Best Supporting Actor in the 80s: An Alternative Oscar History

by Cláudio Alves

As in real life, Jack Nicholson takes a Best Supporting Actor prize during the 1980s. But not for TERMS OF ENDEARMENT, however.

November is coming to an end and so is our 80s throwback celebration. That means I have to wrap-up these alternative Oscars posts. After sharing personal ballots for Best Actress and Best Supporting Actress, it’s time for the other acting categories, starting with the thespians who enrich their films from the sidelines. As ever, the ballots presented follow Oscar eligibility rules, all its quirks and oddities. There are also honorable mentions, some ineligible gems who weren’t up for the Oscar due to release date shenanigans or a lack of submission on their distributors’ part. Finally, I also added a number of titles on my watchlist and would appreciate all your recommendations to enrich these dream Oscars of mine…

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How Had I Never Seen..."Blue Sky"?

by Nick Taylor

If you had approached me on the street and asked if I was a Jessica Lange fan, I would have answered with an emphatic “duh!” But since you clicked on this link, I'm coming to you through your screen to tell you this informatioin. Having originally met Lange in high school via the actress-heavy ordeal that is American Horror Story, watching her communicate an actual character amidst so much lurid, proudly threadbare plotting was revelatory to witness. Lange served Ryan Murphy’s baroque and sentimental grotesqueries with leonine force. Even as subsequent seasons leaned too heavily on her characters as pillars to be toppled, and it became all too easy to project Lange’s distaste towards her surroundings into her vainglorious Supreme and dissatisfied ringleader, she gives a hell of a good show, finding ways to keep herself amused and visibly gratified (or maybe relieved) to play off her talented co-stars. I haven’t touched the show in years, and still I can remember her broken line reading of “in the gloaming” as she stumbles through a crowd of patients in Asylum, her bitchy, hilarious  refusal to act like she’s invading anyone’s space when she saunters through the Murder House despite no longer owning it.

On the strength of this output I quickly searched for her star-making performances in Frances and Tootsie, which further cemented my impression of her as a supernova capable of great versatility. I’ve seen plenty of other films she’s starred in, yet as her 75th birthday approached, I realized there was a major blind spot I needed to correct. How on Earth have I not seen any of Jessica Lange’s post-1982 Oscar nominations? I’ve spent the past week pouring over those features, and though Country and Sweet Dreams are perhaps in greater need of reappraisal, I’ve found pouring over Blue Sky to be the most rewarding, and the most fun to try pinning down. So, without further ado - Happy 75th Birthday, Jessica Lange...

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Showbiz History: The Globes that weren't Golden, and Shelley Winter's death-bed wedding

5 random things that happened on this day, January 13th, in showbiz history

1939 Son of Frankenstein, the third in Universal's Frankenstein franchise and the last to star Boris Karloff, opens in theaters. It was successful but given the lack of James Whale behind the camera, not as well remembered as its predecessors

1989 It was an odd January dump on this Friday the 13th...

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Showbiz History: Tommy Lee, Tom Hardy, and Mother!

7 random things that happened on this day in showbiz history...

1890: Agatha Christie born in Devon, England. She would become one of the world's most famous writers of all time. Over 70 (!!!) adaptations of her work have hit film and television over the years from as early as 1928 (a silent film called The Passing of Mr Quinn) to the forthcoming Death on the Nile in 2020. Only one of the adaptations was ever nominated for Best Picture though: Billy Wilder's take on Witness for the Prosecution (1957)...

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The New Classics: Lincoln

By Michael Cusumano 

Abraham Lincoln abilities as a writer probably would have earned him a place in history even without his accomplishments as a statesman. He is surely the best writer that has ever occupied the Oval Office. Capable of expressing complex ideas with remarkable economy, he had a deft hand with allusions and was responsible for many evocative turns of phrase that resonate far outside the political context of their time, “The better angels of our nature” or “The dogmas of the quiet past”.  Hell, simply opting for “Four score and seven” over “eighty-seven” reveals a writer’s ear for the musical potential of language.

It's a fitting tribute then, that the most prominent film about the sixteenth president, Steven Spielberg’s Lincoln, with a screenplay by Pulitzer prize winning playwright Tony Kushner, exudes that same love of language. There’s scarcely a scene without some memorable linguistic spin. There's much to admire in Spielberg’s film from the beautifully worn production design to the momentous performances, but the real reason I’ve returned to it repeatedly since 2012 is simply because the characters are such fun to listen to. All of the film’s dramatic peaks involve the spectacle of verbal fireworks, particularly my favorite scene, where Tommy Lee Jones blasts his way out of a political trap firing off ornately worded insults like cannonballs... 

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