Drag Race RuCap: “One Night Only”

So many queens! Too many?

CLÁUDIO ALVES: The most popular drag contest on television (sorry Dragula) may not be called RuPaul's Best Friends Race, but writing for The Film Experience sometimes feels like it. I've met fantastic people over the few years I've been writing for the site, and some have become close pals. Indeed, it's rare that a day goes by without me chatting the house down with the fabulously-haired Nick Taylor. But, of course, when Drag Race's on the air, those conversations devolve into jokey recaps (rucaps!), so it seemed fitting to fuel that enthusiasm back into the site that made us friends in the first place. Though our usual TFE write-ups may lean serious-minded and long-winded, we can be fun and tight. That said, please don't hold us to that promise – we'll try, and that's good enough…right, Nathaniel?

Without further ado, let's dive into the supersized Season 15 premiere...

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Curio: Viola and "Firsts" on Vanity Fair Covers

For this week's Curio let's talk the history of magazine covers rather than fan art.

Isn't the new Vanity Fair cover a beauty?! Viola Davis's profile has gotten a lot of attention but so has the fact that this is the first cover in VF's history to be shot by a black photographer. The name of that very talented man is Dario Calmese and he's previously shot George MacKay and Billy Porter for the magazine.

There's a lot of outrage online: how can this be the first after 100 years? Because we grew up as magazine junkies (before the internet *gasp*) this factoid is interesting and indeed outrageous but also a bit misleading. We'll talk about that in a hot second but first let's focus on the beauty and power of VIOLA DAVIS who we're so proud to have been stanning right here since 2002 when we gave her a gold medal in our annual awards six years before the world at large caught on. Our awards were only celebrating their 3rd birthday then.

How time flies. Now she's a superstar and who is more deserving? No one...

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How Had I Never Seen... "But I'm a Cheerleader"?

by Cláudio Alves

To celebrate Pride Month, the Criterion Channel has chosen to highlight several works of queer cinema as well as various films featuring LGBTQIA+ characters. The selection is varied, spanning from Ettore Scola's Oscar-nominated A Special Day to the avant-garde work of Chantal Akerman and Cheryl Dunne. It's not all high-brow artistry -- there's space for kitschy entertainment, too. Such is the case of 1999's But I'm a Cheerleader directed by Jamie Babbit, a cult classic looking at gay conversion therapy through the prism of outrageous farcical humor. It's a movie I had never watched before, making it a great subject for this particular series…

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What are they reading?

Continue after the jump to discover.

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Doc Corner: Susanne Bartsch and Antonio Lopez Take the Center Stage

By Glenn Dunks

Almost as ubiquitous as biographies of famous musicians (several of those coming in the next month) are documentaries about party icons of queer history. We’ve already had the exploits of The Fabulous Allan Carr and Scotty and the Secret History of Hollywood in 2018 s, and now we can add two more titles: Susanne Bartsch: On Top and Antonio Lopez 1970: Sex Fashion & Disco.

Mother of the club kids, the nicknamed “Queen of the Night” and party planner extraordinaire, Susanne Bartsch is probably best known for her role in putting together the Love Ball in 1989. The AIDS fundraiser with people like Madonna in attendance (no doubt a formative moment in the creation of her single “Vogue”) was iconic in ways that likely gets forgotten about without films like this one to thrust it in their face and remind them. Footage from the ball is pivotal to On Top to contextualize her notoriety as more than just a famous-for-being-famous type of social queen, the likes of which flourished in the time after Warhol in New York City...

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