and off. She toured in Shakespeare, worked with Oscar-nominated directors, and forged a career renaissance even as her contemporaries flailed. Yes, the films she made contained the dreaded "S" word, but if her ladies were single, they were also single-minded and smart. Kate could have been pushed to the side. Instead she found great roles and challenged herself with the opportunities a collapsing system afforded. If her films seem troublesome now, the craftsmanship and artistic growth of this period cannot be denied.

And then there's The Iron Petticoat.

Folks, I sprained my shoulder on Friday and ended up in the emergency room. Despite the pain, I would almost rather go through it again than re-watch The Iron Petticoat. It’s that bad. [More...]

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Wednesday
Jul162014

A Year with Kate: Summertime (1955)

Episode 29 of 52: In which David Lean's beautiful romantic classic gives Katharine Hepburn an eye infection and me a headache

I admit it. The spinster movies confuse me. When Nick and Nathaniel invited me on the podcast (Have you listened to the podcast? Go listen to the podcast), I stated outright that I don’t like Summertime. As a fan, I take almost personal offense hearing my idol continuously called “plain” or (at best) “interesting-looking.”

But as a cinephile, David Lean’s 1955 love letter to Venice engages me. I can’t help it. I’m a sucker for a scopophilic travelogue cinematography. And trains. And Technicolor films that overuse the color red. And judging from last year's Hit Me With Your Best Shot submissions for Summertime, many of you share my inner conflict.

Summertime is more a mood piece than a plot-driven story. David Lean exorcised most of the third act from Arthur Laurents’ original play, Time of the Cuckoo, in order to create a sweetly romantic view of Venice, love, and September romance. Kate plays Jane Hudson, a secretary from Akron, Ohio who comes to Venice for… something. Adventure, maybe? Hanging out the window of the train to the city with her 8mm camera rolling, Jane proves herself immediately to be a curious and active observer.

Red goblets be damned; that 8mm camera is most important object in David Lean's movie. [More...]

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Monday
Jul142014

Podcast: Katharine with a side of Bette!

In this special edition of the podcast, Nathaniel welcomes two Katharine Hepburn buffs Nick Davis and Anne Marie Kelly to talk about their (shared) first Actress Obsession. Naturally Kate the Great isn't the only diva that finds her way into the conversation. Expect supporting roles or cameos: Bette Davis, Cary Grant, Barbara Stanwyck, Tennessee Williams, Deborah Kerr, Spencer Tracy, Audrey Hepburn, George Cukor and more...

You can listen at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.

00:00 Intro. Plus Middle School drama: Hilariously "intense" early obsessions
13:00 Types, Genres, and Suddenly Last Summer
17:00 Her autobiography and films she loathed like Dragon Seed
22:00 Chemistry and co-stars
33:00 Revisiting unsatisfying movies -- raise a cocktail to this peculiar cinephile habit
40:00 The Spinster & The Magic Penis
47:00 Bette Davis and why we compare them. Silliness before the sign off.

Further Reading
Hit Me With Your Best Shot: Summertime 
Nick's Hepburn Oscar Profile
A Year With Kate: Pat & Mike
A Year With Kate: Dragon Seed 
A Year With Kate: Christopher Strong
Me: Stories of My Life (Book)
The Making of the African Queen (Book)
Alex Von Tunzelmann & Self Styled Siren (Twitter) 

Kate with a side of Bette