10 Appropriate Ways to Celebrate "A Star is Born"'s $200 Million Triumph

We're skipping the box office charts this weekend since Christmas falls on a Tuesday. The last two weeks of the year are always heavy moviegoing times as families look for entertainment breaks in between their visits and feasts and shopping. New pictures Aquaman, Mary Poppins Returns, Bumblebee,  last week's champ Spider-Man Into the Spider-Verse and costume pics The Favourite and Mary Queen of Scots (which both added hundreds of theaters) are all going to have big weeks. But the only news we care about right this very second is that, on this very day, 12 weeks into its run, A Star is Born crossed the $200 million mark on its leggy run into America's hearts.

❤️ 10 ways to celebrate A Star is Born's $200 million dollar milestone weekend

1. Stroke the outline of your boyfriend or girlfriend's nose
2. Sing along with your favorite song from the soundtrack again that isn't "Shallow"
3. Admit that A Star is Born has other great songs.
4. Watch Willam on "The Beatdown"
5. Decide who your favorite supporting character besides Sam Elliott is in the movie, even if they were shafted in the "Outstanding Cast" nomination.
6. Watch one of the other versions of A Star is Born because you probably haven't seen them all. 
7. Introduce each of your friends who enter the room with "Ladies and gentleman... Ally!" until someone makes you stop (someone surely will)
8. Wonder anew how Lady Gaga will ever top her world premiere in Venice look at the Oscars.
9. Go to a drag show.
10. Steal Sam Elliott's voice.

Tweetweek: "Poor Unfortunate Souls" and Seasonal Hijinx

Relatable content!

Nicholas Britell: 🎺

Me: 😭

— kathryn hahn & paul giamatti @ applebee’s (@bkkirby) December 19, 2018

 AFTER THE JUMP, awards season nuttiness, Mary Poppins Returns, Aquaman, and Harvey Fierstein doing Ursula the Sea Witch which was always clearly meant to be...

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Review: Aquaman

by Chris Feil

There’s an element to Aquaman’s chutzpah that feels lost to contemporary cynicism, as if its as much an artifact as the trident our titular hero chases. Here is a superhero epic that skews closer to something like Stephen Sommers Mummy trilogy, enveloped in sincerity and willingness to dazzle without winks or too-cool posturing.

But cut that with an over-caffeinated, sugar rush aesthetic packed to (forgive me) the gills with technicolor extremity, and you get a superhero film that’s delightfully batshit. It’s both beyond absurd and the guiltiest of pleasures, like Lisa Frank for dudes or gay underwater Indiana Jones. For some it might be an acquired taste, but it succeeds by pairing simplistic narrative ambitions with an authentically wild visual experience.

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Linkwarm off the Presses

Whooo. Thanksgiving week flew by and we're suddenly so very far behind on important news items, so a quick link roundup to get us back on track. Here we go...

• Variety Black Panther, Marvelous Mrs Maisel, One Day at a Time, and Crazy Rich Asians are all up for Humanitas prizes
• Variety Paul King, famous for making those delightful Paddington movies, will now direct a fantasy adaption of Time's Fool
• Coming Soon Alessandro Nivola, an actor TFE is always rooting for, cast in The Sopranos prequel movie. He'll play Dickey Moltisanti if that means anything to you fans of The Sopranos out there

More after the jump including Aquaman, If Beale Street Could Talk, the new Fosse/Verdon TV miniseries, deaths of showbiz legends, and more...

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Yes No Maybe So x 4: The Mule, The Happy Prince, Mortal Engines, and Aquaman (again)

Let's get caught up on movie trailers. Clint Eastwood is dropping another December surprise, Rupert Everett reminds us that Bradley Cooper isn't the only actor stepping behind the camera, and there's always another would be franchise or two on the horizon. Four trailers after the jump starting with the Eastwood...

THE MULE

Yes - Very effective trailer opening with that car trunk mishap and the barking dog. Perhaps it's a bit vain, given that he is directing and starring, but we admire the honest of Clint only giving himself a solo title card at trailer's end despite major stars and cherished character actors supporting him (Bradley Cooper, Michael Peña, Dianne Weist, and Laurence Fishburne) since that's probably the truth of the movie. It'll live or die based on Clint's work behind and in front of the camera...

No - This isn't fair to the movie but I dont think I can take Clint Eastwood dashing lots of other people's Oscar dreams AGAIN with a sneak attack in the last two weeks of the year...

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