Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Entries in animated films (389)


Podcast: Pre Oscar Grab-All 

The gang gets back together as Oscar approaches. Nathaniel RNick DavisKatey Rich, and Joe Reid discuss what they've been watching as they prep for Oscar night. How many movies do YOU still have left to see? (Or are you not a completist?)

Index (41 minutes)
00:01 What we still haven't seen
02:30 Loving Vincent & Animated Feature
08:40 Andrey Zvyagintsev's Loveless, Russia's nominee
12:00 Short Film categories
15:00 A Fantastic Woman & Foreign Film
20:00 Acting Categories
23:00 Lady Bird, actressy movies, messy trivia
29:30 Preferential ballot theories
33:00 Director/Pic splits and The Shape of Water
37:00 Who will present Best Picture?
40:30 The End

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Grab-All Oscar Talk


16 days til Oscar. Ranking the 16 Animated Feature Winners

by Nathaniel R

which movies willed this category into existence?

With just 16 days to go until Coco wins Pixar its 9th Academy Award for Best Animated Feature let's look back over the first 16 years of the category. (Yes, that's right math geniuses, Pixar has won a full 50% of the animated Oscars thus far.)

The History, Chronologically

1988-2000 The category didn't exist until 2001 but it wasn't just created on a whim. The previous dozen years which included the renaissance of Disney, the sizeable popularity influence and beauty of what was happening in Japanese animation, the explosion of new animation studios all over the map, and the rise of Pixar in particular, all led us to the inevitable: an Oscar category for animated features...

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Cry Baby Cry, Make the Devil Sigh

 By Salim Garami

What's good?

Yuasa Masaaki is going to have a really good 2018 year. Earlier last month, North American animation distributor GKIDS announced they had acquired distribution rights to his two works from 2017, Lu Over the Wall and The Night Is Short, Walk on Girl, as well as his 2004 cult hit Mind Game. The acquisitions can promise no less than a breakout in recognition in the U.S. for the 52-year-old animator and his studio Science Saru. And yet, it's only apparently going to be riding on the tail of Yuasa's latest release, the Netflix anime series Devilman Crybaby, inspired by Nagai Go's tragic action-horror manga series...

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Coco Rules Over the Annie Awards

by Nathaniel R

In one of the least shocking events of this awards season, Disney/Pixar's Coco swept the Annie Awards this weekend, winning in every category in which it was nominated. 2017 was widely seen as an underwhelming year for animated features but we should face facts: Coco would have been a strong contender for Oscar gold in many other years, too.

The complete list of winners (Coco wasn't eligible in every category) and a few more comments after the jump...

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Producer's Guild Nominations: Wonder Woman is this year's Deadpool

by Nathaniel R

The Producer's Guild, by "virtue" of the fact that they have more nominees than Oscar each year, often get fairly close to "predicting" the Best Picture list. This year they've chosen 11 titles. Recency bias surely helped give Molly's Game a winning hand and the PGA's love of the blockbuster delivered for Wonder Woman which is a good call here since it did help define the year and superhero movies are very much producer events. Last year Deadpool was nominated at the PGA and was the only film to drop off on Oscar nominaiton morning. The other 9 pictures selected are all then looking strong as Best Picture possibilities for the Oscar nominations on January 23rd. Nominations and more commentary after the jump...

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A New Grinch on the Block

Chris here. Perhaps now that Christmas has ended and the holiday afterglow might prevent some from shouting "blasphemy!", it's safe to tell you that next Christmas will bring us a new animated Grinch. This retelling will be coming from Illumination Studios, which turned the minions of Despicable Me into a cash cow - so you can safely expect sturdly box office and cute goofiness. 

The Grinch will be voiced by Benedict Cumberbatch, whose dulcet tones are a fair choice if this film will be chasing the sound of Boris Karloff's original animated narration. Our first peek of the mean green one is above, and while it promises a "meaner" Grinch, he's looking awfully cuddly to me.


The 2017 Animated Contenders: "Birdboy: The Forgotten Children"

by Tim Brayton

For the finale of our five-part tour of some of the more obscure films competing for the Best Animated Feature Oscar, we turn to a film that premiered over two years ago, but has only just opened in the U.S. this very weekend: the Spanish psychological horror cartoon Birdboy: The Forgotten Chidlren. The film is based on the comic Psiconautas by Alberto Vázquez, who co-writes and co-directs with Pedro Rivero; it's the duo's second film based on these characters, following the 2011 short Birdman, which serves as the new feature's backstory (the short is available online).

The basic hook here couldn't be any more direct or nasty-minded. This is a silly talking animal film warped into a portrait of the world as bleak, hopeless hell. "Psychological horror," I called it, because I'd be hard pressed to name any better category, but that's not really enough to communicate the sheer, visceral nastiness of this film. It's a mere 76 minutes long, and even that's almost too long to spend with the film's altogether putrescent depiction of a world that has died, with the survivors still tottering around in the corpse of that world, forced to confront some truly cruel moments. Also, they're fuzzy critters.

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The 2017 Animated Contenders: "In This Corner of the World"

by Tim Brayton

Of the 26 animated features submitted to the Academy of Motion Picture Arts and Science for Oscar consideration last month, a respectable five – just the thinnest hair under 20% - came from Japan. Ignoring Oscar eligibility, and throwing Your Name. on the pile (it was a 2016 Oscar hopeful but its commercial U.S. release came this spring), and 2017 has been a pretty fine year for anime in the United States.

Out of all those films, I humbly submit that the best one is In This Corner of the World, director Sunao Katabuchi's adaptation of a 2007-'09 manga series by Fumiyo Kōno. It's actually the story's second cinematic incarnation: in 2011, it was adapted in live-action. I haven't seen that film, but even so, I cannot fathom how it could be anything but a pale echo of the Katabuchi film: In This Corner of the World is an extraordinary triumph of animation as a storytelling vehicle. And this is no less true just because it's telling a mostly realistic story that doesn't "need" to be animated...

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