Gold-Standard Roles: From Tony to Oscar

by Cláudio Alves

This season, Wicked hopes to translate some of its Tony glory to the Oscars, twenty years after the musical competed for Broadway’s highest honors. Cynthia Erivo and Ariana Grande, in particular, are now part of a long tradition of performers who took Tony-heralded parts and made them into Oscar success stories. Time will tell if either of them finishes the season with little golden men clasped tightly in their hands. Still, it’s already possible to contextualize them within this peculiar dynamic, this Tony-to-Oscar pipeline. Because we love lists and statistics here at The Film Experience, let’s recall every case when a Tony-nominated role earned itself AMPAS’ seal of approval…

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Target Audience: Victor / Victoria (1982)

by Nathaniel R

VICTOR / VICTORIA

Last month I had the pleasure of rewatching Blake Edwards 7-time Oscar-nominated musical comedy Victor/Victoria (1982). The occasion was to prep for a conversation with our friend Ben Miller for his podcast "Target Audience" in which Ben invites a guest to discuss a movie that they feel was made for them for all kinds of differing reasons, beauty being in the eye of the beholder...

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Almost There: Judy Garland in "The Wizard of Oz"

by Cláudio Alves

On a stressful day such as this, cinema can be a comfort. The movies are often prized for their escapist properties, so why not escape into their celluloid dreams once one's civil duty's done? I propose a trip to Oz before the first Wicked movie redefines what future generations will picture when they think of that magical land with emerald cities and yellow brick roads. But we're not here to talk fairytale architecture, good or bad witches. Instead, our focus shall be on the little girl who adventures into that world, swept by a Kansas tornado, from sepia-toned monochrome into three-strip Technicolor. It's time to talk about Judy Garland's Dorothy, a performance on the cusp of an Oscar nomination once upon a time. She was almost there…

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Ten Times 2024 Movies Should Have Leaned Harder into "Movie Musical" Genre

by Nathaniel R

I’m back! Well, not quite but working towards it. We're going to do an 80s theme in early November, okay? But let’s start with a question and a list to prove that I have actually been watching movies (and am alive) though I’ve rarely been writing and miss it terribly.

Has it been a good, bad, or ugly year for the always threatened Movie Musical genre? 

 The greatest of all movie genres is always threatened with extinction but it's also resilient and still with us almost a century after its debut.  The year isn't over so the initial bolded question is premature. Mean Girls was a dud early in the year and the highly anticipated Joker Folie A Deux is currently flopping which serves it right for sidelining Lady Gaga (of all people) and being so uncomfortable about calling itself a musical. But we've still got one famous stage adaptation (Wicked), two experiments (The End, Emilia Perez),  one animated adventure (Moana ), and three musician biopics (A Complete Unknown, Maria, and A Better Man) arriving before year's end so there's still hope.

Here are ten movies from 2024 that could have been musicals with a few tweaks or even more insanity from their auteurs. Consider...

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Poll: What's Gaga's Best Leading Lady Turn?

by Cláudio Alves

Have you ventured into the movie theater to watch the bomb of the season? Joker: Folie à Deux has confounded film critics and fans alike, leading many to point fingers at its creators in hopes of finding someone to blame. Some hate its moroseness, others can't stand the showtune numbers or the entire song and dance idea. Still, in the middle of this ruckus, one name should be left out of the discussion. Lady Gaga is the best thing about the DC Comics musical, even if she's terribly underutilized by Todd Phillips. Indeed, many Little Monsters have taken to social media to catalog every shot seen in the trailer or behind-the-scenes footage that centered on Mother Monster but somehow didn't make it to the finished flick. One can only imagine that more Gaga would have done Folie à Deux a world of good.

Regardless, the singer turned movie star's latest production seems to consolidate her screen siren status. A Star Is Born was no fluke, and though House of Gucci didn't nab her a second Best Actress Oscar nomination, it didn't blemish her filmography too much. Which leads one to ask – what's Gaga's best leading lady turn? You can vote, after the jump…

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