Resident Evil ...Again.

by Brian Zitzelman

One of the strangest things about Oscar month is that the movies that open during it are usually the opposite of prestige. Tomorrow sees the release of Resident Evil: The Final Chapter, the allegedly last installment of this long-running franchise. With more than a decade's worth of subpar critical reviews, it's nonetheless more notable than it might seem upon first glance.  

Superhero movies aside, R-rated action franchises haven't especially been booming in the twenty-first century, or even in the post Arnold/Stallone/Willis dominated run of the 80s to mid-90s...

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Review: Assassin's Creed

by Eric Blume

A movie doesn’t necessarily have to make sense to succeed.  Many of us are still mystified by the red pill and the blue pill and The Matrix but that film has such force and style that subtleties of plot were insignificant.  Assassin’s Creed makes less than zero sense, and mere mortals could not possibly explain the plot  It has something to do with the Spanish Inquisition, a descendant of an elite group of assassins, evil scientists, and the acquisition of the Apple of Eden, since the Holy Grail and Ark of the Covenant have been claimed elsewhere in better movies.

The confusing mechanics of this potboiler wouldn’t matter much if the film delivered on action sequences, compelling characters, or overall tension.  Unfortunately director Justin Kerzel seems overwhelmed by the entire enterprise, and buckles under the seriousness of the effort. This is saying a lot, because last year Kerzel directed MacBeth, and his great lead actors from that film, Michael Fassbender and Marion Cotillard, are back on this picture...

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"La La Land" leads the Critics Choice Nominations

The BFCA has spoken and as per usual the results are a mix of beautiful support of outstanding motion pictures and a few pockets of embarrassment! Under the beautiful support umbrella we find three terrific pictures leading the nominations with 12 for La La Land and 10 each for Arrival and Moonlight. Under the pockets of embarrassment portion of our programming in what universe is Captain Fantastic a "comedy" (Viggo Mortensen, who gives one of the year's best dramatic performances is nominated as best comedy actor but  not as best actor. What a world).

The BFCA's special categories, which aren't as well defined as the Globes, usually carry with them lots of weird and empty-headed calls. How, for instance, do you have 6 nominees for most categories but only 4 for Best Actress in an Action picture and only nominate supporting actresses for that prize and leave out two leading women who really carried their films with aplomb: Mary Elizabeth Winstead in 10 Cloverfield Lane and Blake Lively in The Shallows. Why even have these categories if you're not going to do them justice? 

All the nominations (film & tv) with comments are after the jump...

FILM AWARDS

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Review: Jason Bourne

It’s Eric, returning to talk about the fifth chapter in the popular Jason Bourne franchise.   Judging from the discussions I heard coming from the exit of an early screening of Jason Bourne, your enjoyment of this latest installment of the venerated action spy films probably rests in your expectations.  

Because the level of artistry involved with these films has been so high, some out there are naturally hoping that the creative forces behind Jason Bourne found a way to ratchet things up even further.  The main grumble outside the theater seemed to be that the films have gotten repetitive in form and content (Bourne finds himself in a huge public space, uses the natural crowd to escape, etc.).   

I find myself in a different camp:  to me, it’s exactly these set-ups, and specifically the skillfulness with which they’re executed, that fuel the enjoyment...  

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Review: The Nice Guys

It’s Eric, with thoughts on the new Gosling/Crowe comedy, The Nice Guys.   

I’ll bet this project looked amazing on paper.   Bring writer/director Shane Black back to the comic buddy picture world where he started with 1987’s Lethal Weapon.  Set the film in the disco-cool world of 1977 Los Angeles.  Hire two accomplished dramatic actors, Ryan Gosling and Russell Crowe, to play the leads, two low-life losers on the fringe of detective work unexpectedly uniting to hunt for a girl involved in a series of murders in the porn industry.  Throw in a cute daughter for Gosling’s character for some sweetness.  

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