Almost There: Margaret Qualley in "The Substance"

by Cláudio Alves

In an awards season full of co-leads pretending to be supporting players, nepo babies, and festival hits, it's a wonder Margaret Qualley didn't get a nomination for her work in The Substance. Coralie Fargeat's film is up for five Oscars, being the current frontrunner in Actress and Makeup, a major triumph for a picture such as this, where body horror elements are remixed and reimagined for a made-in-France Hollywood satire. It's gross, like few star vehicles in the Academy's history, so outré as to be off-putting and bold as all hell. In that regard, its closest Oscar relative is Black Swan, whose Mila Kunis, like Qualley, got major precursor and critical support but failed to secure the AMPAS' seal of approval…

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Paul Newman @ 100: "Slap Shot"

by Cláudio Alves

From 1969 to 1977, Paul Newman and George Roy Hill collaborated on three projects. The first two are, of course, Butch Cassidy and the Sundance Kid and The Sting, a pair of immortal classics that are near impossible to divorce from one's understanding of Newman as a movie star, his cultural impact, his legacy. With Robert Redford along for the ride, Hill put his stamp on both the Western genre and the heist film, appealing to convention revisited and sometimes vivisected, re-imagined for a New Hollywood. And yet, no matter how impactful those flicks are, I find myself more drawn to the third Newman-Hill joint. This time, they set their sights on the sports movie, devising a hockey comedy as funny as it is surprising – Slap Shot…

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Indie Spirits Revue: “The Feeling that the Time for Doing Something Has Passed”

by Nick Taylor

It took me a while to get caught up in this one, lemme tell you. One can argue whether Joanna Arnow's droll tone, disposition towards cringe comedy, and restrictive palettes in color and emoting is a sneakily incisive feat or a weird student-film misfire. For a film about a woman's exploration of various BDSM relationships while navigating a dead-end job and a stilted relationship with her family, The Feeling that the Time for Doing Something Has Passed possesses no titillation or temperature spikes to make the audience more engaged…

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Indie Spirit Revue: "Problemista"

by Nick Taylor

As a fan of Julio Torres's work on SNL for years who's had only intermittent contact with his other ventures, I am so goddamn delighted by Problemista. Every loopy, queer, topical, cubist dimension to his art is so fruitfully deployed while allowing the colors and slashes of every single collaborator to shine as brightly as he does. As a showcase of singular, unpredictable comedic instincts, this beats almost every other 2024 film for mining laughs from all directions. Bizarre art objects, wry narration, ridiculous tableaus, fantasy costumes, goofy-ass behavior, incredible commitment to the bit from all sides. She's got it all…

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Farewell (for now) to "Somebody Somewhere," the best TV show you weren't watching

by Lynn Lee

And now a break from our regularly scheduled awards season programming for a shout-out to a small, exquisite, severely under-sung TV series that just concluded its three-season run.  The HBO dramedy Somebody Somewhere ended like it began – with no fanfare but with a lot of love, both from those who made it and from the few of us who were watching it.  For the rest of you, it may be just the show you need to shore up your faith in humanity – something that feels like it’s in short supply these days...

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