Almost There: Mia Farrow in "Broadway Danny Rose"

by Cláudio Alves

When presenting his list of new streaming titles for July, Nathaniel paid special attention to the 1984 Woody Allen comedy Broadway Danny Rose. It was the first Allen film he ever saw, and the first time Mia Farrow got serious Oscar buzz for her collaborations with the director. Previously, her closest brush with the Academy Awards had come with Rosemary's Baby, way back in 1968. But, of course, as we know, that buzz never materialized into an actual nomination, and Farrow remains Oscarless to this day, despite a filmography full of incredible performances. Indeed, this series could have an extensive miniseries dedicated exclusively to the actress, so vast is her number of "Almost There" cases.

That miniseries might happen one day, but, for now, let's focus only on Broadway Danny Rose and Mia Farrow's brilliant work in it…

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Doc Corner: 'Allen v. Farrow' & 'Framing Britney Spears'

By Glenn Dunks

How do you go about making a film or a series about celebrity scandal let alone writing a review of those very projects? It’s difficult. It is virtually impossible to not bring one’s own history and baggage to a work like Allen v. Farrow or Framing Britney Spears. And then there are the works themselves, both of which confront subject matters that demand the audience assess—or re-assess—their own thoughts and responses to damaging events in the lives of the rich and famous that played as entertainment for the masses in less enlightened times of media representation.

Arguably the two biggest works of documentary to have arrived in the first quarter of 2021, I actually don’t think either of them really work. They sure are thorny works, though, that push the viewer into murky areas that need to be explored.

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Performing Spectatorship

by Cláudio Alves

As people who love cinema, I think we can all understand the power art can yield over those who experience it. Whether finding refuge in an escapist dream or seeing an ugly truth reflected at us, the act of being an audience has the potential to startle and surprise, to devastate and entertain. I can often recall those moments when a film overwhelmed me in such ways that I ended up making a spectacle of myself. There were my sobbed laughs at a Whitney Houston karaoke in Toni Erdmann, the breathless shock at Hereditary's peanut panic, the miraculous tears when faced with Parasite's perfect montage and so much more. Those memories are like precious jewels, bright reminders of why I love cinema.

Because of this, I have a special fondness for films that try to capture that inchoate ecstasy that happens when an audience is similarly enraptured…

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Showbiz History: Lost in Translation, Eyes of the Mummy, and Clive Owen

10 random things that happened on this day, October 3rd, in showbiz history

1918 CENTENNIAL ALERT: Ernst Lubitsch's The Eyes of the Mummy, starring Pola Negri and future Oscar winner Emil Jannings, premieres in Germany. It will take four years to make it to the US. You can watch this early horror film in its entirety on YouTube. It's not very good but Lubitsch would go on to a brilliant career directing screwball comedies. Negri plays a girl rescued from captivity in an ancient Egyptian temple but her nightmare is only just beginning!

1929 Actress Jeanne Eagels, the star of The Letter that year, dies of a drug overdose at 39, after which she becomes the first (and still only) actress ever Oscar-nominated posthumously...

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Rosemary's Baby Pt 3: All of Them Witches

50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team.

In Part One Seán McGovern sang the praises of Oscar winning Ruth Gordon as nosey neighbor Minnie to Mia Farrow's iconic Rosemary. The apartment is a find for Rosemary and her husband Guy (sleazy John Cassavettes) but the Bramford sure has sinister tenants.

In Part Two Jason Adams eyed fascinating visual details as the perversions mount and Rosemary becomes emaciated and pale -- aren't pregnancies supposed to make you fill out and glow? As we pick back up Rosemary has just left the funeral of Hutch. He left her a book and a cryptic message "the name is an anagram." 

Part 3 by Nathaniel R

1:26:00 Rosemary never gets a moment to herself. Home from the funeral she barely has time to hang up her hat and throw off her shoes and the doorbell is wringing. I'll give you one guess as to who it is. 

Minnie, yup. Notice how chalky that drink is *wretches* and how much Ruth Gordon is doing in every scene including this brief one, conveying just how watchful, manipulative, and blasphemous Minnie is  -- "Grace, one of my favorite names" -- underneath all the old-lady eccentricity, flashy clothing, and innocuous chatter. 

1:27:00 Hutch wrapped the book up tightly like a gift, but it's not a pleasant one...

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