94 Songs vie for the Oscar

by Cláudio Alves

ORLANDO: MY POLITICAL BIOGRAPHY is an unlikely contender but you gotta love its boldness.

The Academy has released a couple of eligibility lists, including one for the Best Original Song race. Ninety-four different tunes have been submitted for the Oscar. It's three maximum for each movie, from which only two can be nominated for the same title. Barbie, The Face of the Faceless, A Good Person, The Little Mermaid, State of the Unity, and Wish have submitted three, while many other projects went for double trouble. There are no significant surprises in terms of omitted contenders, but some submission choices delight with their boldness, and others shock because their origin is so obscure. For example, I quibble with the one song chosen from Dicks: The Musical and Carmen. I'm also delighted that Orlando: My Political Biography threw its hat in the race and just found out some of these movies even exist.

From American Symphony to Wonka, come discover the complete list of submissions…

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"The Color Purple" and the Best Supporting Actress Oscar History

by Cláudio Alves

A shadow of uncertainty has loomed over the awards season for a long time. It was the enigma of a major contender yet unwatched until last week when the first screenings of The Color Purple movie musical finally took place. Now, it feels like the race is truly on, with the Blitz Bazawule's picture firmly established in the run for gold. And of the categories it might compete in, Best Supporting Actress is the surest bet. Indeed, some folk are already predicting Danielle Brooks for a sweeping victory thanks to Sofia, the sing-and-dance version of the same role that earned Oprah Winfrey a nomination 38 years ago. On stage, both Brooks and Felicia P. Fields have earned nods for the part, too. But will Taraji P. Henson's Shug Avery follow her into the 96th Academy Awards ballot? 

These matters make one think about the history of the Best Supporting Actress Oscar, its embrace of musicals, and its propensity for nominating multiple people from the same film…

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Paul Mescal is the Melancholic Heartthrob of Our Dreams...

by Cláudio Alves

...but not even he could make Foe worth watching.

Since Normal People hit the small screen in 2020, the Irish actor has enjoyed a rise to fame like few before. Still, his breakthrough performance as Connell Waldron could have been a one-hit wonder with its staggering vulnerability never to be repeated. Thankfully, that wasn't to be. Though his big-screen debut, The Lost Daughter, didn't ask much from the Maynooth-born hunk with perpetually sad eyes, the 2022 double feature of Aftersun and God's Creatures revealed surprising range. So much so that he secured his first Oscar nomination for the Charlotte Wells stunner, a rare honor for its kind of understated work.

Garth Davis' Foe is the first significant stumble in a mostly impeccable resume. Still, that need not be the end-all-be-all of Mescal's 2023…

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This isn't your mother's "Mean Girls"

by Cláudio Alves

Maybe this trailer deserves the "Yes, No, Maybe So" treatment, but why do all that work when the answer is a resounding NO? Though the musical of Mean Girls isn't an especially well-regarded Broadway property, there was some hope regarding its transfer to the screen. That was before it kept getting delayed until landing on the dumping ground of January 2024. Everything's pointing to it being a disaster, and the first trailer only accentuates those doubts rather than dispelling them. And no, it's not just because it's so eager to make the original audience for Tina Fey's teen comedy feel as old as Methuselah…

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Barbie Prep: Letterboxd, Watchlists, Oh My!

by Cláudio Alves

We're in the home stretch, less than a week until Barbie arrives in theaters like a shock-pink supernova. The promotion has been near manic in intensity, with the cast showing off their best Mattel cosplay worldwide and Warner Bros. pulling no punches. However, it's not all red-carpet glamour and real-life dream houses, with writer-director Greta Gerwig doing much to excite the global cinephilia by hinting at her Barbie's debt to great cinema of yore. She's been very vocal about the cast and crew watch parties, studying the hyper-artifice of studio classics, and even getting on the phone with Peter Weir to get some tips relating to The Truman Show.

In a recent Letterboxd interview, Gerwig went into a personal watchlist she curated, starting with 29 titles that eventually expanded to 33 during the conversation. It's a vast collection of titles, from 1930s screwball to modern Almodóvar…

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