By Glenn Dunks

Dance is such a physical art. It is a beautiful medium, of course, but one that doesn’t always allow for great documentaries about it. Watching it can be a divine experience (Wim Wenders’ Pina, for instance), but to get into the nuts and bolts of the craft is difficult. A trio of new documentaries highlight these strengths and weaknesses. All three put their focus on black dancers, and all have strong queer themes as they navigate a creative space emerging through the pain of racism and the AIDS epidemic. Can You Bring It: Bill T. Jones and D-Man in the Waters by Rosalynde LeBlanc and Tom Hurwitz, Jamila Wignot’s Ailey, and Firestarter — The Story of Bangarra by Wayne Blair and Nel Minchin each highlight the bodies and the stories. But it’s the former about the iconic titular choreographer and one of his most famous works that best captures the athleticism, the drama and the intimacy of dance...