Cannes Diary: "Bird" from Andrea Arnold, "Oh Canada" from Paul Schrader, and more...

by Elisa Giudici

BIRD

A couple of renowned names in competition have presented less-than-perfect movies, while newcomers have showcased some convincing entries today at Cannes Film Festival.

BIRD by Andrea Arnold
Since Fish Tank, I've never quite rekindled my enthusiasm for Andrea Arnold's films. However, Bird came very close. Some may argue that it feels more like a feature-length attempt to mimic Arnold's style than an actual Arnold film, but I personally found it compelling...

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Cannes: Roberto Minervini transitions to fiction

by Elisa Giudici

THE DAMNED © Okta Film Pulpa Film

In 2018, Italian documentarian Roberto Minervini adeptly captured the underlying tensions of American society amidst the backdrop of Trumpism and racism in What You Gonna Do When the World’s on Fire?, which premiered at Venice. Having called the United States home since 2000, Minervini demonstrates a keen understanding of the nation's profound anxieties, skillfully depicting them in his documentaries, often anticipating topics later dissected by journalists and political commentators.

THE DAMNED by Roberto Minervini
It comes as no surprise then that Minervini, in transitioning to fiction with a historical film, chose to confront the Civil War, a pivotal moment in American identity formation...

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Cannes Diary: Uncanny women

by Elisa Giudici

WILD DIAMOND © Silex Films

On the second day of the competition, following that hour-long panel with Meryl Streep—whose charm, humor, and down-to-earth demeanor exceeded expectations—I delved into two films featuring tough, abrasive women capable of evoking genuine unease...

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Cannes Diary: Meryl, Streeped - 10 Anecdotes

Elisa Giudici reporting from Cannes

Meryl Streep, photographed by Elisa Giudici

I was fortunate enough to secure a ticket to the much-coveted rendezvous with screen goddess Meryl Streep. She was in town to receive the Honorary Palme d'Or. Herewith 10 of the most memorable moments from her interview panel. 

What did you do after winning the Palme d'Or? 

"I stayed up until three in the morning at Quentin Dupieux's film party, so I'm a bit disoriented. I really enjoyed the opening film and talked a lot about it with Quentin."

How seriously do you take your role as a member of the Academy? 

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Cannes Diary: The past and future of cinema from "Napoleon" to VR

Once again, I have the privilege of sharing my experiences at the Cannes Film Festival here on The Film Experience with a daily diary of impressions and reviews from the Croisette.

by Elisa Giudici

Today we delve into both the rich history and the uncertain future of cinema. Some foresee a fate entwined with AI and irrelevance, while others celebrate the enduring vitality of an art form that blazed its trail over a century ago. This year’s Cannes opening reflects on the industry's past glories and its current challenges, not shying away from the unease about what lies ahead, evoking the dizzying excitement of days gone by...

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