What's Oscar's all-time favorite Costume Design era?

by Cláudio Alves

The legendary Ann Roth is our reigning Best Costume Design Oscar queen, having won her second statuette for the jazz age designs of Ma Rainey's Black Bottom. I'm ecstatic about her victory. Both because it's an outstanding artistic achievement and because hers is a filmography that undoubtedly deserves more than one Oscar. That being said, this year's Costume race (which I previously reviewed in depth) did remind me of a pet peeve I've long had with the category—namely, the overwhelming predominance of period films and the rarity of recognition for contemporary-set narratives. As usual, all of this year's nominees featured period costuming, with even the lone fantasy film, Pinocchio, basing most of its look in mid-19th-century fashion.

With all this in mind, I decided to do some research and find out what era is most common in Best Costume Design Oscar winners. From Ancient Egypt to post-war London, this category has rewarded many styles, though some do stand out as AMPAS' favorites… 

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5 days til Oscar. Will Ann Roth win again for her 5th nomination?

by Nathaniel R

Ann Roth on the set of "Ma Rainey"

With five days until Oscars we were looking for a way to celebrate the number five today that related to this year's Oscars. The only fifth time nominee we could find (though perhaps we missed someone) is Ann Roth who we've celebrated before. The 89 year-old costume designer has somehow won only one Oscar and one Tony despite a prolific and eye-poppingly rich career on both stages and screen. Her Tony win came for the Nathan Lane play The Nance (which we think would make a pretty great movie) and these are the film designs for which she was nominated...

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93rd Academy Awards: Best Costume Design

by Cláudio Alves

Costume illustrations by Gloria Young Kim (left) and Matthew JLeFebvre (righ)

After last year's dispiriting domination of Best Picture contenders in craft categories, this year's Best Costume Design lineup feels like a breath of fresh air. While the branch is resistant to contemporary narratives, their reluctance to honor new names has alleviated a bit. For the first time since 2006, we have three first-time nominees among the costume designers competing for gold. Better yet, the five achievements honored by AMPAS offer a dizzying variety of film styles, aesthetic strategies, genre, and tone. From Disney remakes to Italian literary adaptations, from biopics to biting period comedies, this batch of nominees has it all.

Still, in the end, one must win. With that in mind, here's how I'd rank the five Best Costume Design nominees at the 93rd Academy Awards…

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Oscar Race: Best Costume Design

We aren't going to find out what the Costume Designer's Guild thinks of this past year in film until March 4th, literally the day before Oscar nomination ballots go out. That gives us two weeks still to believe that all things are possible still in this category, though obviously the season to date will have an effect on the outcome. Here are what we think are the top ten contenders in descending order of probability (though this ranking should not be seen as a meritocracy but merely punditry).

PREDICTIONS

the only lock?

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Oscar Chart Updates: Costume Design

by Nathaniel R

The costume design branch loves Michael O'Connor's film work. Could Ammonite bring him his fourth nomination?

Let us know ask our crystal ball about the robust possibilities in the Costume Design race at the Oscar. This contest don't feel quite as wide open as Best Supporting Actor or as Best-Picture-related-simple as Adapted Screenplay or as 'what the hell will they choose?' unusual as Visual Effects and Makeup. But it does present several interesting options for a nominated quintet.

Oscar's three favourite living costume designers (Atwood, Canonero, Powell) aren't around this year -- well, Sandy Powell is but does anyone think the Academy will watch The Glorias? -- so where will the Academy's costume branch look?

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