Thursday, September 1, 2022 at 9:00AM by Nathaniel R
Raffey Cassidy, Jury President Julianne Moore, Tessa Thompson, Greta & Noah
Golden Lion winner Deneuve, Jodie Turner-Smith, Cassidy again, Don Cheadle, and HIllary Clinton?
Who was best dressed on the opening night of Venezia 79? It's your choice. Just make one. Vote as often as you'd like.
Sunday, May 22, 2022 at 9:00PM French filmmaker Arnaud Desplechin seems to be on a downward trajectory. His new film, Brother and Sister, has been slaughtered by critics at Cannes, the worst-reviewed Main Competition title so far. For those legions who hoped this would be the year when Marion Cotillard finally won the festival's Best Actress prize, better luck next time! Tarik Saleh's Boy from Heaven was more warmly received despite some cries of conventionality. Through procedural tropes and thriller stylings, the Swedish director explores themes of corruption in Islam, a recurring motif throughout his filmography. These Cannes contenders are both directors' second 2022 pictures – Desplechin's Deception is a new MUBI release, while Saleh's The Contractor has been available for a while. Unfortunately, neither title got much in the way of critical praise.
To keep the Cannes at Home series a celebratory exercise, today's selection looks back at lauded works from these auteurs – A Christmas Tale and The Nile Hilton Incident…
Tuesday, May 17, 2022 at 11:30AM by Nathaniel R
Over the years The Film Experience has provided the Academy with brilliant ideas for Honorary Oscars that they've ignored until it was too late and the worthy recipient died. We're talking luminaries like movie stars Max Von Sydow, Albert Finney, and Doris Day, cinematographer Michael Ballhaus, and voice artist Marni Nixon. (At least they heard us on Maureen O'Hara, Harry Belafonte, Liv Ullman, David Lynch, and Angela Lansbury in time!). So here we are again trying to sway them. They make such strange decisions. Why did Sophia Loren who was already a (deserving) Oscar winner, need an Honorary when she was only in her fifties? Why did they refuse to honor Doris Day because (the rumor is) they knew she wouldn't show but then went ahead and honored Jean Luc Godard who they also knew would never show?
For our suggestions we're limiting ourselves to people over 70... though you could make valid cases for several late 50something or 60somethings if you wanted to like Michelle Pfeiffer, Eddie Murphy, Jim Carrey, Antonio Banderas, Willem Dafoe, Hugh Grant, directors Sam Raimi and Todd Haynes, producer Christine Vachon, or craftspeople like costume designer Sharen Davis or composer Marc Shaiman.
20 RECOMMENDATIONS FOR THE HONORARY OSCAR...
Thursday, June 3, 2021 at 4:41PM by Nathaniel R
Todd Haynes' first documentary is about the seminal band, THE VELVET UNDERGROUND
We've already looked at the competition lineup so here are the other key sections. It's worth noting that though the press mostly focuses on the Competition films, sometimes the buzziest titles come from other sections. There are some juries that pull from multiple sections too like the Camera d'Or jury (which honors first films), as well as two unofficial but exciting competitions, the Queer Palm and the fan favourite the Palm Dog (which names the best dog in the festival... and it's often much more competitive than you'd think with some years offering multiple win-worthy candidates). Director's Fortnight and Critics Week lineups haven't been announced yet but here are the rest of them...
Sunday, October 4, 2020 at 10:00PM 
Back in the 1960s, unlike now, a film could be recognized in the Best Foreign Language Film category one year and still compete for the other Oscars the next. Such a strange fate befell Jacques Demy's The Umbrellas of Cherbourg, an intoxicating love letter to the classic Hollywood musical by one of the most inventive auteurs of the Nouvelle Vague. In 1964, the picture was a nominee for Best Foreign Language Film and would go on to conquer four other nods in 1965, the year of our next Supporting Actress Smackdown.
While it's easy to resent the Academy for not fully embracing the flick (it won nothing), the citations it received, for Demy's script and Michel Legrand's music, were fully deserved...
