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Thursday, April 14, 2022 at 7:06AM It is time to stop seeing.
It is time to stop speaking.
It is time to start obsessing...
Crimes of the Future, David Cronenberg, Teaser Tuesday, October 19, 2021 at 9:00AM 
Last week, you were asked to choose a horror movie performance to be analyzed in the Almost There series. From the ten possibilities, the pick was Jeff Goldblum in David Cronenberg's The Fly. Telling the story of a scientist who accidentally gene-splices himself with a housefly, the movie is the platonic ideal of body horror and probably the title most readily associated with the subgenre. Chris Walas and Stephan Dupuis' makeup is justly legendary and won the pair an Oscar. One would think horror would be a mainstay in that particular category, but AMPAS rarely embraces it, even there. Hence why The Fly's awards success feels so thrilling. Unfortunately, it's also why Goldblum's transformative work was ignored...
Friday, April 30, 2021 at 8:18PM • Screen Daily what can we expect to see at Cannes this year?
• Variety Taika Waititi will be back in front of cameras soon, not just behind them. He'll play the pirate Blackbeard for an HBO comedy series
• Deadline Florence Pugh to star in Sebastian Lelio's next film called The Wonder
• /Film Cate Blanchett, Cheyenne Jackson, Haley Bennett, Gina Gershon and more signed on for videogame adaptation Borderlands (Blanchett is the lead)
Pixar artist worries, Cronenberg & Viggo reuniting, HBO's Green Lantern and more...
Thursday, December 3, 2020 at 12:00PM by Jason Adams
Hey! Eyes down here! Thank you. Yesterday came news that the long-rumored sequel-of-sorts to David Cronenberg's 2007 film Eastern Promises was gaining some momentum... and that momentum was taking it straight towards the above-splayed abdominal muscles of one Jason Statham. Should we all be so lucky. And I think you can tell already that I'm hoping this film exists solely for a re-do of Viggo's balls-out sauna-brawl, just subbing in Jason, so we'll just go ahead and get that out of the way upfront. Say hello to our upfront business!
Thursday, July 16, 2020 at 2:28PM Before each Smackdown, Nick Taylor looks at possibilities for an alternate ballot...
Barton Fink and Naked Lunch are two 1991 films with more in common than you'd expect. Both follow writers - one a lifelong devotee of the trade, one quite new to it - who are suddenly plucked from their old lives and dropped into entirely alien worlds, with few reliable sources to guide them. Both tackle the incredibly mundane ache of loneliness and toil of their work, albeit against obstacles like axe murderers and global drug conspiracies. Both are directed by major auteurs and styled to the fucking nines, making their settings as accessible as they need to be while fulfilling some impenetrably strange narrative conceits. And both serve as vivid showcases for the talents of Judy Davis, 1991’s NYFCC winner for Best Supporting Actress, who unfussily acquits herself to two very different, aesthetically demanding milieus. Her brainy, abrasive persona and preternatural expressiveness are cannily utilized in both films, and Davis emerges as an essential element of their respective successes despite her minimal screen time...
