Sundance: With "Boyhood", We Can Officially Crown Richard Linklater King of Longform Cinema

Our Sundance Film Festival continues with Nathaniel on Richard Linklater's "Boyhood" 

Life can sneak up on you. Individual moments may linger and shape us but most of life's power is cumulative. It's all in the daily living. When narrative art wants to approach the impossibly grand subjects of Life Itself or at least whole huge swaths of it like Falling in Love or Coming of Age or Starting Over, it's usually in the form of a snapshot: one season, one day, one year, one life-changing event. Richard Linklater's incredible Boyhood, 12 years in the making and longer still gestating before that, starts small. When we first meet Mason Jr (Eller Coltrane) he's a boy of 6 or 7, and not that much different than any little boy... staring at clouds, playing outside, fighting with his sister. But Boyhood has much larger scope and Linklater wanders right out of the singular snapshot and bicycles straight for the mosaic. And what a mosaic! [more...]

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12 Things I Learned Attending The Julie Delpy Q&A At The 92nd St. Y

Hey everyone. Michael Cusumano here. At the risk of spoiling the finale of my best of the year rundown I have only handed out one perfect "10" score for 2013 and that was in the review for Before Midnight. So when I had the opportunity to see star and co-writer Julie Delpy in person as part of the Reel Pieces series at the 92nd St. Y I jumped at the chance. For all you Before Trilogy obsessives, here are a dozen highlight discoveries from the evening: 

1. The first thing I learned is that Delpy’s writing credits on Before Midnight and Sunset are not a courtesy toward an actor who improved around the edges of someone else’s screenplay. One only needs to listen to Delpy speak for a few seconds to realize her piercing intelligence is part of the DNA of the trilogy. The authorial voice is unmistakable.

2. On that score, Delpy noted that while she and Hawke were not credited as co-writers until Before Sunset they were also substantial contributors to Before Sunrise, a script that had numerous scenes left as TBD which were filled in by the actors. Delpy says by the time they started the second film in the series she and Ethan Hawke were experienced enough to know to obtain screenwriting credits.

3. Much like a Mike Leigh production, after extensive workshopping between director and actors the finished scripts on the Before films are tightly scripted, down to the dialogue overlaps.

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Interview: Julie Delpy on the ideal way to watch the "Before" trilogy

Julie Delpy speaking in West Hollywood in NovemberStargazing sometimes leads us to believe that we really know the faces who act out our human dramas onscreen. Or that we know the characters they portray as if they were neighbors. It’s a false intimacy and a fantasy, fiction being fiction and strangers being strangers, but sometimes the illusion is too perfect to deny. Such is the case with Julie Delpy and Ethan Hawke as Celine and Jessie in the “Before…”  trilogy. The actors cowrote and costarred in the decades spanning trilogy under the guidance of Director Richard Linklater and the films, perfectly spaced out every nine years, have allowed audiences to age along with them, which has only added to their ephemeral mystique. The films are grounded in reality through their short single day stories and long takes - real life happens one day at a time and without a lot of fussy crosscutting – and the only fantastical element is that every day conversations are rarely this thrilling and this wide ranging and this funny simultaneously for 90 minutes straight without some dud moment or mundane distraction breaking the spell. For that kind of perfection you need miraculous writing and great acting.

Julie Delpy is not, of course, Celine. And though I know this as I settle into our conversation over the telephone I’m temporarily stunned when she, unasked, repeats her trilogy’s most famous line when I bring up the ending to Before Sunset (2004, for which she won a Best Adapted Screenplay nomination though not, tragically, the Best Actress nod she deserved as its companion). She sounds just like Celine… only somehow not...

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Those Who Have Gone "Before"

Hi all, it’s Tim, here on the eve of what is, by far, my most-anticipated summer release of 2013. Not, shockingly, The Hangover, Part III. Not even Epic. No, like most right-thinking people, 2013 for me is all about Before Midnight, the third film in one of cinema’s most unlikely series, in which we revisit lovers Celine (Julie Delpy) and Jesse (Ethan Hawke) every nine years to see what they’ve been up to. The first time we met them in Before Sunrise, they met by accident on a train into Vienna, then in Before Sunset they had an afternoon to walk around Paris, and in this third entry- I have no idea, I’m on completely spoiler lockdown with this film, to the level where I won’t even look at the poster. But I’m willing to guarantee that whatever they’re up to, it’s going to have some very deep resonance and profound truth to speak about the lifespan of romantic relationships.

For the benefit of anyone who hasn’t had the chance to see the earlier movies yet – please change that as soon as possible, I beg you – or to get series veterans riled up for its imminent return (like that’s even necessary), I wanted to share five reasons that, for me, the first two Before… movies are some of the finest romantic dramas in the history of cinema. [more...]

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Dear Sundance: You Make Me Want To...

So please stop telling me that Richard Linklater's Before Midnight, which gives us a third precious day in the lives of Jesse (Ethan Hawke) & Celine (Julie Delpy), is perfect. It's like dangling a morsel of deliciousness outside my cage.

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