The First Oscar Eligibility Lists are Here!

by Cláudio Alves

PIECE BY PIECE is the only film competing in both the ANIMATED and DOCUMENTARY Oscar races.

At long last, AMPAS has started divulging its eligibility lists for the 97th Academy Awards. As is usual, the first categories to be announced are the special feature races – Animated, Documentary, and International Film (click on each category to see their prediction pages). This year, 31 cartoons vie for the Oscar, while 167 docs form the non-fiction race. In Best International Feature Film, this year has 85 official submissions. This state of affairs differs from some of the earlier reports that pointed toward 89 films contending, but we're used to many disqualifications. It's a steep decline from the past few years, and it's the first time since 2018 that the number of total submissions is below 90. We have to go back to 2015, with 82 nations competing, to find a year with even fewer films in contention.

You can read more about such trivia in Nathaniel's extensive two-part overview of the Best International Film race. Still, I added some additional trivia for all three categories in this write-up. Find out more after the jump…

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Doc Corner: 'Navalny' is the first Oscar contender of '22

By Glenn Dunks

What luck it is to be a filmmaker in the room at such moments of historic opportunity. Canadian director Daniel Roher has made one previous feature, a music bio-doc about The Band, which probably isn’t the sort of bellwether for somebody who is about to capture evidence of the plot to assassinate the political rival of Vladimir Putin. But here we are.

Because of that luck and whatever directorial smarts got him there, Roher and his film Navalny are surely very real contenders for the documentary Oscar, the first such major title of the year.

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Oscar Volley: Who will triumph in Best Documentary?

Team Experience is discussing the various Oscar categories. Here's Baby Clyde, Glenn Dunks, and Nick Taylor to discuss Best Documentary Feature.

Baby Clyde: Every December (Or more likely January) when I’m putting together my year end ‘Best of’ list, it’s always filled with docs and International Features. In recent years I’ve found them vastly more interesting than the prestige pics that get churned out by Hollywood and inevitably nominated for Best Picture (I’ll be coming to that soon). 2021 was no exception. Half of my Top 10 is made up of documentaries. Three of which have made it into this category.

The big, splashy, hit of the year Summer of Soul, cleared its biggest hurdle by making the list in the first place. (The sometimes snobby Doc branch is notorious for snubbing the crowd pleasers -- Remember the Won’t You Be My Neighbour? debacle).  Whilst I’m mostly delighted by the quality of the nominees it does leave me with a quandary... 

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