Beauty vs Beast: Grassy Knoll Ethics

Jason from MNPP here with an under-the-weather edition of "Beauty vs Beast" - apologies if I am brief and lacking some spark today, I'm staring at my computer screen from the business end of a box of kleenex and with one too many sudafed capsules dotting my system. I bring up my sickness not to be (entirely) self-indulgent but to explain why I didn't make it out to see Jackie this weekend as I'd planned - every cough feels like a cinematic betrayal right now.

So until me and Natalie can rendezvous with our matching pink pillboxes I will ask you today to look backwards at the previous biggest Kennedy assassination movie on the books, Oliver Stone's JFK. I don't remember the Oscar race that year but I'm kind of surprised Costner wasn't nominated for the film - maybe they'd had their fill with Dances With Wolves the year before? Tommy Lee Jones was nominated for the movie though, for the poodle-mopped conspiracy sissy at the center of the mystery, and so I ask you...

PREVIOUSLY We're on an Almodovar kick thanks to the retrospective at MoMA right now so last week we climbed into bed and slipped our hands into the sex ropes for Antonio Banderas in Tie Me Up! Tie Me Down! - he took 56% of the vote over Victoria Abril's 44. Said thefilmjunkie:

"If I were voting with my head I'd probably go for Marina, but my vote for Ricky was guided by more, um, prurient interests. I have no shame. I regret nothing."

"Don't call me 'baby'! "

...I'm not your baby."

Great Moments in Screen Bitchery #283
Michelle Pfeiffer in Scarface (1983)

Oscar Chart Updates ~ What's Happening to Jackie?

As promised we're updating the Oscar charts more often. With the first avalanche of awardage the ground is shifting, if not quite seismically. It's been a very good week for three things in particular: Moonlight, Manchester by the Sea, and Isabelle Huppert ... and even a good week for, um, Hacksaw Ridge. And you'll see a new lock or two on a few of the charts.

Awards season giveth and awards season taketh away...

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The Furniture: Design Inspires Van Gogh in Lust for Life

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

Kirk Douglas nearly drove himself over the edge while filming Lust for Life, inhabiting the character of Vincent van Gogh with a tenacity akin to the Method. The result was an Oscar nomination, likely the closest he ever came to a win. His emotionally volatile performance lends real weight to the oft-sensationalized biography of history’s most famously mad artist.

But the success of Lust for Life isn’t owed entirely to Douglas. Director Vincente Minnelli was a perfect match for the material, which necessitates a balance between the beauty that Van Gogh saw in the world and the feverish passion that drove him away from it. The Oscar-nominated production design team, led by frequent Minnelli collaborator Cedric Gibbons, offer a rich vision of the French countryside that serves as an essential counterpoint to Douglas’s madness.

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Interview: Kim Jee-woon on South Korean Oscar Submission 'The Age of Shadows'

By Jose Solís.

Kim Jee-woon is certainly no stranger to genre extravaganzas, but in The Age of Shadows (which Tim reviewed here) he takes it to the most sumptuous level yet. The spy thriller set during the Japanese occupation of South Korea centers on the dilemma a double agent (Song Kang-ho) faces when he realizes the resistance fighters he’s trying to capture, might actually be more patriotic than the people he’s working for. With stunningly choreographed action sequences, exquisite period detail and powerhouse performances, the film is the rare historical film that actually feels urgent and exciting. Since it’s South Korea’s Oscar submission I spoke to director Kim Jee-woon about what he discovered about the resistance, working with some of his best known collaborators, and what the Oscar nomination would mean to him.

Special thanks to interpreter: Areum Jeong

Read the interview after the jump.

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