We Can't Wait! #9: Taxi

Jafar Panahi poses as a taxi driver in "Taxi"Team Experience is counting down our 15 most anticipated for 2015. Here's Amir...

Who & What: Politically troubled Iranian auteur, Jafar Panahi, returns with his third film in four years. Any other director would be considered prolific with numbers like that, but consider that Panahi has managed it despite being under an official, though increasingly lenient, ban on filmmaking. His latest film, a realist comedy set in the confines of his car, stars him as a taxi driver whose interactions with his passengers form the narrative. It won the Golden Bear at the Berlinale, making him the only Iranian filmmaker with two top prizes from the big three festivals – the first was Venice’s Golden Lion for The Circle.

Why We’re Excited About It: Panahi has been cranking out masterpieces with such regularity that his inventive, powerful cinema is often taken for granted, especially since his political situation pushed discussions about his films to the background. His insightful, heartfelt and often humorous social studies are some of the best films of the past two decades and Taxi seems to be a return to his earlier interests, after a couple of self-reflexive experiments. The reviews from Berlinale showered the film with unanimous praise, and coming off the best film of his career, Closed Curtain, Panahi continues to work at his very peak. (Nick Davis discussed that film and Panahi’s earlier work with me at length on the Hello Cinema podcast.)   

What If It All Goes Wrong: Before the film had its premiere, my only fear was whether the car setup of the film would read as gimmicky or become tiresome. Reviews suggest those fears were baseless. Otherwise, I don’t see how this can go wrong.  

Jury Chairman Darren Aronofsky presented Jafar Panahi's crying niece with the Golden Bear in his absence.

When: Specialty arthouse distributor, Kino Lorber, has acquired the North American rights. Whether they want to build renewed momentum in the fall festival circuit or capitalize on the film’s Berlin win earlier in the summer isn’t yet clear.

previously in 'we can't wait'

Binoche Has Gone Full Zhivago (65th Berlinale)

Berlinale cometh.

Not until February but Juliette Binoche is starting early since she's arriving by sled. But seriously that's the first image from the Opening Night film Isabel Croixet's Nobody Wants the Night. The film co-stars Oscar nominee Rinko Kikuchi (Babel) and Gabriel Byrne (as explorer Robert Peary) and takes place in 1908 in the Arctic and Greenland. My Binoche comes in waves and recedes with the tide and such but it's big and full right now after her wonderful work in Clouds of Sils Maria which will open in the US eventually. Promises promises. Binoche is always so wonderful.

Competition films this year include: Andrew Haigh's 45 Years (his first since Weekend!), Andrea Dresen's As We Were Dreaming, Kenneth Branagh's Cinderella, Peter Greenaway's Eisenstein in Guanajuato, Jayro Bustamante's Ixcanul Volcano, Terrence Malick's Knight of Cups, and Alexey German''s Under Electric Clouds.

50 Shades of Grey will also premiere at the festival. But frankly, it just doesn't seem kinky enough for Berlin. The city, not the festival. 

I can never go to the Berlin International Film Festival because it hits just days after Sundance and concludes just a couple weeks before the Oscar. *sniffle*

Berlinale Wraps: Uma, Prizes, Foreign Film Oscar Hopefuls

Richard Linklater with his Silver BearOne of these years we will make it to the Berlinale! The festival closes today and things go quiet on the megawatt festival front until Cannes in May (though festival season never really ends what with regional festivals everywhere and Tribeca, which we'll cover, in the Srping).

Early English language punditry assumed that Richard Linklater's 12 year spanning Boyhood (my review) or Wes Anderson's reportedly delightful Grand Budapest Hotel would win but english language press always assumes that about American pictures. James Schamus jury thought otherwise, though they honored both with prizes, giving the Golden Bear to the Chinese noir Black Coal, Thin Ice. In fact, a lot of prizes went to Asian cinema this year.

Awards, Umas, and Oscar hopefuls after the jump...

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"I AM NOT FAMOUS ANYMORE"

I've been struggling and struggling to come up with something to say about Shia Labeouf's paper bag look at the Berlinale over the weekend. Thought it seems ready made for a meme -- think of all the has-beens that could be mocked! -- you wouldn't be able to tell who was being mocked once you'd photoshopped the bag over the head. 

I know only two things about this. First, that James Franco exploded when he saw it, both sexually aroused and furious that he hadn't thought of it first. Second, that at least one cinephile in each top film market will do this look for Halloween and not enough people will get the joke. 

Meet the Berlinale Jury

The 64th Berlinale begins today in Germany - a press conference for Grand Budapest Hotel is streaming right now. It's the second of the six most powerful and premiere-heavy festivals each year, which schedule like so: Sundance -January; Berlin -February; Cannes - May; and the September glut of Venice, Telluride & Toronto. Like most of the biggies Berlinale has multiple juries for multiple types of awards, major and niche. But here's the main competition jury presided over by former Focus Features chief James Schamus. 

The Jury, The Competition Films, and Oscar History after the jump

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