More TIFF Lineups: Midnight Madness and Platform

Another day another festival announcement. TIFF keeps adding to the festival. Even though they've reduced the number of films this year it's still SO MANY TO CHOOSE FROM IN EACH SECTION. Herewith the Midnight Madness and Platform choices. Let us know which ones you're most curious about!

Gael García Bernal in the French film "If You Saw His Heart"

PLATFORM
This section of 12 films, which tends to focus on directors in early stages of their careers, is actually juried (though TIFF isn't known for awards really outside of "People's Choice" which tends to have a strong correlation to eventual Best Picture nominations at the Oscars).

“Platform is the place to look for the distinct stamp of today's most interesting directors as they establish their reputations.
- -Cameron Bailey, TIFF's artistic director

The three-person jjury for 2017's Platform are directors Chen Kaige (China), Malgorzata Szumowska (Poland) and Wim Wenders (Germany)

• Beast (UK) A troubled woman becomes involved with a suspected killer in this debut from Michael Pearce [WORLD PREMIERE]
• Brad's Status (US) Screenwriter Mike White returns to the director's chair for this story about a man (Ben Stiller) comparing himself unfavorably to friends while touring colleges with his teenage son [WORLD PREMIERE]...

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Interview: Maria Schrader on Directing Austrian Oscar Submission 'Stefan Zweig: Farewell to Europe'

By Jose Solis

Two years after The Grand Budapest Hotel put Stefan Zweig’s writing at the center of the Oscar race, the author himself now is the protagonist of Austria’s submission Stefan Zweig: Farewell to Europe. Directed by Maria Schrader, the film focuses on Zweig’s exile in South America after fleeing Nazi Germany in the mid-1930s, played with gravitas by Josef Hader, Zweig becomes one of the most powerful male characters of the year, in a performance that works on an intellectual as well as visceral level. Audiences who only know Schrader from her acting work, in films like Aimee & Jaguar, will be caught off guard by her elegant sense of framing, her impeccable pacing and the way she engages the viewer by avoiding going into any biopic stereotypes. I spoke to her about making the film, working with Hader, and what an Oscar nomination could mean for the film.

JOSE: This was a very hard movie to watch after the American election.

MARIA SCHRADER: Should I take that as a compliment?

JOSE: Yes!

MARIA SCHRADER: (Laughs)

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Interview: The Filmmakers Behind 'Goodnight Mommy' on Working with Children, the Horror Genre as a Mirror, and Hopes of Oscar

Jose here. In the terrifying Goodnight Mommy, two angelic twin brothers named Elias and Luke (played by Elias and Luke Schwarz respectively) become convinced that their mother has been replaced by someone else after returning home from a stay at the hospital. And who can blame them? Their mother (Susanne Wuest) returns wrapped in Franju-esque bandages that only show her eyes, and she seems to have lost her good temper, patience and tenderness. Terrified of this unknown person, the twins proceed to torture her in order to get to the bottom of things. Directed and written by the team of Veronika Franz and Severin Fiala, Goodnight Mommy is the kind of horror film that creeps under your skin because of how committed it is to its aesthetics and points of view.

There is not a single body-horror line Franz and Fiala are unafraid to cross, and the film features torture involving everything from superglued eyes to bondage by bandage; however, there is not a single moment in the film that feels gratuitous, and just like a song would serve a musical, the torture we see onscreen serves the story because it makes sense that these children would be terrified of someone they believe to be a total stranger, and if anything Goodnight Mommy has more in common with Home Alone than with Saw, if not in tone, at least in its intentions. The film has been selected to represent Austria at the Academy Awards and opens in the States on September 11. I had the chance to sit down with the filmmakers to discuss their techniques and tips for working with children, their favorite horror movies and what AMPAS members they wish to scare the most! Read the interview after the jump. 

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