Queer Lisboa '23: Sweden's "Opponent" and other festival highlights

by Cláudio Alves

Soon after completing my Toronto Film Festival Coverage, it was time to dive into another fest experience. This turn, it was closer to home, Queer Lisboa being the oldest running film festival in the Portuguese capital, now on its 27th edition. This year, it offered a program rich in stories of marginalized identities and desires, with a particular emphasis on art intent on decolonizing our collective thought and promoting a more progressive view on the labor and lives of sex workers. There was even something for the awards nuts among us – Sweden's official Oscar submission for the 96th Academy Awards, Opponent.

To mark the occasion, let's dive into a selection of titles, starting with that Scandinavian drama, winner of a Jury Special Mention and the Audience Award…

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"Breaking Ice", "Promised Land", and "Goodbye Julia" among others join the Best International Feature Film Race

by Nathaniel R

As you read this yours truly is in Italy (visiting with Elisa probably!) but before I hopped on the plane I updated the Best International Feature Film Submission Charts and Prediction/ Overflowing Stats Chart. As of yesterday 74 films have been announced as intended submissions from their home countries. The list usually tops out at 93 films (about 19 to go!) and there's usually one unexpected switcheroo or omission from what was previously announced so we'll see. But here are a handful of highlights from recent announcements...

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TIFF '23: The Best International Film Oscar Race

by Cláudio Alves

The Toronto International Film Festival represents an excellent opportunity to get in touch with cinema from all over the world. For Oscar obsessives, it provides a great chance to catch up with Best International Film submissions, especially as they're announced throughout the festival. I already covered some of them – Australia's Shayda, Bhutan's The Monk and the Gun, Brazil's Pictures of Ghosts, Chile's The Settlers, Finland's Fallen Leaves, Germany's The Teachers' Lounge, Romania's Do Not Expect Too Much from the End of the World, South Korea's Concrete Utopia, and Turkey's About Dry Grasses. However, there are still some more TIFF titles to review.

They are the Netherlands's Sweet Dreams, Tunisia's Four Daughters, and Morocco's The Mother of All Lies. Though they haven't been officially selected, I also saw two of Norway's three finalists, A Happy Day and Songs of Earth…

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Norway's Oscar Submission Finalists

by Nathaniel R

Since we last discussed the Best International Feature Film four more official submissions have been announced from Egypt, Nepal, Slovakia, and Ukraine which you can read about on those charts (click on the country names) with several more to follow since oft-nominated countries like Spain, Italy, France, and Sweden are all announcing in the next few days. Tonight though, one of my favourite topics: Norway! As longtime readers know I once lived there and was once fluent in Norwegian. Those days are long long gone but I still like to watch Norwegian movies and television and try to turn off the subtitles on occassion.

Norway has announced three finalists for their submission: Let the River Flow, A Happy Day, and Songs of Earth...

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TIFF ’23: Baby, It’s Cold Outside

by Cláudio Alves

In narrative constructs, intense emotions, especially romantic ones, tend to be associated with high temperatures. It’s as if the feverous feeling escaped the body into the atmosphere. Or, maybe it’s the other way around, hearts and libidos inspired by the surrounding heat to burn hotter than ever. And yet, there’s something deceptively powerful about the flame of attraction sparking alive within the bitter cold. In those cases, one almost desires human connection as a physical need. The body calls for the warmth of another person. The mind yearns for companionship, a panacea to the frozen solitude of every day.

At this year’s TIFF, two films explore this dynamic, allowing the frigid climate to become as strong a force as human arrogance or the heart’s most ardent desires. In both examples, a love triangle emerges from the snow. They’re Nuri Bilge Ceylan’s About Dry Grasses and Anthony Chen’s The Breaking Ice…

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