Team Experience Oscar Predictions: Final Scores

by Cláudio Alves

Let us be glad. Let us be grateful. Let us rejoicify... that the awards season is over.

The Oscars have come and gone, and it's time to settle some scores. Nothing too dramatic, of course, just the matter of who, in the Team Experience, was best at predicting the 97th Academy Awards winners. Eric Blume took the honors for the nomination period, but the tables have turned. The king has fallen, and a new queen has risen – all hail, Lynn Lee! She correctly predicted 18 out of 23 categories, accounting for a roughly 78% success rate. On the other hand, I did the worst of the lot, with only ten correct predictions, or a 43% success rate. It's pretty dire, but that's what you get when you go "no guts, no glory" on some of these…

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Oscar Night in Review: Highs, Lows, and "What Just Happened?" Head Scratching

by Nathaniel R

Conan O'Brien hosts the 97th Academy Awards. Photo © Myung J. Chun for the Los Angeles Times

It was one of the great livery-stableman's most masterly intuitions to have discovered that Americans want to get away from amusement even more quickly than they want to get to it.”
-Edith Wharton, The Age of Innocence

Another cinematic year has ended. Another eagerly awaited Oscar night's credits roll over clips of the key moment. Out there in the dark, at home and at Oscar parties, everyone immediately wishes to put it all behind them. I am also that livery-stableman, but shouting "Wait, wait! There are a few things we should talk about before we depart!" So please bear with us, dear reader, as we think aloud at you and with you (should you choose to join in the conversation) and wrap up this cinematic year and twisty awards rollercoaster. We'll try to 'get away from (this) amusement' within a week's time and move on to 2025 (and other years as we do for mini celebrations). That's the goal.

So let's talk Oscar night's highs and lows and wtf moments...

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Nathaniel's Top Ten List. The Film Bitch Awards Begin...

by Nathaniel R

 

For this cinephile, the film year doesn’t officially end until the naked gold men are handed to their blessed new owners, deserving or otherwise. (If you’re looking for my predictions that article is here or in various Oscar volleys) So as we enter the third month of 2025 the books must now close on 2024. It’s time for even champion procrastinators like myself to participate in their mandatory subjective “Best” proclamations. For the next week or three I’ll be posting the Film Bitch Awards, the public honors for my private darlings, beginning with this Top Ten List / Best Picture, announcement today. These awards are the site's most enduring annual tradition and though I agonize over them (call it ‘permanent record’ anxiety as I never change them after the fact because I want them to feel respectable in a time capsule way) I deeply love the process of listing and favoriting and ranking. It’s one small ritual to bring order to the chaos of life. I imagine I’ll still do it even after the world collapses in three years time and we’re all living in a hellish installment of the Mad Max Saga. What will there be to rank… Rocks? Cancerous growths? Abandoned ruins? Who knows but I’ll do it. Until then we have civilization and the movies...

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Oscar Volleys: Best Actress is a bloodbath

The Oscar Volleys are almost over. Today, Cláudio Alves, Elisa Giudici and Nathaniel Rogers discuss the Best Actress race...

CLÁUDIO: Say what you want about the merits of Best Director or Best Picture's intrinsic importance, but we all know that Best Actress is where it's at. Certainly here, at The Film Experience, where a love for actressing and a love of cinema are often inextricable. And this year, we have one hell of a race, a good old-fashioned nail-biter that will only be resolved once that envelope's opened.

Will it be a rare triumph for horror and a legitimization of an oft-dismissed talent? Will it be a newcomer's moment to shine, riding the wave of love for her frontrunner film? Will it be an international goddess whose Golden Globe win remains one of the season's biggest and most delightful shockers, breaking decades of Oscar precedent? And what about the persona non grata among us? How will the room react to her glorification as a nominee, even if a win seems out of the question? So many mysteries…

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Drag Race RuCap: “The Wicked Wiz of Oz: The Rusical!”

THE WIZARD OF OZ looks...different.

NICK TAYLOR: Can you believe our luck, going from a disappointingly mid Snatch Game to a snappy, entertainingly performed, bizarrely conceived Rusical? With a fabulous runway and a lip sync for your life where both queens are actively serving? That’s just about everything one could ask for on this show, with my one caveat being the least deserving finalist got the win this week. Even so, I loved this episode of Drag Race, which threw so many portents and standbys at me that I somehow convinced myself this episode’s somewhat inevitable elimination could surprise us with an unexpected victory. There’s so much drama, all of which is organically felt and most of which is seamlessly edited into the rhythms of the episode. Were you as big a fan of this episode as I was? 

CLÁUDIO ALVES: The only thing that would make it better would have been Onya messing up another girl’s outfit. But I guess we need to wait ‘till next week for that…

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