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Entries in Tammy Blanchard (5)

Tuesday
Jun282022

Stage Door: The unkillable 'Little Shop of Horrors'

'Stage Door' is our new theater column. We'll review plays and musicals and, because this is a film site, we'll end each column with related movie recommendations. - Editor 

Crystal, Ronette, and Chiffon, the doo-wop chorus of Little Shop, are still a major highlight

The October 2019 Off Broadway revival of the singular scifi-horror-comedy-whatsit musical Little Shop of Horrors is still going strong at the West Side Theater in NYC. Well, minus 18 months off for the pandemic of course. The production has been through five Seymours now in its run (Jonathan Groff, Jeremy Jordan, Gideon Glick, Conrad Ricamora, and Skylar Astin) with a fifth on the way; Rob McClure takes over on July 12th so this is your last chance to see Skylar Astin (Pitch Perfect) in the role. Curiously its original Audrey (Emmy winner and Tony nominee Tammy Blanchard) and Orin (Tony winner Christian Borle) are still recycling their sadomasochistic relationship every night in this iteration of Skid Row.  Why can't the show keep a Seymour!?

Well, it is surely an exhausting role even if the anemia and sore fingers from feeding the bloodthirsty plant is fictional...

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Tuesday
Nov242020

Meryl Streep and Renée Zellweger are up for Grammys...

We don't really cover the Grammys here at TFE as it's rather beyond our wheelhouse but to give you a general sense of that awards landscape, Taylor Swift ("Folklore"), and Dua Lipa ("Future Nostalgia") dominated and Beyoncé, too, despite the lack of a new album. Everyone's fav obsession at the moment, BTS, disappointingly scored only one nomination for Pop Duo/Group Performance for "Dynamite". Insane that that wasn't up for Record of the Year.

ALBUM OF THE YEAR

  • Black Pumas -Deluxe Edition (Black Pumas)
  • Chilombo (Jhené Aiko)
  • Djesse Vol 3 (Jacob Collier)
  • Everyday Life (Coldplay)
  • Folklore (Taylor Swift)
  • Future Nostalgia (Dua Lipa)
  • Hollywood's Bleeding (Post Malone)
  • Women in Music Pt III (Haim)

But as we do we focus on categories that fall more under our umbrella here. So after the jump the categories for visual media as well as actors and composers who work primarily in film and television who are up for Grammys this year...

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Friday
Apr152016

Review: The Invitation

A dinner party reunion of estranged friends sets the stage for director Karyn Kusama's unnerving and twisted micro-horror The Invitation. The film's marketing has wisely eschewed going much further than that vague synopsis, for this one is most rewarding when experienced fresh. But don't just expect surprises with what unfolds, but from what's underneath the plentiful chills.

Shot almost entirely within one swanky Los Angeles home, the modest production is deceptive for how easily it gets under your skin and rattles. Its slim budget is hidden by a glossy presentation and a production design that finds the right alchemy of alluring and demonic (paging Daniel Walber!). Kusama treats this house as she does the many characters, all hidden corners of darkness packaged within a polished facade. If you watch The Invitation on VOD, prepare to have home jealousy, for this is pure house porn. And you'll definitely want a glass of wine.

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Sunday
Sep182011

TIFF: "Himizu," "Lovely Molly," "...Nightmare" and "Union Square."

Paolo here, back with yet more TIFF films from the final weekend.

The first film today is Sion Sino's HIMIZU, using the backdrop of the March 11 earthquake to tell the story of fifteen year old Yuichi Sumida's (Shota Sometani) violent dreams and reality. One of his dreams puts him in the Fukushima rubble, where he finds a pistol inside a washing machine and when he wakes up, he checks his own washer to see if it's true. What ensues is school absenteeism, stalking from a lovesick and excitable girl, abuse from his father (who tells him he should drowned him in a river) and beatings from Yakuza loan sharks. 

At one point he has convulsions, a reaction to his unbelievably painful life. It's a raw and forceful performance from Sometani that might be ignored by larger audiences because of world cinema ghettoization. Sino's approach in telling Sumida's story meanders after the point when Sumida stands up to get revenge from these adults.

I feel snobby when I miss films from TIFF's Midnight Madness programme but fortunately, they play them again days after their premieres. Yesterday brought us LOVELY MOLLY from BLAIR WITCH director Eduardo Sanchez. It starts with the young titular character (Gretchen Lodge) explaning, teary eyed, that the actions that her body is committing is not really her. Her seemingly perfect marriage and childhood home disintegrate because of an incubus that haunts her. It is a competent horror film with the occassional excellent moment, especially those in which Lodge confronts her inner monster or becomes one. Lodge, in a debut performance, commits to the role with both eloquence and ferocity.

The transitions between regular film and video cam equipment are smooth.The scares aren't cheap but the intervals between them are far too long. While we're waiting for either the invisible ghost or Molly to attack, we're left with watching close-ups of furniture while eerie music plays on the background. The film can't rely only on great sound design to make its house look creepy. And why does the house have a security system but not proper lighting?

New Isabelle Huppert and Mira Sorvino movies after the jump.

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Tuesday
Jun142011

Red Carpet: Serious Actresses, Voices of Reason, Flamboyant Firemen.

For this week's red carpet convo, Your Movie Buddy Kurt is back to chat with Nathaniel and we're joined by special guest Guy Lodge from In Contention! We're discussing a couple handfuls of usually cross-platform celebrities who hit the Tony Awards.

Kurt: ‬ ‪i should say first that i did not watch the show‬
Guy: ‬ ‪That makes two of us!‬
Kurt:
 ‬ ‪but i did see NPH's opening number. killer.‬
Nathaniel: Here we go... soak it in.

TAMMY BLANCHARD, PACINO, FRANCES & WHOOPI


Guy: WOW where to even begin?
Nathaniel: Let's start at the obvious place. Make up a show in your head that allows for all of these looks to happen. A schizo show it might be...

[long pause]

Guy: ‬ ‪I'm imagining a revisionist take on the Wizard of Oz where a washed-up tennis star, a washed-up Lilith Fair singer-songwriter and a washed-up Julianna Margulies body double all join forces to seek guidance from an all-knowing, black-clad sorceress -- except instead of lacking heart-brain-courage, they simply all lack style. And a mirror.‬
Kurt: ‬ way to make Whoopi the magical negro.
Nathaniel: ‬ ‪I love you, Guy. You've even brought us full circle to TAMMY BLANCHARD's original calling card: that Judy Garland miniseries aeons ago! Tammy is in a sparkly blue number here. I don't think we can top Tom & Lorenzo's comment "serving drag queen realness." But Tammy is a biological woman.
Kurt: She's really out of place here. Has my taste level plummeted or does she look pretty ok?‬

[silence]

wow. ouch.‬
Guy: ‬ ‪That she's also the best dressed person here doesn't bode well.‬
Nathaniel‪: ‬ ‪Well, I've started with dessert - this is as crazy as it gets.‬
Kurt: ‬ ‪fo realz‬. I really want to talk about Frances but we should probably move left to right.
Nathaniel: ‬ ‪We can hop around. Something is telling me that FRANCES MCDORMAND wouldn't mind that breach of etiquette as she showed up to an awards show in a jean jacket!

Guy: ‬ ‪On reflection, I think Whoopi's actually the best-dressed here -- because she looks more like herself than any of the others. You know she only dresses to amuse herself.‬
Kurt: She's amusing me, too.
Nathaniel: ‬ ‪Is that how you explain WHOOPI GOLDBERG's Queen Elizabeth Oscar look?‬
Guy: ‬ ‪Totally. And remember that purple dress with green leggings she wore to the Oscars one year? Frankly, if she pitched up dressed in a sleek Prada number, I'd be worried about her.‬
Kurt: ‬ ‪very true‬

 

Nathaniel: ‬ ‪Perhaps one can say the same for Frances, who clearly cannot be bothered to project FAMOUS MOVIE STAR and instead opts for THEATER COMPANY EARTH MOTHER‬
Kurt: 
‬ ‪this look is absolutely nuts.
Guy:
 ‬ ‪She clearly wants to show how serious she is about her craft that she can't be bothered with all this glam-up business... but come on.‬
Kurt: ‬
‪it's a little tooo defiant‬.
Nathaniel:
 ‬ ‪I was talking to Joe Reid earlier today and he said that he wanted to go on record.‬ 'Make sure someone defends Frances McD' he says. I'm like "ON WHAT GROUNDS?!" and he says "That she's Frances McDormand and can do as she pleases"
Guy: ‬
‪Well, she's Frances McDormand and we love her, but that's as far as the defence goes.‬ Remember the navy dress she wore when she won the Oscar? It was simple and sensible and got the same message across without being fugly.‬
Nathaniel‪: ‬ ‪True Story: I once had a jean jacket and painted Annie Lennox on the back of it (circa SAVAGE cd) and wore it everywhere and everyday. But i don't know that I would have pulled it out for awards night.‬
Kurt: ‬Should Frances turn around then?
Guy: ‬‪Yes, in fairness, we can't see what's on the back of Frances's leather jacket.‬
Nathaniel: ‬ ‪Ha. I think she mentioned some hippie rock band being on that stage last time she was in this very theater.‬. I forget who. Maybe I'm mischaracterizing.
Kurt: from the waist up, she's on her way to see a hippie rock band.
Nathaniel: also she's in Transformers: Dark of the Moon so maybe SHE HAD TO DO THIS to reestablish her Serious Thespian cred.
Guy: ‬ ‪If it has "SUCK IT, VANESSA REDGRAVE" on the back or her jacket in iron-on letters, she's totally forgiven.‬
Kurt: ‬ ‪HAHA
Nathaniel: ‬ Frances nears the triple crown -- just the Emmy remains -- but ‪Vanessa is a triple crowner already
Guy: ‬ ‪As she should be‬

Nathaniel:
As is AL PACINO. Do you think anyone would notice if Whoopi and Pacino traded headgear?‬
Kurt: ‬ ‪i really like guy's washed up tennis star notion; however, i can never look at Al anymore without thinking of Roy Cohn, and here, Roy just got back from a tryst and still has the dude's underwear on his head‬
Nathaniel: ‪That is so wrong Kurt... so so wrong.‬
Guy: ‬ ‪Whoopi's hat would help Al's look -- if only because it could fall over his face and he'd be spared the embarrassment of being recognised.‬
Nathaniel: Was there a hairplug incident? He had to mprovise last minute and Whoopi would just not trade!‬
Guy: ‬ ‪Maybe the hair is ATTACHED to the hairband.‬
Nathaniel: ‬ ‪...serving drag queen fierceness‬.
Kurt: ‬ ‪is that the evening's theme?‬
Nathaniel: ‬ ‪no, sadly.‬
Kurt: ‬ ‪because frances would be lip-synching for her mother effin life‬

Guy: ‬ ‪Aside from the headband, though, what's up with the ill-fitting suit? He looks like a teenager wearing his older brother's tux to the prom.‬
Kurt: ‬ I was gonna say. Sadly, the vest is actually the outfit's worst feature. it's blinding me‬ and it's enormous.
Nathaniel: ‬ ‪Incidentally since you guys missed the show. Frances's acceptance speech was kinda awesome if a little braggy. She said she's played both Stella and Blanche‬ AND ALL THREE OF CHEKHOV'S SISTERS.
Guy: ‬
‪Rub it in, Frances.‬
Kurt: 
‬ That's not easy to boast while wearing that. Rock star.
Nathaniel: ‬ ‪and then implied she thinks this role she won for in "Good People" would one day join the canon of "great parts"‬
Guy: ‬ ‪Yeah, bet she said that about "Handler" in Aeon Flux.‬

BOBBY CANNAVALE & SON, NPH & JACKMAN: DUELING HOSTS, DAVID BURTKA

IT'S NOT OVER! keep reading for...  Catherine Zeta-Jones inner fire (plus super gay firemen!), and Viola Davis as "the Voice of Reason."

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