"Better Man" Leads the AACTA Nominations

by Travis Cragg

Robbie Williams v. Furiosa v. Beloved Aussie Christmas Song v. Demon Possession. That’s the general gist of this year’s Australian Academy of Cinema and Television Arts (AACTA) film nominations. The satirical musical bio-pic Better Man achieved the most nominations (16), but Furiosa: A Mad Max Saga and How To Make Gravy (15 each) and Late Night With The Devil (14) are not that far behind. The nomination total for Better Man is a record breaker, so the fact that three other films are very close to its indicates that the number of films that managed any nominations this year is low. There’s also a more significant artistic precedent that has been set this year amongst the acting nominees which we'll discus.

The list of nominations and comments after the jump…

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The Costume Designers Guild loves themselves some Witches

by Cláudio Alves

Paul Tazewell is dancing through the season, toward an Oscar win for WICKED.

PGA this, DGA that, SAG whatever. The most important guild in my heart is the Costume Designers Guild (CDG), formed by those great artists who clothe our movie stars and style the pictures we love so dearly. This year, they're feeling especially witchy with their nominations, somehow bestowing three nominations on Agatha All Along and two for the Dune universe and the formidable Bene Gesserit sisterhood. And, of course, there's Wicked with its aesthetically opposite duo – green does go well with pink. I imagine Paul Tazewell is about to win his first Academy Award for the blockbuster musical, this CDG nod and likely victory a stepping stone on his path to Oscar gold. 

But enough about magical women. Let's assess the complete CDG nominations…

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The MET Gala meets the Movies

by Cláudio Alves

MIDSOMMAR (2018) Ari AsterThis Spring, the Costume Institute at the MET is putting on an exhibition titled "Sleeping Beauties: Reawakening Fashion." It's all about garments that, through the passage of time, have degraded or become too fragile to wear and exhibit by traditional means. They are slumbering, but through technological wizardry and museum magic, one hopes to breathe new life into them. From pepper ghosts to glass coffins, replicas, and immersive soundscapes, the MET will deliver visions of the fashioned ephemeral cataloged through an appeal to nature. The exhibit has three elemental parts– earth, air, and water –underlining the connective tissue between the pieces and the natural world, where decay is an essential part of existence. In some ways, it's a look at notions of impermanence through fashion.

Fittingly, this year's MET Gala has a dress code defined as "The Garden of Time," a novel by J.G. Ballard that considers similar themes. However, because stylists and celebrities are literal to a fault, this has resulted in florals and flowers as far as the eye can see – the red carpet turned into a Midsommar cosplay convention. If you're dissatisfied with the offer, why not scratch that sartorial itch through cinema? Here are some possibilities…

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Ever After @25: A Timeless Cinderella Story

by Cláudio Alves

A quarter century ago, Hollywood remade the Cinderella story as it often does. Only this time, the fairytale was without fairies or any inkling of magic beyond the mystery of love. And Leonardo da Vinci, of course, for he's something of a wizard figure in the restyled narrative in which Perrault's classic tale is reworked through the Grimms' imagination and 1990s 'girl power' impetus. Da Vinci is also the movie's Achilles Heel, a miscalculation by the writing team of director Andy Tennant, Susannah Grant, and Rick Parks. Not that the misfortune wrecks the picture – Ever After is too charming for that. 

Indeed, the Drew Barrymore vehicle remains an entertaining period rom-com all these years after its release, its strengths only glowing brighter in retrospect. How can one resist Jenny Beavan's costume designs, George Fenton's impassioned score, Anjelica Huston's sharp spin on the evil stepmother archetype, and so much more? This Ren-Faire Cinderella deserves celebration…

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Review: Lesley Manville in "Mrs. Harris Goes to Paris"

Who wouldn't want to travel with Lesley Manville to Paris this summer?By: Christopher James

Make Lesley Manville the star of every movie. I’m serious, Hollywood. Do it. As the titular character in Mrs. Harris Goes to Paris, the Oscar nominated character actress brings heart, humor and gumption to her Cinderella-esque heroine. Even from the trailer alone, you can understand the type of frothy entertainment that awaits. The movie attempts to go a bit deeper at times, but it more or less lives up to what the trailer advertised. This is a light, fun time at the ovies with beautiful gowns and great performances. What takes it from a watch-on-a-plane movie to a must-see matinee is a galvanizing and endearing performance by Manville.

We find our titular character, Ada Harris (Lesley Manville), in the midst of bad news...

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