TIFF '24: For the Dead and the Dying and Those Left Behind
All of us are on a long journey into death, set on a collision course with the great end that nothing can entirely prevent and no one can avoid forever. Artists are no different, mere mortals like the rest of us. However, the nature of their work means those persons' relationship with our collective finality may take unexpected forms, many of them public. Whether a creator wants it or not, when the finish line comes into conscious sight, their creation shall reflect it. Mortality subsumes the art, even when buried deep within layers of escapism, deflection, and delusion. The brave ones disregard such distractions and stare at the monster head-on. For them, late style is a cinema of death.
Consider the most recent works from two of our greatest masters – David Cronenberg and Paul Schrader. The Shrouds and Oh, Canada are meditations on mortality, made for the dead and dying and, most importantly, those left behind, waiting for their own end…