The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Rebecca Miller's new film, She Came to Me, is a bit of a mess, stitching themes and storylines, wild tonal swerves, and overwrought ideas that don't fit together all that well. This fate's especially disappointing because the project seemed ripe with promise and potential. Most of all, it looked like an excellent opportunity for Hollywood to embrace actor Peter Dinklage as a romantic figure. Though he reached peak fame by playing Tyrion Lannister in Game of Thrones, a performance of wit and projected stratagem, it can be argued that his best calling card is an ability to illustrate the heart's amorous yearnings…
Thirty years ago, Meg Ryan and David Duchovny were at the height of their popularity. Ryan starred opposite Tom Hanks in one of the definitive romantic comedies, Sleepless in Seattle, and Duchovny was headlining, along with Gillian Anderson, what would become one of the most popular series of the 1990s, The X-Files. While Duchovny has starred in other series like Californication and Aquarius, and a few films since, you have to go back to 2015 for Ryan’s last screen credit, her directorial debut Ithaca. The two are back together in Ryan’s second try at directing, What Happens Later, a film that falls flat early on and doesn’t get much better after that…
A quarter century ago, Hollywood remade the Cinderella story as it often does. Only this time, the fairytale was without fairies or any inkling of magic beyond the mystery of love. And Leonardo da Vinci, of course, for he's something of a wizard figure in the restyled narrative in which Perrault's classic tale is reworked through the Grimms' imagination and 1990s 'girl power' impetus. Da Vinci is also the movie's Achilles Heel, a miscalculation by the writing team of director Andy Tennant, Susannah Grant, and Rick Parks. Not that the misfortune wrecks the picture – Ever After is too charming for that.
Indeed, the Drew Barrymore vehicle remains an entertaining period rom-com all these years after its release, its strengths only glowing brighter in retrospect. How can one resist Jenny Beavan's costume designs, George Fenton's impassioned score, Anjelica Huston's sharp spin on the evil stepmother archetype, and so much more? This Ren-Faire Cinderella deserves celebration…
I recently had the pleasure of guesting on two podcasts. The first was the annual fantasy draft episode of Oscar Wild wherein various pundits/Oscar fans chose our horses for the Oscar season. You'll recognize a lot of the lovely voices. It was fun which was expected but also extremely tense which was a surprise -- I drew the shortest straw so I was the last to choose a contender but the draft was in a snake order so thankfully it all sort of evened out. The episode was recorded BEFORE the festival premieres so some of the choices are already ouchies given the mixed/negative reception of a few of the films. I'm pretty happy about betting on Top Gun Maverick, Triangle of Sadness, and Elvis among others. The rest, we shall see.
Then this weekend in a change of pace I was the guest for a bonus episode of Hallmarkies, a podcast about romantic comedies with a focus on Hallmark movies. Since frequent Hallmark leading man Luke Macfarlane is the romantic co-lead of Billy Eichner's Bros, it was a natural topic for them to hit.
I really really loved Bros (even more than Baby Clyde did) and, though I wish I'd been a bit more eloquent in singing its praises, I hope you enjoy both the movie and this podcast. If you haven't seen the movie yet, I would suggest waiting until you do to listen to this since we talk about the plot in full and you'll want to save the surprises and great laugh lines for the moviegoing experience!
It’s fun to see a director known for a particular kind of film try something new. At the premiere for his film What’s Love Got To Do With It, Shekhar Kapur, best known for Elizabeth, joked about how he responded to being told that he doesn’t do rom-coms: “Watch me.” His latest is a joyous celebration of culture and heritage and the way they can serve to both unite and divide, offering many genuine laughs and some heartfelt commentary on what it means to stay true to family…
Thursday, November 16, 2023 at 6:00PM 
