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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Months of Meryl: THE RIVER WILD


"Great post and comments. Yes, Streep had to navigate the rough waters of being in her 40's! I do think she smashed through the glass ceiling for women since she persevered and then became an even bigger star in her 50's." - Sister Rona

"One of my favourite movies from my teen years - I'm shocked at how long ago this was released. It was Meryl that sold this movie for me and is the reason I saw it. At the time, and I still feel this way, she is the reason to watch and believe this film." -Filmboymichael


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Entries in Stage Door (55)

Wednesday
May162018

Stage Door: Disney's Frozen

by Dancin' Dan

Caissie Levy stars as Elsa

You can feel the audience's anticipation. Not for the show to begin, not for the star to come on stage, but for the act one finale, from the moment you step inside the St. James Theater to see Frozen. That's not necessarily a surprise, "Let It Go" being the kind of world-conquering hit song that feels like it's in short supply these days. But it is a strange strange thing to feel when you're seeing a new musical...

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Wednesday
May092018

Stage Door: Joshua Henry Wows in "Carousel"

by Nathaniel R

"So that's why 'Carousel' is rarely revived... got it!"

Dear reader, I have a confession to make. I had never seen the golden age Rodgers & Hammerstein musical "Carousel" performed before this week. Nor had I ever seen the now rarely discussed film version Carousel (1956), starring Shirley Jones and Gordon MacRae. So when I sat down in Broadway's Imperial Theater for the 11-time Tony nominated revival, I really had no idea what to expect...

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Friday
Apr272018

"Carousel" and "Spongebob" lead the Drama Desk Nominations

by Nathaniel R

Jessie Mueller and Joshua Henry in Rodges & Hammerstein's revived "CAROUSEL" which led the nominations

As discussed in a previous recent post, most theatrical awards don't have as direct a correlation to the Tony Awards as film awards do to the Oscars. At the Drama Desk Awards, which have been around almost as long as the Tonys, Off Broadway is also considered so their nominations naturally differ quite a lot. Expected Tony frontrunner The Band's Visit received zero nominations due to its previous Off Broadway run (i.e. eligible last season instead with the Drama Desk)

The nominations are after the jump...

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Wednesday
Apr182018

Stage Door: The Complex Web of Theater Awards

by Nathaniel R

Andrew Garfield in "Angels in America"

Oscar fanatics have it easy. Each year roughly 300 movies are eligible for the Oscar race and those same titles (with very few exceptions) are also eligible for all the other movie awards on this continent. They're even (with a few more exceptions) the same slate of movies that are eligible ACROSS the ocean at the other major English language film awards (the BAFTAs). Not so with theater!

Theater awards, a nichier beast altogether, are ultra territorial and when there is crossover it can feel accidental or play out like an echo rather than a harmonic convergence. The Olivier Awards, for example, just honored Lin Manuel Miranda's blockbuster "Hamilton"  which the Tony Awards honored two years prior but the only real crossover for this year's Tony Awards is likely to be Angels in America which just transferred here with most of its London cast intact...

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Monday
Apr022018

Stage Door: Broadway's Beach Vacations

by Dancin' Dan

It may be April, but New York City is once again covered in a blanket of snow in a winter that won't stop. But thankfully, Broadway is providing not one, but two beach vacations you can take for (slightly) less than a plane ticket to somewhere warm. Escape to Margaritaville and Spongebob Squarepants could not be more different on the surface (although both feature a volcanic explosion as an important plot point), but they do provide some pretty wonderful escapism for anyone longing for warmer climes...

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Monday
Mar262018

Stage Door: Glenda Jackson in "Three Tall Women"

by Eric Blume

The Broadway revival of Edward Albee’s 1994 play Three Tall Women opens on Thursday. It stars Alison Pill, freshly Oscar nominated Laurie Metcalf, and two-time Oscar winner Glenda Jackson, who hasn’t been on an American stage in 32 years.  

Director Joe Mantello builds a stunning production.  Albee’s play, which won the Pulitzer Prize when it debuted off-Broadway in 1994, holds up beautifully, as all of his major plays do.  Albee writes in a theatrical, controlled, but go-for-broke language that soars in the way only the best theater can. Three Tall Women is a major play, like Who’s Afraid of Virginia Woolf? and Seascape and The Zoo Story and A Delicate Balance and The Goat, Or Who is Sylvia?.  It’s mind-boggling when you think of this man’s contribution to the theater, and the deep and compelling issues and emotions he tackled during his long career.

rehearsing Three Tall Women

Act One of Three Tall Women deals with a rich, dying old woman (Jackson), her caretaker (Metcalf), and her legal representative (Pill)... 

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