Team FYC: "The Great Gatsby" for Original Song
Saturday, December 7, 2013 at 4:51PM This FYC series brings together all Film Experience contributors to highlight our favorite fringe Oscar contenders. Here's Andrew Kendall on a tune from Gatsby, a movie which just won two Grammy nominations
Too often when we consider original song contenders we tend to focus on the lyrics at the expense of the music but my favourite number of Baz Luhrman's The Great Gatsby soundtrack manages to excel on both levels. Considering “Over the Love” lyrically, it would win in the battle in find which song has the most fidelity to its source novel. It features references to the “yellow dresses”, “green light” and that “ocean in the way”. But, it’s the musical arrangement of the song which takes it from lovely song into a true contender. I like Luhrman’s Gatsby, even though it falters in an example of reach exceeding grasp. What “Over the Love” manages to do is retain the steady rise from sanguine charm to a heady feverish climax with aplomb, which seems to be what Luhrman is going for but doesn't quite succeed at.
The song begins with the piano as its sole accompaniment and the faintest howling of winds in the background – ominous. The song continues as you expect, verse + chorus + verse + chorus with the piano and a steady percussive sound marking time as well as suggesting a subtle sense of time running out. Then, with a minute and a half left it's launched into the bridge with the evocative line.
“Cause you’re a hard soul to save, with an ocean in the way. But I’ll get around it.”
It's an unsubtle lyric, recalling Gatsby’s own vow to return to Daisy. The lovers are divided by water in the present day where the chasm of the space between East Egg and Long Island Sound in West Egg separates. But, it's also the Atlantic Ocean, more water, which separates them when Gatsby heads off to war. The double meaning is a nice touch, but it's oddly chilling in the way its rendered ominously, as much a promise as a threat when sung by Florence. And instead of a bridge + chorus + ending like most ballads, Florence’s “cry” leads us into the freneticism of the song’s last bars. Everything builds as “I can see the green light. I can see it in your eyes” is repeated building to an agitated climax until the song ends. It does not fade out to an end, like some songs, but ends decisively, abruptly on an utterance of the choral “I can see it in your eyes”. It is as if musically the song has reached this feverish pitch only to abruptly expire. Like Gatsby’s life, it feels suspended. A song good in its own right, but haunting in the way it ends just at that climax.
On its own, without context to the film's story, “Over the Love” would still be a beautiful song. But the way its wailing tones not just lyrically but musically enhances the film, and is in turn enhanced by knowlege of the film is what makes priceless. It’s impactful in a way songs written for films don’t always manage to be.
Reader Comments (9)
What about "Together" by The xx?
I was obsessed with this song when the soundtrack came out! I'm perplexed that "Young and Beautiful" is the one getting all the attention. This one is so much more interesting and relevant to the film.
Have to agree Over the Love is better than that bland Young and Beautiful song.
I like "Young and Beautiful" but I hate that it's getting all the attention, and Florence should have already won last year for "Breath of Life".
Great writeup! :)
well, young and beautiful just got a grammy nomination!! golden globe is probably a given, but the oscar is tricky.. BTW love both songs
Tyler, I don't think it's eligible. Only "Over the Love", "Young and Beautiful" and "$100 Bill".
Yes! I have nothing against Young and Beautiful, but Over the Love is the song that has stuck with me all these months later. Bonus points for incorporating the themes and metaphors of the book without being too schmaltzy.
I adore Over the Love and I worship Florence but I still think Young and Beuatiful is the better song. I'd love to see both nominated and I understand that the FYC goes to the least likely but I just wanted to raise a voice for Lana's song. The way it works within the film is seamless and on its own is a wonderful song.
Despite my adoration of Adele, I still think Florence should have been nominated for "Breath of Life," if not garnering an outright win. But to have a spectacularly mediocre song like "Young and Beautiful" from Lana Del Rey - the personification of dull - be getting buzz instead of Florence's brilliant "Over the Love" is just wrong.