NYFF: Long Day's Journey Into Night

Jason Adams reporting from the New York Film Festival

Late in the film version of Six Degrees of Separation Stockard Channing's character, at her wit's end, says, "I will not turn him into an anecdote, it was an experience; how do we hold onto the experience?" That's how I feel about writing up my thoughts on Bi Gan's dream-adjacent Long Day's Journey Into Night. It was an experience. An out of body one, sorta. How do I turn that experience into words?

Luo (Huang Jute, whose handsome face we come to know from every angle) is haunted by what else, a lost woman (played by Lust Caution's Tang Wei, for a time anyway), and he wanders the damp earth and the the even damper underworld and everywhere damp in between trying to find her - trying to hold on to fractions of dreams and memories; who can tell which is which here? It's all fractured - time, space, sound...

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Two Visual Triumphs Seeking Distribution: "The River" and "Shadow"

Since we're already deep into NYFF - thanks to Murtada and Jason for this excellent reviews (I'll join them shortly) --  I must accept that all the full reviews I had planned for things without release dates I saw at TIFF just aren't going to happen. But several films we caught are hitting theaters soon so they will get reviews: A Star is Born (10/5), Beautiful Boy (10/12), Border (10/26), and Boy Erased (11/2). In the meantime here are the final two TIFF films I must pinpoint because they don't have distribution yet but they totally deserve it.

Shadow
I'm calling this one 'camp without color,' because we always think of "camp" as something innately colorful, don't we? Director Zhang Yimou (House of the Flying Daggers) gifts for visual spectacle remain undimmed and this time he organizes his mise en scene around the duality of the yin yang symbols as well as inkwash paintings...

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NYFF: A Family Tour

Murtada Elfadl reporting on the New York Film Festival

Early on in A Family Tour a reporter asks the lead character, a Chinese film director exiled in Hong Kong, why she makes political films. She answers that everything she makes is personal. Over the next two hours the film shows us exactly how the political is never separate from the personal.

The film is autobiographical, the director Ying Liang having lived in exile in Hong Kong since making When Night Falls (2012), a sharply critical look at the biased judicial system in China. He has switched the protagonist’s gender so we are following a female director (Gong Zhe) as she travels to a film festival in Taiwan with her husband and small child...

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Where is Fan Bingbing?

by Nathaniel R

Fan Bingbing in May at Cannes with other female superstars, a month before she disappeared.

We've mentioned this frightening story twice before in news roundups but since it's making another round through more mainstream websites today -- it takes the big ones time with the foreign superstars --  we should update you. 

Chinese superstar Fan Bingbing (I Am Not Madame Bovary, X-Men Days of Future Past), who we always love covering in her Cannes appearances, is STILL missing. The media started suspecting that she'd vanished in July since she isn't exactly shy about public appearances, red carpets and the like...

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TIFF Delivers an Oscar bound-surprise with "Green Book"

by Nathaniel R

Go figure. The winner of TIFF's "Grolsch's People's Choice Award" is a film that literally none of my TIFF airbnb troupe (Joe Reid, Chris Feil, Nick Davis and I) saw during our 10 day stretch in Ontario. Green Book by Peter Farrelly (yes, of Dumb and Dumber and There's Something About Mary fame) took TIFF's most coveted prize. (the runners up were Barry Jenkins' If Beale Street Could Talk and Alfonso Cuarón's Roma). So we'll have to add it to the Best Picture chart when we update this week (we're looking at probably Wednesday night for across the board updates to reflect all the festival madness).

In the entire 40 year history of this prize, stretching From Girlfriends (1978) through Three Billboards Outside Ebbing, Missouri (2017), 16 of the winners went on to Best Picture nods at the Oscars. The 40 winners also include 7 future Best Picture winners, 6 future Best Foreign Language Film winners, and 2 future Best Documentary Feature winners. The Oscar correlation is getting stronger all the time, too...

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