1961 Flashback: Best International Film

by Cláudio Alves

Did you know that Juan Carlos Ojano hosts one of the best film podcasts around? The One-Inch Barrier started last year, examining the Best International Film race, going backward in time. As its penultima season is drawing to an end, I was honored enough to return for my third stint as a guest.

The subject, this time, was Ingmar Bergman's Through a Glass Darkly, which won the Oscar in 1961, beating Denmark's Harry and the Butler, Japan's Immortal Love, Mexico's The Important Man, and Spain's Plácido. Though the Swedish flick about God's silence and Harriet Andersson's general awesomeness isn't an especially joyous piece, this was a fun, thoroughly entertaining conversation. Topics ranged from faith to class warfare, from ironic movie titles to Toshiro Mifune's hotness. There was even time to throw shade at some 2021 Oscar contenders, though I refuse to name the mediocrity in question. Take a listen:

What do you think of this Oscar lineup? Are you similarly drawn to the bleak conclusions of Through a Glass Darkly, or do you have another favorite from '61?

On "Marriage Italian Style" and "The Shop on Main Street"

by Nathaniel R

Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored:  Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).  

I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism...

1933 Flashback: Kate vs. May vs. Diana

by Cláudio Alves

For the last few years, Kevin Jacobsen's And the Runner-Up Is has been one of my favorite movie podcasts. After examining every Best Picture race, from 2020 to 1927, the podcast will now focus on the Best Actress category, exploring the nominated performances, the actresses' legacy, and how each race turned out. Who were the likely runners-up?

It's with great pleasure that I announce that I guested on the 1932-33 episode - a dream come true. The nominees were Katharine Hepburn's Oscar-winning turn in Morning Glory, May Robson in Frank Capra's beloved Lady for a Day, and Diana Wynyard in the much-maligned Best Picture-champion Cavalcade. While the trio isn't AMPAS' most inspired selection, there's a lot to talk about. In the episode, Kevin and I unravel Hepburn's major Rachel Berry energy and drunk acting mastery. We talk about the short story that inspired Robson's awards bid and her unlikely stardom. There's also much to analyze in Wynyard's misbegotten flick, including bizarre adaptation choices and the art of performing listening. If you're a Wynyard fan, you might want to avoid this. That being said, I did see some of her other movies, so it's not all hate. I'd go so far as to say that she's as good as Ingrid Bergman in the original 1940 Gaslight. Please give it a listen!

Who would you vote for in this lineup? Also, if you have a dream 1933 Best Actress ballot, please share that too.

Smackdown '37 - The Podcast Companion

by Nathaniel R

150 years ago on this very day the Great Chicago Fire of 1871 began. It raged for three days (October 8th-10th), ravaging most of the city and killing hundreds. In the blockbuster movie In Old Chicago (1937), which we discuss on this Podcast, the cause of the fire is pinned firmly on careless Mrs O'Leary (Alice Brady) and her cow. A new report from the AP for the fire's anniversary says  that there's no evidence to suggest they were the culprits; the widely believed and Hollywood-endorsed story may have sprung from the virulent anti-Irish prejudice of the time. That's just a little anecdote to share since we're finally publishing the podcast portion of the 1937 Smackdown which is now officially the season finale (the other years we had planned to do will have to wait a few months)

Thanks to our guests Chelsea whose letterbox review of Stage Door is "hot girls unite", Pamela who has a hot take on the sexworker trope in Dead End, Tim who makes his case as the world's biggest Stella Dallas fan, and Boyd who shares a possibly apocryphal but amazing stunt double story from In Old Chicago. Hope you enjoy the conversation! 

SMACKDOWN 1937

That Shakespeare + Gods & Monsters conversation

We received word from readers that the Apple Podcast/iTunes service has suddenly gone glitchy with The Film Experience so we wanted to let you know that you can also listen on Stitcher or on Spotify if you haven't yet given the conversation a go. One more round of applause please for writer/director/showrunner Leslye Headland (Russian Doll, The Acolyte), actor Mitch Silpa (Bridesmaids, The Heat), DJ Rob Campion (Cooler Than Ecto), writer Jenelle Riley (Variety), and animator/illustrator Dashiell Silva. 

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Conversation Index (74 minutes)

00:01 - Introduction of the Smackdown Panel and the 1998 Nominees
04:00 - Primary Colors. What works (Kathy Bates) and what doesn't, and how it plays in today's much different political climate.
15:41 - A detour to the 2020 Oscar race and "Da Butt"
17:00 - Hilary and Jackie's odd structure, sadness porn, and tortured artists
28:30 - A detour to The English Patient (1996) and the Weinstein/Miramax industrial complex
34:45 - Shakespeare in Love "a rom-com for theater nerds". Why Judi Dench deserved the Oscar.
50:20 - The disastrous miscalculations of Little Voice, and Brenda Blethyn, hot off of Secrets & Lies
59:30 - Gods and Monsters, hampered by its budget, and maybe even its Oscar winning screenplay. Beautiful performances!
1:12:28 - Wrap-up / Goodbyes.

And in case you missed our 1998 "extras" we revisited Velvet Goldmine, High Art, Beloved, Central Station, The Prince of Egypt, A Bug's Life, The Truman Show, Hollywood's onslaught of blonde ingenues, and the pop culture hits that year.