Best Supporting Actress in the 80s: An Alternative Oscar History

by Cláudio Alves

Out of Oscar's Best Supporting Actress winners from the 80s, Anjelica Huston is the only one who repeats the feat in my ballot. But not for PRIZZI'S HONOR!

Since the Best Actress post did so well, let's tackle another category in my Alternate Oscar history. We're still keeping with the thespians and the divas, because those are always the most beloved races here at The Film Experience. Once again, I followed Oscar eligibility rules when building these ballots, but also included honorable mentions, ineligible standouts, and some enticing prospects for some future movie-watching adventures. Any and all recommendations are welcome, of course, and you're welcome to tear these lineups to shreds – as if you needed an invitation. From 1980 to 1989, from actresses playing actresses to screen sirens for the videotape age, here are my Best Supporting Actress picks for our "Totally Awesome 80s" month…

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Ever After @25: A Timeless Cinderella Story

by Cláudio Alves

A quarter century ago, Hollywood remade the Cinderella story as it often does. Only this time, the fairytale was without fairies or any inkling of magic beyond the mystery of love. And Leonardo da Vinci, of course, for he's something of a wizard figure in the restyled narrative in which Perrault's classic tale is reworked through the Grimms' imagination and 1990s 'girl power' impetus. Da Vinci is also the movie's Achilles Heel, a miscalculation by the writing team of director Andy Tennant, Susannah Grant, and Rick Parks. Not that the misfortune wrecks the picture – Ever After is too charming for that. 

Indeed, the Drew Barrymore vehicle remains an entertaining period rom-com all these years after its release, its strengths only glowing brighter in retrospect. How can one resist Jenny Beavan's costume designs, George Fenton's impassioned score, Anjelica Huston's sharp spin on the evil stepmother archetype, and so much more? This Ren-Faire Cinderella deserves celebration…

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"The Dead" and the end of John Huston

by Cláudio Alves

Few cineastes can count their last film among their greatest works. Fewer still finish a career, a life, with their best cinematic effort. As much as I admire such gems as Ophüls' carnivalesque Lola Montès, the amorous musings of Dreyer's Gertrud, the bittersweet self-reflections of Akerman's No Home Movie and Varda's Varda by Agnès, I wouldn't classify any of those pictures as their director's crown jewels. John Huston's a whole different matter. 

The American filmmaker, whose career spanned six decades, finished his last picture in 1987. Faithfully adapted from a short story by James Joyce, The Dead may not be as influential as The Maltese Falcon, as exciting as The Treasure of the Sierra Madre, nor as tragic as The Misfits, but, as far as I'm concerned, it's Huston's most ravishing creation…

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Streaming Roulette, July: Angels, Witches, Hamilton, and the Czech New Wave

If you're new to the site this is how we share new streaming offerings for the month. We select a handful or two of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating.  Ready? Let's play...

[Eavesdropping]
Mum: Look at the lovely sunshine all the other boys are out their playing in the water.
Dad: Pick up your knife.
Mum: You're just like your father.

The Witches (1990) on Netflix
The Grand High Witch watches a young child eating. She hates children! Has any actor had as genius a double feature as Anjelica Huston did in 1990 with The Witches and The Grifters? (Besides Kidman in 2001, of course!) Good lord she was on fire in the late 80s and early 90s. If you've never seen this you should watch it before the remake with Anne Hathaway starts filming. 

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Horror Actressing: Anjelica Huston in "The Witches"

by Jason Adams

What's your favorite flavor of witch? Do you prefer a goth punk madwoman like Fairuza Balk in The Craft? A sexy hyper-stylish artiste like Tilda Swinton in Suspiria? A cackling crone like Margaret Hamilton in The Wizard of Oz?

What if I told you you didn't have to pick just one? That there exists a witch out there already that snatches a dash of this, a dash of that, until her cauldron bubbles over with the cartoonish bombast of Cruella de Vil meets Helena Markos. I think you'd nod, say duh, throw your head back and holler, "Anjelica Huston as the magnificent Grand High Witch forever, darling-kk!!!"

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