Foreign Film Oscar: South Korea's "Front Line"
Tuesday, August 30, 2011 at 9:30PM Oscar's foreign film submission announcements will be flying at us for the next month and you can keep track of the whole list at my foreign oscar predictions pages. A short time ago I told you that South Korea had narrowed down their Oscar submissions. That news was shortlived as the competition is over and they've gone with the battlefield drama The Front Line. [Thanks to faithful TFE reader Jin for the info.]
Here's the warry trailer.
Excuse me but I barely see any actressing! I mean other than Kim Ok-bin. Shouldn't there be a rule against films light on actressing in South Korean cinema? They have so many good ones and their one representative film for AMPAS is practically bereft of them? sigh.
To make up for their sudden xy departure, here's a recent photoshoot starring Kim Ok-bin, who you'll recall was a Film Bitch nominee right here in 2009 for Thirst.
I feel much better already...
Three other selections were announced last week...
ROMANIA
Romania, like South Korea, doesn't have any Oscar nominations to show for years of cinephile enthusiasm. The Academy generally can take some time to catch up so if a country wants to get Oscar play their international cinema heat can't be shortlived. Their entry this year is Marian Crisan debut feature Morgen, a hit at the Locarno festival, which is about an unlikely friendship between a security guard and an illegal Kurdish immigrant.
MOROCCO
Actor Roschdy Zem's second feature as a director Omar Killed Me stars Sami Bouajila, who international arthouse audiences might remember best from the gay comedy The Adventures of Félix or from major roles in two different Algerian Oscar nominees Days of Glory and Outside the Law (both of which happened to co-star Zem). Bouajila pops up in English language films once in awhile too (The Siege, London River). The previous Oscar heat doesn't stop there: Director Rachid Bouchareb, who directed both of the recent Algerian nominees starring these two, helped with the screenplay adaptation of this biopic about an innocent prisoner. The Hollywood Reporter calls it "intense and superbly acted."
VENEZUELA
Alejandro Bellame Palacios’s The Rumble of the Stones is about a mother attempting to rebuild her family's lives after a natural disaster. There are many hardships along the way but apparently it's an optimistic picture; one fan on Facebook called it a "true tribute to the nobility of Venezuelan women."
Not yet announced but getting there...
MEXICO
It's not official yet but you shouldn't be surprised if Mexico goes with festival sensation Miss Bala for their Oscar film which we've mentioned a few times. Awards Daily likes the trailer but I'm not watching it since I'm seeing the film in a couple of weeks and want to be surprised. I'm pretty wild for the poster. It's provocative ... and I mean story-wise though I'm sure breasts never hurt in selling a movie. The movie is getting a U.S. release in the fall courtesy of Fox International.
Mexico currently has these 11 features under consideration. Thanks to Armando for sending in the list. The films are
- Miss Bala (Gerardo Naranjo)
- 180˚(Fernando Kalife)
- Dias de Gracia (Everardo Valerio Gout Grautoff)
- El Baile de San Juan (Francisco Athie)
- Flores en el desierto (José Alvarez)
- La Mitad del Mundo (Jaime Ruiz Ibáñez)
- Bala Mordida (Diego Muñoz Vega)
- Siete Instantes (Diana Cardoso)
- Somos lo que Hay (Jorge Michael Grau)
- Una Pared Para Cecilia (Hugo Rodríguez)
- Viaje Redondo (Gerardo Tort)
If I'm not mistaken, none of these filmmakers have ever been put forward by Mexico before so with no "favorite son" precedent it could be anyone's ball game ...were it not for the obvious critical enthusiasm for Miss Bala that is. The other film that has something of an international profile is the disturbingly grotesque Somos lo Que Hay which opened in the US as We Are What We Are. For all its horror dread potency, I can't see Oscar touching that one.
Asian cinema, Kim Ok-bin, Mexico, Miss Bala, Oscars (11), Sami Bouajila, foreign films
Reader Comments (8)
I'm not sure which films Mexico is considering, but certain films that made some noise down here include the documentary Presunto Culpable (Presumed Guilty), which was a huge media sensation here. There was also La Otra Familia (The Other Family), Salvando al Soldado Perez (Saving Private Perez), and Así Es La Suerte (That's Luck). Well, this last one really just flew under the radar, but it's one I watched. I'm curious about Miss Bala (it's getting released here in a few weeks).
This Wikipedia page lists, about halfway down, the eleven films supposedly under consideration. To find the section I would do a "find" for "Bala". Click!
I only hope they don't choose "El Baile de San Juan". I know historical values, love story and social classes (Also, Jose Maria de Tavira), but the story is dull. Even if it won't make it, "Miss Bala" is the best candidate.
For the recent selections:
Morocco - I think it could beone of the five nominees. Recognizable faces + Social issues + Real story + Good response around Internet. It doesn't need to be Great for AMPAS tastes
South Korea - Maybe another year.
Greece - Dogtooth debacle is still recent for AMPAS voters
Romania - According to many sources, not a little change
Venezuela - I don't know
Austria - They choose"Breathing"
http://www.academiamexicanadecine.org.mx/oscarygoya2012/inscritas12.asp
"Omar m'a tuer" is opening here in Montréal on 23 September, so I'll be sure to check it out.
"El Rumor de las Piedras" played the Montreal World Film Festival, but I didn't see it.
I second that rule!
Oh my god I love that picture of Kim Ok-bin so much. I love Kim Ok-bin so much. Throw in a pile of half-naked fellas and it's too much to take! I couldn't even read the rest of the post after that.
My country Colombia is beetwen Los Colores de la Montaña (Colours of the mountains) and Pequeñas Voces (Little Voices) both beautiful movies about children and the war
Littles voices is a beautiful animated film that I hope can qualify in the animated feature could be an emotional dark horse in a weak race.