The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
There is a certain general structure that can be expected in films about fighters. A boxer or wrestler will be driven to succeed through sheer strength and commitment to their craft, and will usually have a firm supporter in their corner egging them on and ensuring that they don’t falter. Inevitably, an injury or some outside factor will threaten their physical ability, and that will be precisely the moment that everything is riding on their performance, including a large sum of money that will make or break their future. If that’s essentially the narrative framework, the richness of the characters and the performances is what’s needed to differentiate a specific film from the pack.
Let’s take a look at a new theatrical and VOD release, Jungleland…
The first sign of Trial By Fire’s problems is that its title is a pun, and I welcome any and all puns. It's perhaps not the most sensitive way to approach a film that begins with a house fire that takes the lives of multiple children. Maybe don't do that.
But then again, sensitivity isn’t the film’s strong suit. As directed by Edward Zwick (yes that Edward Zwick, primarily known for epics your dad might love like Glory and The Last Samurai), the film is a not-quite-thoughtful look at a true story of Death Row Texas. Jack O’Connell stars as Cameron Todd Willingham, a man convicted of a home arson that took the lives of his three children despite his claims of innocence. His case is doomed by prejudice and a corrupt system until he meets the correspondence of Laura Dern’s good samaritan Elizabeth Gilbert.
AV Club RIP voice acting legend June Foray Variety Amazon is moving into being their own distributor now after partnering with other distributors before. They'll try it out with Woody Allen's Wonder Wheel which they seem to have high hopes for. Screen Crush It's official - Emoji Movie is worst reviewed wide release of the year
/Film a photo tour of the Jim Henson exhibit at the Museum of the Moving Image Deadline Anne Hathaway circling the Barbie movie that Amy Schumer abandoned Coming Soon Warner Bros considering "formidable" Oscar campaign for Wonder Woman
off cinema Variety Jack O'Connell talks about his nude scene in the new revival of Cat on a Hot Tin Roof and why he hasn't watched Paul Newman in the film version Playbill Ellen Greene shares a scrapbook from the original run of Little Shop of Horrors Chicago Tribune recommended theater shows on a budget in Chi-town Boy Culture the world's youngest living Madonna fan - a 13 year old violinist! Exeunt a piece about that 'critics camp' I went to this month by one of the other fellows NYT terribly sad debacle going on with The Great Comet of 1812 on Broadway. When I first heard about Mandy Patinkin's casting I was thrilled because I haven't yet seen the show and totally love that man. But it seems in order to accomodate him (in the role formerly played by Josh Groban) they were ousting their current leading man Okieriete “Oak” Onaodowan (from Hamilton)earlier than his scheduled final date. The optics look bad even though Broadway shows do these type of celebrity casting changes constantly. Patinkin has now dropped out and Oak won't extend and now the entire cast, which includes several actors of color (the show was previously praised for its diverse casting), could be out of jobs because they might close early due to the public outrage.
Exit Video The new Charlie XCX video "Boys" is a sexy blast. So many celebrity cameos including the internet's current boyfriend Riz Ahmed, diver Tom Daley, and a slew of musicians. There is a chainsaw in this video but as Charli states
On this morning's today in showbiz post we forgot one important anniversary. Or rather we just saved it for later as it deserved everyone at full attention. On this day in 1935, eighty-two years ago, the first pair of men's briefs were sold in Chicago and they flew off the shelves. That's right. The tighty whitey did not even exist before 1935. They were later retroactively named "jockeys" and have gone by many names since.
Surely this deserves its own cinematic beauty break? Ready set go...
In a curveball for "Posterized" which usually looks at major movie stars, let's talk about the 25 year old rising star, Jack O'Connell whose fame is entirely dwarfed by his co-stars (Julia Roberts & George Clooney) and his director (Jodie Foster) in this weekend's big release, Money Monster.
Though he's recently headlined a $100 million hit (Angelina Jolie's Unbroken), and two critically lauded indies (prison drama Starred Up & the wrenching nail-biter '71) he isn't exactly a household name. (I met him once at a party for Unbrokenand while Angelina Jolie and some of his co-stars were holding court with well wishers he was keeping a low everyman profile near the bar -- you definitely wouldn't have recognized that he was the star of the picture -- but was friendly and humble about that big opportunity and showcase when approached.)
Cut to May 2016. With his new film opening, will people even know he's "that guy from Unbroken" when they catch him as the desperate threat crashing Clooney's finance show in the new thriller (see the trailer)? (Given how long O'Connell has been working overseas, breaking through as so many young Brits have on the television show Skins, perhaps it's a whole different fame ball game in the UK? UK readers will have to tell us.)
But in the meantime, tell us: how many of his pictures have you seen? All the posters are after the jump...
Thursday, November 5, 2020 at 4:05PM 
There is a certain general structure that can be expected in films about fighters. A boxer or wrestler will be driven to succeed through sheer strength and commitment to their craft, and will usually have a firm supporter in their corner egging them on and ensuring that they don’t falter. Inevitably, an injury or some outside factor will threaten their physical ability, and that will be precisely the moment that everything is riding on their performance, including a large sum of money that will make or break their future. If that’s essentially the narrative framework, the richness of the characters and the performances is what’s needed to differentiate a specific film from the pack.
