Chris Feil's weekly series looks back at Cameron Crowe's rock opus...

Of everything that Almost Famous gets right about our relationship with music, its richest insights come from how it explores the importance of music in adolescence. Cameron Crowe is telling his own story of his teenage music journalism days in the film, but that’s not solely why the film feels so personal. It’s personal because it’s about that time in our life when music is never more personal.

When Crowe stand-in William Miller is gifted a treasure chest of vinyl from his sister Anita she isn’t just handing over the greats, she’s tasking him to find himself. At that age our musical taste is a vessel to both define ourselves and connect to others, to develop some kind of community or shared experience. It’s in the background of every heartbreak and happy memory, even if it just played in our heads. Through music, Crowe makes the intensely personal into something universal. Just like a song.