The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Manuel here encouraging you to gawk at Jake Gyllenhaal in the new poster for his boxing film Southpaw (which got the YES/NO/MAYBE SO treatment a couple of weeks ago when we first saw how ripped our darling Jakey had gotten for this Antoine Fuqua film).
It’s a stunning poster.
I’m literally left with no words; I have nothing else to add. Do you?
It's that time again. As one film year wraps up we get all antsy with excitement for the next. Team Experience voted on their most anticipated films of 2015 and the 15-strong daily movie countdown starts tomorrow morning. It goes without saying that there are far more enticing propositions than just 15. With the definition of 'arthouse cinema' expanding over the last 20 years to include just about every film starring a woman (Truth: something like Still Alice would have been considered mainstream in the 1980s), and just about any drama, even those with true stars, without genre affiliation and the companion visual fx budget it's safe to say that Team Experience leans heavily in that direction, taste wise.
But, lo and behold, some of 2015's upcoming would-be blockbusters actually look enticing. After this rough winter, let us gorge on popcorn all summer long. Here's five would be blockbusters on the other side of Age of Ultron (just discussed) that might be great popcorn entertainments ... or hopelessly mediocre but we won't know until we get there. Keep your hopes up!
EVEREST (Sept 18th) SOUTHPAW (July 31st) Pick a Gyllenhaal, either Gyllenhaal. Post Nightcrawler we have to pray that he's on a legend making hot streak. Icelandic director Baltasar Kormakur's name might not immediately make dibs on 'quality' given what he's made previously since going Hollywood but it's always possible that Everest, his mountain climbing adventure with a really terrific and terrifically manly all star cast (Jake, plus Borlin, Hawkes, Worthington, and Jason Clarke who we recently spoke with) will be thrilling. Especially in IMAX.
As for Southpaw... Though the cinema has been overrun by boxing pictures since, what, 1931?, if Antoine Fuqua can regain his Training Day mojo and Gyllenhaal's character is as dramatic as he sounds (alcholol, drugs, career immolation, child custody trouble) it'll be well worth checking out.
STAR WARS: THE FORCE AWAKENS (December 18th) "Keeping hopeful" is a true hurdle with this one but let's include it anyway out of curious as to whether the TFE readership is excited to see it? (Let us know in the comments). The Star Wars franchise was horrifically marred by the last three films and J.J. Abrams, despite his skill with a camera, doesn't tend to make films with anything like emotional or pop culture staying power. His Star Trek pictures and Mission Impossible one-off made truckloads of money but, quick, name something about any of that that stayed with you and you think of regularly! They were just piggybacking on accumulated decades of glory. Just about his only film that might well have shown us any real "magic" as a storyteller was Super 8... and even that one was largely hit and miss and a self conscious Spielberg knockoff. So, not hopeful but curious. And then we'll get to see what Lupita Nyong'o has been up to apart from red carpets. Let's hope she's in it for more than 1 or 2 minutes.
JURASSIC WORLD (June 12th) Why we didn't ever discuss the trailer I do not know. Chris Pratt as a raptor trainer? Sure, why not. In!
Is Jake still this ripped? Will he look like this as he makes his Broadway debut? Related: do you think the Gyllenhaal siblings made it a point to be on Broadway at the same time?
Between Prisoners, Enemy, Nightcrawler and now Southpaw, will we need to come up with a portmanteau for his resurgence? Jakeaissance? Gyllenhawakening?
Where are his co-stars Naomie Harris and Rachel McAdams?
Related: why does IMDb’s “star meter” (also: what is IMDb’s star meter?) rank McAdams higher than Gyllenhaal in the Southpaw credits?
Will Fuqua’s Southpaw follows the likes of The Fighter, The Wrestler, Ali, Million Dollar Baby, Rocky and Raging Bull at the Oscars and nab Jake a nomination? Weinstein is behind the pic so Oscar is bound to factor into the conversation to some extent.
Is this Jake’s version of stealth campaigning, showcasing his range after picking up an Indie Spirit nom for Nightcrawler?
And of course, I can’t not leave you with this question from Glenn:
Would you rather Jake Gyllenhaal in NIGHTCRAWLER or SOUTHPAW? I'm actually not sure I know my own answer.
I honestly would stick withJarhead Jake, but I’m curious where everyone else lies: do you like Gyllenhaal’s latest look? I can’t be the only Gyllenhaalic in the room so, do you have any answers for my questions above?
The Dissolve Alfonso Cuarón might direct the Harry Potter spinoff Fantastic Beasts and Where To Find Them. The internet seems largely happy about this which puzzles me. I understand everyone likes money but isn't this a huge step backwards after Children of Men/Gravity gave us his full auteurist muscle unbeholden to someone else's franchise? I most definitely think so Pajiba wonders what was up with that airplane curtain closing wordless scene on Mad Men this weekend? The Film Doctor asks 9 questions about Godzilla before realizing he's too old for that shit. (I loved Godzilla so much myself that I've been surprised at the level of thumbs down in comments and online) /bent wonders why The Kids Are All Right's director Lisa Cholodenko hasn't yet made a follow up to that financially successful and Oscar nominated feature
Towleroad one of the Vikings in How To Train Your Dragon 2 comes out as gay kinda. (But ParaNorman will always be first in this regard.) Antagony & Ecstasy on the intuitive, fluid sensory experience of 2001: A Space Odyssey (1968) and its companion novel Slate Cliff Curtis, ethnic chameleon onscreen Gawker "selfie" is entering the dictionary. But why did it take "steampunk" this long? MNPP JA zeroes in on one sweaty hairy detail of the Weinstein Co's Cannes preview: Southpaw's Jake Gyllenhaal The Wire wonders why the internet is so obsessed with Shrek -- I hadn't realized it was (just goes to show you how the interenet is not at all monolithic in terms of its obsessions -- but this is an interesting article The New Yorker if you're still grappling with your feelings about Godzilla here's a smart mixed take from Richard Brody which wrestles with the movies grandeur but lack of complexity and its largely passive human characters
Its scale may feel Biblical, but it doesn’t risk the crises and ecstasies, the sheer moral turbulence provoked by existential menace (cf. “Noah”). The monsters in the movie do monstrous battle, while people—the warriors ostensibly arrayed on the front lines against them—are reduced in the foreground to silhouetted spectators. They are the equivalent of the cutout characters of “Mystery Science Theatre 3000,” but without the comfort of a screen to separate them from the mayhem...
He Said / She Said RogerEbert.com, which I always feel weird about linking to, since the link name always implies that Roger Ebert has written something new but he has of course departed from our mortal coil. Nevertheless, I started to enjoy these opposing pieces from Michael Oleszczyk and Barbara Scharres on David Cronenberg's Maps to the Stars until I remembered after the first couple of paragraphs each that I really really really want to go into this one fresh so I can't read anything. BUT if you're not as "sensitive" as I am about reading reviews before you've seen a movie, that's one rave and one pan from the same site so we are now free to call the movie "divisive" as often as we'd like. It's our favorite kind of critical response - homogeneity being so dreadfully dull. Oleszczyk and Richard Lawson at Vanity Fair both rave about Julianne Moore's performance and that's enough to excite me for now without really reading anything!
Speaking of Julianne Moore...
Here she is with Harrison Ford at a party at Cannes. Remember when nobody knew who she was but her walk in The Fugitive (1993) was so grabby anyway? #whowasthat