Posterized: Judi Dench, Leading Lady

Good things come to those who wait. For Judi Dench that good thing would be movie stardom. She's been acting on stage since 1957 (as Ophelia in Hamlet at the age of 23), on tv since 1959 (the title role in Hilda Lessways), and on the silver screen since 1964 (The Third Secret)...  but it wasn't until 1997/1998 when Dench hit her sixties that true movie stardom happened, prompted by the double whammy of her first Oscar bid (Mrs Brown) and its follow up "oops sorry about last year" Oscar win for Shakespeare in Love (recently discussed). Isn't her career trajectory unheard of? Who doesn't even start being a movie star until their sixties? Dame Judi thats who.

Though she may soon retire (she's turning 80 a year from now) she's still in her movie prime. Her latest starring role is as Philomena, the story of a woman seeking the grown son she gave up for adoption, and it opens today in limited release. Will it bring her her 7th career Oscar nomination (her 5th in lead)? Only seven women in the history of movies have ever accomplished it before (Streep, Hepburn, Davis, Page, Berman, Fonda and Garson are the current top seven in Oscar's Actress Hierarchy each with seven or more nominations). And, finally, why is Philomena rumored to be categorized as a Drama at the Globes when the poster is screaming "COMEDY!" at the top of its marketing lungs. 

JUDI DENCH'S BIG ROLES
How many have you seen? 
To pad out her leading lady resume from these peak stardom years, I've included TV films

Mrs Brown (1997) - Oscar nomination, Bafta win
The Last of the Blonde Bombshells (2001) - Globe win, Bafta win, Emmy nomination
Iris (2001) - Oscar nomination, Bafta win

Ladies in Lavender (2004)
Mrs Henderson Presents (2005) - Oscar nomination
Notes on a Scandal (2006) - Oscar nomination, and my vote for her all time best performance

Cranford (2007) Golden Globe, Emmy, Bafta Nominee
The Best Exotic Marigold Hotel (2011) - Globe nominee
Skyfall (2011) - some may say this isn't a leading role but the plot of this film suggests otherwise 

Which of these posters brings back your fondest Dame Dench memories? 

Gold is the Most Coveted Color

Léa Seydoux & Adele Exarchopoulos at the Governor's Ball

Let's see Léa & Adèle at all the Oscar-courting events. S'il vous plaît. Werk that circuit, ladies.

AFI Memories: Emma Thompson's Shoes

If you want to know why I have had such a hard time sharing my adventures in Los Angeles in real time from the AFI festival which wrapped on Thursday, blame Emma Thompson. She killed me!

Emma the night I met her / Mary Poppins party decor

The truth is that I get far less starstruck these days than I did a handful of years ago when I first began interviewing celebrities regularly. But sometimes my inner child still spazzes out, and comes bouncing to the surface like a squealing fanboy. I know I'm supposed to be embarrassed by this but the truth is that it feels good.

Enthusiasm is a form of social courage"
-Gretchen Rubin, Happiness Guru 

I never want to be one of those jaded film critics who has seen it all and doesn't enjoy anything. So... back to that Saving Mr Banks party. After chatting with Colin Farrell I was introduced to Emma Thompson who is holding up really well at 54. She looks, I apologize in advance, practically perfect in every way. And as one of my formative actresses, I was quite taken aback to be face to face with her, sipping cocktails.

Small talk: we both love the decor at the party, little drawings from the making of Mary Poppins on each table and I pretend to lift one and shove it under my jacket. Eventually -- because I am me -- the conversation drifts to Howard's End (1992). I don't remember quite how we got there but Emma, politely sidestepped the questions about the past and, like a consummate pro, pulla  it back to a soundbite ready encapsulation of both my movie nostalgia AND the theme of her new film, in which the author P.L. Travers (Thompson) has a really difficult time parting with her fictional nanny Mary Poppins:

Sometimes you just have to let things go." 
-Emma Thompson 

And then Emma Freaking Thompson places her hand on my shoulder ...and I died. Using me for balance, she removes her shoes! As if on cue, her assistant materializes from nowhere to grab them. What should she do with them?

"Throw them away. They're garbage." Emma instructs.

"Speaking of letting things go!" I interject awkwardly, amused that the theme has been literalized. As it turns out Emma quite likes the shoes and it's not from lack of sentiment but practicality - she got cement on them across the street at her handprint ceremony. I help her find Colin Farrell for a smoke break and they're off, Emma weaving through the cocktail party in her stockings.

I love this shot of Emma via HitFix (wish it were bigger!)Half an hour later director John Lee Hancock introduces his cast at the front of the giant Chinese Theater. Emma, who apparently can't let a running motif go, removes her new pair of shoes while walking to take her bow, doing a little sideways hopping dance in the process. At this point, though, I'm happily back where I belong, munching on popcorn in my movie seat dreaming about movie stars. The movie begins in the clouds but I'm already there.

Previously at AFI:  "Harbringer of Hope" Colin Farrell, Agnes Varda's Cleo From 5 to 7, Anne Marie's Fest Part 1 and Part 2,

Tweet-Bits: Nathaniel & Niecy Nash share an awkward moment, Overheard in Movie Theater Lines pt 1, pt 2, and pt 3

True Oscar Stories: Hey Nonny, Nonny

Emma Thompson was nominated for Best Actress in 1993 for Remains of the Day in which she is very good but it really should have been for Much Ado About Nothing, in which she is utterly radiant, the classiest and most consummate romantic comedy lead the 90s could have ever dreamt up.

The following year, the Oscars made the same mistake nominating Winona Ryder for period drama Little Women instead of the post-collegiate comedy Reality Bites, which I'd argue is her single greatest screen performance if less iconic than her star turns in Beetlejuice or Heathers. 

The moral of this story: Even when they're great, comedies have such a tough time being appreciated in their time. Soon you'll be able to add Frances Ha (2013) to that infinite list of under-rewarded laughers!

Paging Lacuna, Inc. - Naomi Watts' 2013 is One She'd Rather Forget!

One of my favourite movie-going memories of 2013 was seeing the trailer for Adore play before a bemused sold out opening weekend audience at Blue Jasmine. Amongst the scattered laughs was one lady a row or two behind me who uttered to her companion, “What is Naomi Watts doing?” She, and the rest of us, are sadly still waiting for an answer. On the heels of that Oscar nomination for The Impossible, Watts has since appeared in two films that have literally been laughed off of cinema screens.

[Adore and Diana giggles after the jump...]

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