Oscar History
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Ashley Judd, Pulp Queen

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Entries in Cinematography (297)

Thursday
Apr122018

Contrarian Corner: A Quiet Place 

Contrarian Corner is an irregular series in which TFE team members sound off on a film that they just can't join the consensus with. Chris loved the movie (as audiences seem to). But here's Sean Donovan with quite a different reaction...

A Quiet Place is very very quiet, as all of the characters are keen to remind us, frantically throwing up a finger to their lips in a suppressed SHHHHH. The monsters can hear you, a mysterious species blind but intensely sensitive to sound, and capable of swinging in from far off distances to decimate any disturbance in the soundscape. As a result, one survivalist family of this ruined civilization (dad John Krasinski, mom Emily Blunt, children Millicent Simmonds and Noah Jupe) have calibrated their lives perfectly to function without sound.

I, for one, wanted more of a sense of this family’s regular routine in their soundless environment: how do they communicate, how are their lives different, how do they have fun? You can imagine the Swiss Family Robinson or Rube Goldberg machine fun this movie could have had: what are Noah Jupe’s favorite sound-free toys? How does Emily Blunt make toast so the toaster stays PERFECTLY SILENT? 

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Wednesday
Feb142018

Review: The 15:17 To Paris

by Eric Blume

Has Clint Eastwood lost his mind?  That’s the thought that swirled through my mind for the first hour of 15:17 To Paris, because every choice is so shockingly wrong-headed that it feels unfathomable. Say what you will about Eastwood’s films, but even his detractors would need to admit that his movies are generally well-acted and sure-footed.  I had to stay through the end credits not to see the name of the cinematographer, but to ensure that there actually was one.  In fact, it’s Tom Stern, who has shot most of Eastwood’s films.  Out of respect for these two gentlemen and their intelligent work together in the past, let's assume that on this film they were attempting to take Eastwood’s infamously brisk, limited-takes directorial and shooting style to its ultimate breakneck limit.  Their new film looks uglier and less artful than your average TV procedural...

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Saturday
Jan202018

Final Oscar Predictions in Every Single Category!

by Nathaniel R

If only we had been able to devote more time to each category leading up to the nominations. Next year, my friends. Life, a cruel mistress this winter, had other plans this year. But we'll do better about diving into the nominees. As with most pundits I'm expecting The Shape of Water to be the nomination leader, but I don't think it will be setting any records as some are suggesting. The support for it seems less feverish and more pleasant. At least from my perspective. It can expect a big haul but not every single category. On the opposite side of the Best Picture spectrum is The Big Sick, the only potential nominee that could also be entirely shut out since it's hovering on the edges of its most nominatable categories: Picture, Screenplay, Supporting Actress 

So let's break it down by category shall we? We're just listing the basics here but each link will take you to that category's full chart with much more information and the pretty pictures. As always we'll be frantically updating every single chart on nomination morning (January 23rd). So be here frequently this week, pretty please...

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Thursday
Jan112018

Costume Design and Cinematography Guild Honors

by Nathaniel R

Sometimes all it takes is one killer lewk. You might not have thought of Three Billboards Outside Ebbing Missouri as a "costume" movie but the Costumer Designer Guild gave it one of their contemporary nominations all the same. Must've been that already famous janitor jumpsuit with bandana on Frances McDormand. It's so very "Mildred". Either that or, you know, the Guilds are just voting on their favorite movies (as they are also prone to do) without thinking too much on their own fields within those movies. Who knows what lurks in the hearts of awards voters? No one truly as they're non monolithic.

More on their nominations (and the Cinematography guild also) with commentary after the jump...

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Wednesday
Jan102018

13 days until Oscar nominations... Can Roger Deakins win with a 14th nod?

by Nathaniel R

the great Roger Deakins on set

Is 13 an unlucky number? Not particular with Oscar, no, but Roger Deakins is surely anxious to move beyond it. The 68 year old cinematographer is still hugely in demand and a regular Oscar competitor but he's currently sitting at 13 nominations and STILL has no statues to show for it. Will #14 prove lucky should he be nominated for Blade Runner 2049 this year (as is widely expected)? His nominated film list is just one beautiful astonishment after another: The Shawshank Redemption, Fargo, Kundun, O Brother Where Art Thou?, The Man Who Wasn't There, No Country For Old Men, The Assassination of Jesse James by the Coward Robert Ford, The Reader, True Grit, Skyfall, Prisoners, Unbroken, Sicario. His filmography also includes films like Thunderheart, The Secret Garden, Barton Fink, and Sid & Nancy. Will he win on March 4th or will someone else steal his thunder yet again at the last moment...

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