The MET Gala meets the Movies

by Cláudio Alves

MIDSOMMAR (2018) Ari AsterThis Spring, the Costume Institute at the MET is putting on an exhibition titled "Sleeping Beauties: Reawakening Fashion." It's all about garments that, through the passage of time, have degraded or become too fragile to wear and exhibit by traditional means. They are slumbering, but through technological wizardry and museum magic, one hopes to breathe new life into them. From pepper ghosts to glass coffins, replicas, and immersive soundscapes, the MET will deliver visions of the fashioned ephemeral cataloged through an appeal to nature. The exhibit has three elemental parts– earth, air, and water –underlining the connective tissue between the pieces and the natural world, where decay is an essential part of existence. In some ways, it's a look at notions of impermanence through fashion.

Fittingly, this year's MET Gala has a dress code defined as "The Garden of Time," a novel by J.G. Ballard that considers similar themes. However, because stylists and celebrities are literal to a fault, this has resulted in florals and flowers as far as the eye can see – the red carpet turned into a Midsommar cosplay convention. If you're dissatisfied with the offer, why not scratch that sartorial itch through cinema? Here are some possibilities…

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Ever After @25: A Timeless Cinderella Story

by Cláudio Alves

A quarter century ago, Hollywood remade the Cinderella story as it often does. Only this time, the fairytale was without fairies or any inkling of magic beyond the mystery of love. And Leonardo da Vinci, of course, for he's something of a wizard figure in the restyled narrative in which Perrault's classic tale is reworked through the Grimms' imagination and 1990s 'girl power' impetus. Da Vinci is also the movie's Achilles Heel, a miscalculation by the writing team of director Andy Tennant, Susannah Grant, and Rick Parks. Not that the misfortune wrecks the picture – Ever After is too charming for that. 

Indeed, the Drew Barrymore vehicle remains an entertaining period rom-com all these years after its release, its strengths only glowing brighter in retrospect. How can one resist Jenny Beavan's costume designs, George Fenton's impassioned score, Anjelica Huston's sharp spin on the evil stepmother archetype, and so much more? This Ren-Faire Cinderella deserves celebration…

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Review: Lesley Manville in "Mrs. Harris Goes to Paris"

Who wouldn't want to travel with Lesley Manville to Paris this summer?By: Christopher James

Make Lesley Manville the star of every movie. I’m serious, Hollywood. Do it. As the titular character in Mrs. Harris Goes to Paris, the Oscar nominated character actress brings heart, humor and gumption to her Cinderella-esque heroine. Even from the trailer alone, you can understand the type of frothy entertainment that awaits. The movie attempts to go a bit deeper at times, but it more or less lives up to what the trailer advertised. This is a light, fun time at the ovies with beautiful gowns and great performances. What takes it from a watch-on-a-plane movie to a must-see matinee is a galvanizing and endearing performance by Manville.

We find our titular character, Ada Harris (Lesley Manville), in the midst of bad news...

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The 5 Best Oscar speeches from Sunday night...

by Cláudio Alves

When it comes to the 94th Academy Awards, the exclusion of eight categories from the live ceremony will always cast a dark shadow over the proceedings. This is especially true when considering the evening's best speeches. As it happens, a good percentage of them are unavailable to us, existing only in the edited versions that ABC aired. Riz Ahmed gave a powerful speech, but it's hard not to notice that Aneil Karia's words were utterly excised from the final edit. Other highlights include Joe Walker with the night's funniest acceptance and Alberto Mielgo's loving tribute to the art of animation… 

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CDG Award winners: 'Dune' and 'Cruella' to fight it out at the Oscars

by Nathaniel R

Andrew Garfield accepting his prize

The Costume Design Guild Awards were held last night. Teary Andrew Garfield received the Spotlight Award and said costume designers were his favourite to collaborate with. Producers Amy Pascal and Rachel O'Connor where honored as Distinguished Collaborators and Sharen Davis received the Career Achievement Award. The late Anthony Powell was also inducted into the CDG Hall of Fame by Glenn Close in a prerecorded segment. The Costume Designers Guild divvies their annual prizes up into Contemporary, Fantasy, and Period which means that three films get to share honors. This year they went for Coming 2 America, Dune, and Cruella... the latter two are also competing for the Oscar. Winners and comments after the jump... 

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