Sundance Review: “Sukkwan Island” is a Father-Son Story with Strong Performances

by Abe Friedtanzer

Unconventional father-son relationships are a hallmark of film and television. A poor or nonexistent early dynamic transforms into something much more intimate and still potentially complicated as the son comes into adulthood and sees the father in a considerably different light. Sukkwan Island finds its father-son duo living life far from anyone else, alone in a cabin on an island for a year to make up for lost time and catch up on the chance to get to know each other after missing out for so many years…

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Sundance Review: “Heightened Scrutiny” is an All-Too Timely Doc about the Fight for Transgender Rights

by Abe Friedtanzer

It’s a troubling time to be transgender in America, to say the least. Within just days of his return to the White House, Donald Trump has already taken massive steps to roll back protections against transgender people and to limit recognition of their existence in every way possible. The documentary Heightened Scrutiny carries an important message of perseverance and hope, following one lawyer arguing an important case about gender-affirming care in the delicate period between Trump’s election and inauguration while the Department of Justice is still on his side...

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Sundance Review: "Sunfish (and Other Stories on Green Lake)" is an Anthology Whose Parts Don’t Quite Make a Whole

by Abe Friedtanzer

Anthologies can be very appealing, probing a number of shorter tales within the span of a feature film. There are no set rules for how they have to connect or whether they really need to, but one particular place is a frequent commonality. Sometimes, however, the uniting force just isn’t all that compelling on its own, and the stories told around it don’t do much to help. There’s nothing inherently wrong with Sundance entry Sunfish (and Other Stories on Green Lake), but none of its four separate segments make much of an impression…

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Sundance Review: ‘Didn’t Die’ is a Subdued Take on the Zombie Genre

by Abe Friedtanzer

There’s no shortage of zombie films and TV shows out there, and, as a result, there are almost innumerable variations on the premise of the undead. The Sundance entry Didn’t Die is best summarized by its podcast host protagonist’s declaration: “Nobody told me the apocalypse was going to be so boring.” Still, this film finds a good deal of content to mine from that premise...

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NYFF '24: "Suburban Fury" tells the tall tale of a wannabee Presidential Assassin

by Cláudio Alves

On September 22nd, 1975, just seventeen days after Squeaky Fromme had attempted the same, Sara Jane Moore fired at President Gerald Ford. Neither of the 45-year-old woman's shots hit their target, though she came dangerously close. Had Moore noticed the sight on her revolver was 6 inches misplaced, she might have done it. Such violent actions came less than two years after this housewife from the San Francisco suburbs had been recruited by the FBI as an informant, going into militant groups and becoming radicalized in the process. Her thwarted presidential assassination led to much media hullabaloo, pithy dismissals of Moore as being "off her mind," and a life sentence, of which she served 32 years.

Nearly half a century after the shooting, director Robinson Devor puts her at the center of Suburban Fury, a new documentary where the would-be assassin is given ample opportunity to tell her own story…

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