Happy Thanksgiving... and 1985 Randomness

by Nathaniel R

Dear readers, thank you for the private messages and public comments welcoming me back after my long hiatus. I’m thankful for you. And Happy Thanksgiving if you celebrate. I’m still in the warm-up mindset in terms of my ‘comeback’ and I'm never going to be daily multiple articles a day again -- it's not 2014 and the world has changed -- but I do have a couple plans for 2025 brewing which will and won’t be like past Film Experience shenanigans.

Anyway, back on topic. We hope you’ve enjoyed this 80s party. We’re doing it for about one to two more weeks interspersed with current Oscar discussions of course. There’s still a few more years of top tens to share and two seminal 80s features to discuss – one from 1987 that I promised a write up of for a reader a long long time ago (forgive me!) and one from 1989 that I have personally felt a strong urge to reconsider because it's been a million years since I saw it and I wonder how it's aged. But for this Thanksgiving Weekend intermission ~ let’s talk 1985…

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Randomness... 1984

by Nathaniel R

Continuing our 80s Theme November Party with 1984 now. Is this party overstaying its welcome? Maybe but what can you do when you've invited everyone over, picked a theme, and told everyone to dress for the occasion! If you missed the beginning we started the retro top tens with 1980-1982 and 1983. Cláudio has been talking actressing in those same years and Juan Carlos chimed in with some Best International Feature memories.

Without further ado my personal favourites from 1984 (in alphabetical order) and of course I hope you'll share yours in the comments...

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Randomness... 1983

by Nathaniel R

RETURN OF THE JEDI

As noted last week we’ve been feeling some 1980s nostalgia of late. So we’re indulging in the "Totally Awesome 80s" this month. Most cinephiles I know keep their own top ten lists (those that don’t – weirdos! I kid I kid. To each their own.)  Sometimes these lists aren’t beholden to the Oscars or release dates but to copyright dates or first screenings somewhere even if they weren't "premieres"  (i.e. following  letterboxd, imdb listings). We stick to calendar year of US releases when we can just because it’s more fun for us to compare to the Oscars. In the event that the release was spread over years and confusing or maybe never got a US release we pick a year (usually the premiere year).

Herewith a 'top ten list' from 1983 which was made in the early Aughts based on childhood memories and some adult screenings. It’s occasionally been updated or altered by rewatches or first time viewings since. So let’s keep that 80s party going and talk 1983...

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Ten Times 2024 Movies Should Have Leaned Harder into "Movie Musical" Genre

by Nathaniel R

I’m back! Well, not quite but working towards it. We're going to do an 80s theme in early November, okay? But let’s start with a question and a list to prove that I have actually been watching movies (and am alive) though I’ve rarely been writing and miss it terribly.

Has it been a good, bad, or ugly year for the always threatened Movie Musical genre? 

 The greatest of all movie genres is always threatened with extinction but it's also resilient and still with us almost a century after its debut.  The year isn't over so the initial bolded question is premature. Mean Girls was a dud early in the year and the highly anticipated Joker Folie A Deux is currently flopping which serves it right for sidelining Lady Gaga (of all people) and being so uncomfortable about calling itself a musical. But we've still got one famous stage adaptation (Wicked), two experiments (The End, Emilia Perez),  one animated adventure (Moana ), and three musician biopics (A Complete Unknown, Maria, and A Better Man) arriving before year's end so there's still hope.

Here are ten movies from 2024 that could have been musicals with a few tweaks or even more insanity from their auteurs. Consider...

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TIFF '24: A Dozen Capsules and Final Farewells

by Cláudio Alves

PERFUMED WITH MINT was one of many gems in TIFF's Wavelengths section.

At long last, let's close this seemingly unending TIFF coverage, so that The Film Experience can move on to some NYFF reviews, maybe even some peeks into the Lisbon festival scene. Still, before bidding Toronto adieu, a dozen titles need assessment, even if it's through a cornucopia of capsule reviews, plus a personal top ten to close things off properly. Spread out through five different festival sections and four continents, these twelve final films span from the experimental to the conventional, from dreamy stylization to dry dreary realism. There are beautiful sights to appreciate and performances, too, including a pair of wildly different characterizations from Chilean actress Paulina García. 

To open the belated farewell, I propose a look at my favorite TIFF section – Wavelengths. Within its radical offerings, one can find pictures that look like none other, such unique visions as Muhammad Hamdy's Perfumed with Mint and Jessica Sarah Rinland's Collective Monologue…

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