Most Memorable 2019 Houses

Previously on 'Year in Review'

by Lynn Lee

Domestic spaces in movies can say a lot about the characters who live in them – class, income level, personal history, not to mention personality, tastes, even relationship dynamics (or lack thereof).  But how often does a home take on so much significance it effectively becomes a character in its own right?  2019 was a banner year for that kind of transmutation, as it turns out. 

Here are five homes (or in the first case, an anti-home) that particularly stood out:

5. Charlie’s L.A. apartment in Marriage Story
The nondescript flat Charlie Barber (Adam Driver) reluctantly rents in Los Angeles starts out as almost literally a blank space and quickly becomes remarkable for what it’s not: a home...

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Podcast: Everything you wanted to know about precursor awards week ... but were afraid to ask*

Nathaniel R and Murtada Elfadl welcome back NICK DAVIS! 

In this hour long conversation Nick, Murtada, and your TFE mastermind Nathaniel discuss the first gigantic week of precursor season. What hath the Globes and SAG wrought and who are we sad about (Alfre Woodard!) and who are we rooting for (Antonio Banderas) and the like. We're divided on Judy and Dark Waters and Robert DeNiro's The Irishman and we dunk a little on Richard Jewell and The Two Popes (sorry!). We also have words for NEON not finding a way to honor Clemency while pushing Parasite. Finally we try to suss out the impossible "Best Actor" race which is giving everyone predictive pause.  

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Precursor Madness

Boston, Chicago, St. Louis, AAFCA, Phoenix, and Kansas Pick Their Winners

Little Women  was a hot commodity in the latest round of critics awards. The esteemed Boston Society of Film Critics and the relatively famous Chicago Film Critics Association and the actually very old Kansas City Film Critics have recently announced as have St Louis, Phoenix, and the AAFCA (African American Film Critics Association). Most of those groups found something to love in Greta Gerwig's period piece. Naturally the other usual suspects are accounted for again though The Irishman (which led with Parasite in early critics announcements) isn't particular beloved by today's roundup of associations and circles and societies winning no new Picture or Director prizes.

The winners and a few comments are after the jump...

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FYC: Jo Yeo-jeong

by Kyndall Cunningham

With every nerve-racking awards season, I find myself putting all my emotional stock into the Best Supporting Actress category. There are three main reasons for this: 1) actresses 2) ostensibly, it’s where all the scene-stealers are, and 3) it’s the only category I can count on a woman of color to win. Admittedly, post-Richard Jewell, I’m not nearly as excited about this category as I was, say, a month ago. But I still have faith that this will be the most interesting acting category this season with various wild cards and dark horses popping in and out until the Oscars nominations are announced in January. 

Media outlets have deemed The Farewell’s Zhao Shuzhen the favored dark horse this year, which is great! But I still believe that this category has room for another non-American actress despite the Oscars tendency to stay "local," as Bong Joon-ho would put it.

Jo Yeo-jeong. 

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"Everyone was nominated... except you!" Our annual SAG outrage!

by Nathaniel R

Alanna Ubach does a lot with very little screen time in "Bombshell" but she isn't part of the cast nomination

We'll keep doing these posts each year until the Screen Actors Guild does something about their most unfortunate awards rule. For those who are new to the awards game, please note: If you are a working actor lucky enough to wind up in a film nominated for "Outstanding Performance by a Cast in a Motion Picture," that doesn't mean you are included in the nomination; you have to have your own title card for that! What this means each year is that actors who aren't really famous yet, or don't have an aggressive agent, wind up left out of the official nomination even if they contributed immeasurably to the success of the film or were highly memorable in some small but defining way.

So who got the stealth snub in 2019, who otherwise had every reason to celebrate the nomination? Read on for the specific exclusions this year and the history of most embarrassing omissions from the past due this ruling...

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