Pfandom: In 1980, Pfeiffer Hit the Big Screen
Saturday, January 28, 2017 at 4:00PM P F A N D O M
Michelle Pfeiffer Retrospective. Episode 4
by Nathaniel R
obsessed with Pfeiffer's eyeshadow in HOLLYWOOD KNIGHTS (1980)
She didn't quit the supermarket. That's something we need to understand immediately about Michelle Pfeiffer's methodic rise. After losing the beauty contest and landing an agent in 1978, winning TV gigs and moving to Hollywood, she merely transferred to a different supermarket. She was very practical and very focused, according to those who knew her when, taking acting classes and going to cattle calls but always showing up at work. Many stars bios are littered with colorful anecdotes about brief early jobs but in Pfeiffer's case, supermarket checkout girl, was an actual job that she stuck with until the acting, well, stuck.
One of her teachers, who had described her as a tardy, disinterested but smart student in high school recalls meeting her just before her career took off in the grocery store...
Suzie Q & The Duke
When I saw her at the supermarket, there was a difference. Something had happened there. She had this steely look of determination. She looked at me and she said, 'I'm gonna be an actress,' And I remember telling her, 'Now Michelle, a lot of people have agents and wanna be an actress and...' And, 'No, no,' She told me there was this movie with Tony Danza -- The Hollywood Knights. She was just trying out for it, and she thought she might have a chance for it...
I don't know. You'll see a kid coming through that'll tell you, 'I'm going to be a doctor.' They're just hell-bent, they're sure that's what they're going to do. Nothing stops them from doing it. And some kids do that. And then I get a call, 'Hey, you gonna be in your room today?' And they come back, and they've just gotten their law degree from Harvard or something. And it's usually one of those kids who has that look. And she had that look.
-John Bovberg, to Douglas Thompson in the book "Pfeiffer: Beyond the Age of Innocence."
She got the movie.
That movie, her first, was the teen sex comedy The Hollywood Knights (1980). Whatever went wrong with the movie -- it's nearly unwatchable today given the dated sexism, absurd levels of obnoxiousness, and incoherence -- it did stumble into a sort of time and place notability. It's clearly a rip-off of the earlier blockbuster success American Graffiti (1973) in which a bunch of teenagers cruise around the neighborhood in a single day, while also being an obvious bridge from Animal House (1978) to Porkys (1981). Raunchy sexist comedies aimed at teenagers who technically couldn't see them given their R ratings were briefly all the rage...
They're sad because they love each other.
They're moving to Venice together. I give it a year.
The other way it has endured long past the shelf life of many 1980 releases (it's always been readily available as viewing formats have changed) is thanks to the cast list. Casting director Harriet Helberg, who started her film career auspiciously with Carrie (1976), found multiple future bright lights for the movie. It wasn't just Michelle Pfeiffer's debut but the big screen bow of both Tony Danza and Robert Wuhl, who would both go on to TV series headliner fame. The movie also features future Nanny Fran Drescher in one of her earliest roles.
Pfeiffer only has a few scenes as beautiful car hop Suzie Q, who wants to be an actress. All but one of her scenes are with screen boyfriend The Duke (Tony Danza) and like all the other multiple stories in the movie, the scenes are basically the same every single time. The Duke and Suzie Q are, in a way, the "dramatic relief," if that were a thing, since the rest of the movie is otherwise meant to be gut-bustingly funny and bawdy. These two are always bringing the mood down. They argue, express their love for each other, and wonder what's next for them since he's about to start college and she's auditioning. Pfeiffer is a bit stiffer as an actress than she'll soon be, and her voice whinier, but she already commands the camera with consummate ease, even when you can only see a quarter of her face in shots as when she turns away from the camera and those straight blond locks fall like a curtain to obscure that mesmerizing face.
P.S. Here is the exact moment that Michelle Pfeiffer arrives on the big screen...
The most amusing bit about Pfeiffer's entrance into film history is the fight that Susie & The Duke (Michelle Pfeiffer & Tony Danza) are having. He's complaining that she works nights and she reminds him that she has to be free during the day to audition. The Duke responds with bitter sarcasm:
Oh I forgot. You're going to be a famous actress.
Why yes, Tony, in fact she is. Fame is just two years away.
Previously: Miss Orange County, TV guest spots, and Delta House
Next Saturday: Michelle in Callie & Son (1981) with Lindsay Wagner available for streaming on Amazon Prime if you'd like to watch along.
Reader Comments (12)
Hollywood Knights is a very underrated film.
Hollywood Nights has an AMAZING soundtrack.
Nathaniel: this series should become a book. So accurate, funny and devoted. Cannon wait for the next chapters.
Michelle's beauty is already out of this world in these Hollywood Knigths frames.
I would totally ride with Tony
I totally second the book comment. What a fantastic journey this will be (and already is).
Ferdii & Ryan -- thanks. hopefully it will live up to your expectations. In a couple of weeks we'll be hitting the big famililar stuff -- Grease 2, Scarface and the like.
Ladyhawke!
Please cover Falling in Love Again and Charlie Chan and the Curse of the Dragon Queen, both of which precede Callie & Son, both of which got a proper theatrical release, and both of which feature Pfeiffer in far more prominent parts than Hollywood Knights.
First the book about actresses and Oscars and then the one devoted to Michelle.
Great stuff, love this series! Will you be covering that TV movie biopic set In Marshall, Mo?
Marco -- i will. i'm just fudging the order a bit in these early days when things were coming out so frequently (and because of waiting for access to the material)
Nice piece, Nat. :)