NEW REVIEWS
Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend Review: Nia DaCosta's "Candyman" (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

by Matt St. Clair

When the 1992 horror classic Candyman made its way to theaters, audiences were introduced to a figure who serves as a representation of America’s original sin and a tragic monster akin to those from the classic era. The original Candyman (Tony Todd) pursuing grad student Helen Lyle (Virginia Madsen) has invited comparisons to The Phantom of the Opera, another lovelorn monster.  But the latest direct sequel of the same name by director Nia DaCosta is less of a Universal Monster-esque tragedy.

Though it continues the original storyline, the new Candyman (2021) expands its racial commentary to tackle generational pain, police brutality, and gentrification...


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: