Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Comment Du Jour
Team Experience's Emmy Ballot

"Love the premise of Feud, but the execution of it? Oof. Molina, Davis and a smattering of technical nods (ex. those opening credits!) would be more than generous, IMO." - Mareko

"Not enough Orange is the New Black mentioned." - Brad

 

What'cha Looking For?
Interviews

Emmanuelle Devos (Retrospective)
Nicholas Galitzine (Handsome Devil)
James Ivory (Maurice 4K Restoraton)
Betty Buckley (Split)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Isabelle Huppert (70)

Monday
May292017

Part One: 70 Best Gowns of the 70th Cannes Festival

by Nathaniel R.

Monica Belluci, Mistress of Ceremonies, in her Opening Night Gown which just missed our list

It's a giant-sized edition of Beauty Break fused with our traditional Red Carpet Lineup today. But before we begin, can we get a final round of applause for Jose's wondrous work charting all the Kidmanifestations this past week?

Kidman aside, or alongside as the case will be in this post, we couldn't let Cannes wrap up without honoring how glamorous the event is in a big way. Kidman wasn't the only goddess just slaying that red carpet. There were so many of them working those premieres that we even had to leave some A listers off altogether (like Charlize Theron who showed up briefly in a sheer black gown but it wasn't quite a wow if she was just going to do drive by fly by fashion. Alas we've now time to photoshop all the looks with our usual minimalist showcased flare -- please forgive -- but you'll see why given the immense amount of gowns we must cover as we say au revoir to Cannes. 

70 BEST GOWNS OF CANNES 70 
35 red carpet wins are after the jump

Click to read more ...

Wednesday
May242017

Red Carpet Lineup: Cannes '17, French Actress Heaven

It's been a little overwhelming looking at all the gowns on display at Cannes but before we get 10 whole days behind, let's celebrate the Gallic glory of French actresses. The 70th Anniversary Cannes party that the festival threw itself in the middle of its week long party had the biggest collection of international stars imaginable including these nine giants of French cinema after the jump...

Click to read more ...

Wednesday
May172017

Cannes Best Actress: Awarding the Best Since 1946

Bonjour! Robert Balkovich here. As the 70th Cannes film festival kicks off let's take a stroll down memory lane and revisit some of the most bold, daring, and 100% correct Best Actress awards the festival has given out. 

When you look at the list of names all together it's hard to argue that it isn't one of the best collection of actors ever grouped. The festival's penchant for awarding the best-of-the-best, started early...

Click to read more ...

Saturday
May132017

Tweetweek: Pink Typography and Tough Pizza

Tweets of the Week. If we couldn't joke about movies the current political climate would be enough to drive us all off the ledge wouldn't it? So here are two tweets that most helped me get through the week by LOL'ing instead of crying.

After the jump: Depp's "technique", ongoing Kidmania, Jessica Chastain, Isabelle Huppert, flat earth, fun photos... and Dick

Click to read more ...

Wednesday
May102017

Jess ♥︎ Isabelle, Part 37

Ginger lovers unite! Vive Cannes indeed. More photos at THR and delicious quotes like this one from Jessica on her first trip to Cannes:

When Tree of Life went to Cannes, all the interviewers were asking me about my favorite actors and actresses because I was new to the industry, and they wanted to get to know me. I was always gushing about this little, unknown actress Isabelle Huppert. (Laughs). Everyone kept saying, "She's here." And so they were trying to get an introduction. We had dinner in Paris. And when I said to her: "Oh, I love you. You're my favorite actress," she goes, "I know." (Laughs.) Because that's how much I was talking about it.

Wednesday
May032017

Michael Haneke's "Happy End" Gives An Unhappy First Glance

With just about two weeks to go before its seaside premiere at the 70th annual Cannes Film Festival, the first image for Michael Haneke’s Happy End – his latest cold dose of cruel reality – has landed as hard as the realization that one day we will all die, and most likely alone. Of course, Haneke returns to Cannes this year a reigning champ, double-fisting Palmes d’Or after his last films to grace the Competition – The White Ribbon and Amour – emerged victorious. The question on many minds going into this year’s festival is whether he’ll win the top prize for a third time and break the all-time record he holds alongside fellow international auteurs Alf Sjöberg, Francis Ford Coppola, Bille August, Emir Kusturica, Shohei Imamura, the Dardennes brothers, and last year’s surprise winner Ken Loach.

Happy End reunites Haneke with two performers who have arguably given career-best performances under his clinician’s gaze: Isabelle Huppert, The Piano Teacher herself, and Amour’s Jean-Louis Trintignant; familiar faces Toby Jones and Mathieu Kassovitz round out the cast alongside fellow first-timers Franz Rogowski and Fantine Harduin. While little is known of the plot’s particulars, we do know that Happy End focuses on a French bourgeois family living comfortably in the port town of Calais as the European refugee crisis washes ashore in their midst, considerably less comfortably. The image above shows our main cast dining al fresco around a white-on-white-on-white table in the fashionably casual spring wear you’d expect from the seaside privileged, a breeze surely blowing somewhere in the air. Meanwhile, you can tell by their gazes of curious dispassion that you’re unmistakably inside a Michael Haneke film. Of all of his frown-triggering films to debut at Cannes in the main Competition – Funny Games (’97), Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour – which sends your soul spiraling the deepest and darkest, and why?