"The Room Next Door" and "Emilia Perez" lead the EFA Nominations

by Nathaniel R

Nominations are in the for 37th annual European Film Awards which will take place on December 7th in approximately one month's time. You may recall that last year was dominated by Anatomy of a Fall which took home six awards (Film, Director, Actress, Screenplay, and special awards like Editing and the European University Film Award). It also proved popular with Oscar voters. Here are your nominees for the 2024 prizes. The awards ceremony moves each year. In December it moves to Switzerland for the first time. Oscar hopefuls The Room Next Door (hitting US theaters in December) and Emilia Perez (which hits Netflix next week) lead the nominations with four citations each. International Feature Film Oscar contenders like Denmark’s The Girl with the Needle, Germany’s The Seed of the Sacred Fig, Italy’s Vermiglio, Latvia’s Flow, Norway’s Armand and Senegal’s Dahomey were also popular with voters, scoring multiple nominations. 

Although people don't tend to think of the EFAs as an Oscar precursor, their collective taste does align fairly well with Oscar voters. It's been 9 years, for example since the winning film wasn't also Oscar nominated for either Best Picture and/or Best International Feature Film...

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French & Italian Finalists for Oscar Submissions

by Nathaniel R

The selection of France and Italy's contenders in Oscar's Best International Feature Film race are always a big deal; the two countries thoroughly dominated the category in the 20th century and they're still the all-time stat leaders 24 years into the new century. France announced an official finalist list of four films. We also know which films Italy is choosing between though there are no "finalists" per se since they skip that step and go straight to voting. Let's look at the possibilities after the jump...

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TIFF '24: Contrarian takes on "Anora" and "Emilia Perez"

by Cláudio Alves

Sometimes, you find yourself going with the flow, becoming another among a million other voices with the same stated opinion. Such fate can be frustrating, but so can the reverse. When consensus consolidates, being on the other side looking in is just as irritating as picturing oneself as the metaphorical sheep following the flock. Contrarianism isn't fun in and of itself, especially when it manifests as a hostile take against a barrage of love. This TIFF, I've found myself in the minority regarding two Cannes prize-winners already praised to high heaven by our beloved Elisa Giudici. Indeed, one of them is so adored it's already considered a contender for the festival's Audience Award cum Oscar barometer. It's time to explain why neither Anora nor Emilia Pérez convinced me of their merits…

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Cannes Diary: Best of the Fest from this 'Jury of One'

by Elisa Giudici

ALL WE IMAGINE AS LIGHT © Cannes Film Festival

Cannes is coming to an end. In fact the closing awards ceremony begins less than four hours after this article's pubication. While we wait to finish reviewing all the films in competition and find out who will win the much-coveted Palme d'Or, it's time for A Jury of One...

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Cannes Diary: Jacques Audiard's stunning 'Emilia Perez'

by Elisa Giudici

How does Jacques Audiard do it? Emilia Pérez would be an extraordinary film if it were directed by a 35-year-old filmmaker who had just matured and created a groundbreaking movie destined to consecrate his career. Yet Audiard is 72 years old, already has a Palme d'Or at home, and a portfolio of excellent films. He doesn't need to reinvent himself or take many risks, having reached an age and fame where some simply coast along, continuing to indulge their existing obsessions.

Instead, Audiard delivers a film that, on paper, should be disastrous and unworkable...

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